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After a close encounter with a bus, Alona Dare goes from homecoming queen to Queen of the Dead. She’s stuck as a ghost in the land of the living with no sign of the big, bright light to take her to a better place. To make matters worse, the only person who might be able to help her is Will Killian, a total loser outcast. More than anything, Will wishes he didn’t have the rare ability to communicate with the dead, especially the former mean girl of Groundsboro High. He’s not filling out any volunteer forms to help her cross to the other side, though it would bring him some welcome peace and quiet. Can they get over their mutual distrust -- and quasi-attraction -- to work together? Readers of this spirited paranormal comedy won't want this odd couple to ever part.
After being sent back from the light, Alona Dare - former homecoming queen, current Queen of the Dead - finds herself doing something she never expected: working. Instead of spending days perfecting her tan by the pool (her typical summer routine when she was, you know, alive), Alona must now cater to the needs of other lost spirits. By her side for all of this - ugh - “helping of others” is Will Killian: social outcast, seer of the dead, and someone Alona cares about more than she’d like. Before Alona can make a final ruling on Will’s “friend” or “more” status, though, she discovers trouble at home. Her mom is tossing out Alona’s most valuable possessions, and her dad is expecting a new daughter with his wicked wife. Is it possible her family is already moving on? Hello! She’s only been dead for two months! Thankfully, Alona knows just the guy who can put a stop to this mess. Unfortunately for Alona, Will has other stuff on his mind, and Mina, a young (and beautiful) seer, is at the top of the list. She’s the first ghost-talker Will’s ever met—aside from his father—and she may hold answers to Will’s troubled past. But can she be trusted? Alona immediately puts a check mark in the “clearly not” column. But Will is - ahem - willing to find out, even if it means leaving a hurt and angry Alona to her own devices, which is never a good idea. Packed with romance, lovable characters, and a killer cliffhanger, Queen of the Dead is the out-of-this-world sequel to The Ghost and the Goth.
Alona Dare has been living as Lily “Ally” Turner for over a month...and it's not been easy. Besides being trapped in a body so not as good as her original one, she's failing miserably at playing the sister and daughter of people she barely knows. Plus, she can't help but think that Will Killian - the boy she hates to care about - somehow wishes the real Lily were back. She and Will have been trying to find a solution, looking for a two-for-one miracle that would free Alona and keep Lily alive. Visits to local psychics have proven useless, but then they stumble across Malachi the Magnificent, who seems to be different. His office is full of ghosts, for one thing. But Malachi doesn’t seem to hear or see them, which is odd. Plus, he bolts the moment he sees Will. To make things even weirder, Misty Evans, Alona's former best friend, is waiting in Malachi's lobby and claiming that she's being haunted. By Alona. Will's convinced that Malachi has answers, while Alona is all kinds of pissed that someone's impersonating her. But their efforts to uncover the truth will bring them much unwanted attention and put them directly in the path of a ghost who will stop at nothing for another stab at life. Even if it means destroying Alona.
It was famously stated by the English philosopher Thomas Hobbes that "the Papacy is but the ghost of the deceased Roman Empire, sitting crowned upon the grave thereof"."The Ghost of Rome" explores that concept in detail, utilizing a character-driven narrative to bring life to the final years of the greatest empire the world has ever known. It is the rare work of fiction that informs even as it entertains, illuminating an era that is often derided as the decline of an empire rather than the birth of a kingdom As Rome fell into disrepair, the Kingdom of Christ emerged. It was a transition so seamless that one can only be intrigued by the machinations that allowed the improbable rise of Christianity from a lone hilltop in Judea to conquer the Roman world inside of 350 years. It is a series as ambitious in its aim as it is broad in its scope. It puts you in the shoes of those who lived it, bringing life to many of Roman History's most overlooked contributors while offering the reader a front row view of the rise of the barbarian, the fall of Rome, and the emergence of Christianity as a legitimate superpower.
Goddu traces the development of the female, southern, and African-American gothic in literature between the Revolutionary and Civil Wars, placing in a new historical context Poe's The Narrative of Arthur Gordon Pym, Hawthorne's The Blithedale Romance, Alcott's ghost stories, and Jacobs's Incidents in the Life of a Slave Girl.
Packed full of beautiful black-and-white illustrations from author Chris Riddell, Goth Girl and the Fete Worse Than Death is the second in this ghostly, funny series from the Costa Award winner Chris Riddell. Preparations for the Ghastly-Gorm Garden Party and bake-off are under way. Celebrity cooks are arriving at the hall for the big event and, true to form, Maltravers, the indoor gamekeeper, is acting suspiciously. Very suspiciously . . . Elsewhere at Ghastly-Gorm, Ada's wardrobe-dwelling lady's maid Marylebone has received a marriage proposal. Ada vows to aid the course of true love – and find out what Maltravers is up to – but amidst all this activity, everyone, including her father, appears to have forgotten her birthday! Though they can be enjoyed in any order, continue this deliciously dark series with Goth Girl and the Wuthering Fright and Goth Girl and the Sinister Symphony.
Introduces a spiritual path of personal transformation and rebirth. This book draws on the wisdom of shamans, Tibetan Buddhists, and ancient Egyptians, Michelle Belanger and illuminates death as a beautiful gateway to change and regeneration.--Worldcat.
The third beautifully illustrated book in the series, Goth Girl and the Fete Worse Than Death is a funny, spooky adventure from the Costa Award-winning author of the Ottoline books, Chris Riddell. People are flocking to Ghastly-Gorm Hall from far and wide to compete in Lord Goth's literary dog show. The esteemed judges are in place and the contestants are all ready to win. Sir Walter Splott is preparing his Lanarkshire Lurcher, Plain Austen is preening her Hampshire Blue Bloodhound and Homily Dickinson and her Yankee Doodle Poodle are raring to go. But there's something strange going on at Ghastly-Gorm – mysterious footprints, howls in the night and some suspiciously chewed shoes. With their new friends the Vicarage sisters – Charlotte, Emily and Anne – can Ada and the Attic Club work out what's going on before the next full moon? Though they can be enjoyed in any order, continue this deliciously dark series with Goth Girl and the Sinister Symphony.
Gothic Music: The Sounds of the Uncanny traces sonic Gothic from the echoing footsteps in Gothic novels to the dark soundscapes of Goth club nights. This broad perspective importantly widens the scope of Gothic music from Goth subculture to literature, film, television and video games. This book also provides the musical and theoretical definition of Gothic music that lacks in current scholarship. Whether voicing the spectral beings of early cinema, announcing virtual terrors in video games, or intensifying the nocturnal rituals of Goth, Gothic music represents the sounds of the uncanny.
"This books contains cloven foot notes written by a faun who loves antique furniture."