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My legacy is important to me. I want to leave a legacy that my children and grandchildren could be proud of. A legacy that would be a blueprint for future generations to tweak and make better. I write this book for future generations to learn, grow, and inspire to be a better you. This book is the story of my life and based on true events. It's about a young lady that struggled through her identity crisis and was raised in unstable environments and poverty. A story about a life of tragedy, trepidation, but triumph. I never accepted the ideology of a victim. Instead, I embraced strength, resilience, and a warrior's philosophy. I fit the perfect description of Tupac Shakur's meaning of the saying, "a rose that grew from the concrete." When the odds were stacked against me, I continued to grow mentally, physically, and spiritually. I believe that you are only a victim when you have no choice; otherwise, you are an enabler. I had no choice being born into poverty, but I had a choice on whether to rise above my circumstances. My desire was to break the mental and physical chains plagued in our communities and instill new ones for me and my children. My story goes out to all the people that suffered and survived, The Ghetto Blues. I hope to transform and inspire you to never give up on you.
Ghetto Girl Blue's Art Book: Decorate your coffee table with this dazzling full-color collection of Jessica Holter's visual art. This compilation is a must have for fans of the illustrious author/poet/activist who created The Punany Poets. Holter's visual art is as bold and as audacious as her controversial poetry. The intricate texture of her graphic art will draw you from the very first page, as the poet translates words into an alluring composition of beauty, race, sexuality, identity and gender politics.
Presents brief entries covering the history, significant artists, styles and influence of blues music.
It started with the searing sound of a slide careening up the neck of an electric guitar. In 1970, twenty-three-year-old Bruce Iglauer walked into Florence’s Lounge, in the heart of Chicago’s South Side, and was overwhelmed by the joyous, raw Chicago blues of Hound Dog Taylor and the HouseRockers. A year later, Iglauer produced Hound Dog’s debut album in eight hours and pressed a thousand copies, the most he could afford. From that one album grew Alligator Records, the largest independent blues record label in the world. Bitten by the Blues is Iglauer’s memoir of a life immersed in the blues—and the business of the blues. No one person was present at the creation of more great contemporary blues music than Iglauer: he produced albums by Koko Taylor, Albert Collins, Professor Longhair, Johnny Winter, Lonnie Mack, Son Seals, Roy Buchanan, Shemekia Copeland, and many other major figures. In this book, Iglauer takes us behind the scenes, offering unforgettable stories of those charismatic musicians and classic sessions, delivering an intimate and unvarnished look at what it’s like to work with the greats of the blues. It’s a vivid portrait of some of the extraordinary musicians and larger-than-life personalities who brought America’s music to life in the clubs of Chicago’s South and West Sides. Bitten by the Blues is also an expansive history of half a century of blues in Chicago and around the world, tracing the blues recording business through massive transitions, as a genre of music originally created by and for black southerners adapted to an influx of white fans and musicians and found a worldwide audience. Most of the smoky bars and packed clubs that fostered the Chicago blues scene have long since disappeared. But their soul lives on, and so does their sound. As real and audacious as the music that shaped it, Bitten by the Blues is a raucous journey through the world of Genuine Houserockin’ Music.
A contemporary of blues greats Blind Blake, Tampa Red, and Papa Charlie Jackson, Chicago blues artist William "Big Bill" Broonzy influenced an array of postwar musicians, including Muddy Waters, Memphis Slim, and J. B. Lenoir. In Blue Smoke, Roger House tells the extraordinary story of "Big Bill," a working-class bluesman whose circumstances offer a window into the dramatic social transformations faced by African Americans during the first half of the twentieth century. One in a family of twenty-one children and reared by sharecropper parents in Mississippi, Broonzy seemed destined to stay on the land. He moved to Arkansas to work as a sharecropper, preacher, and fiddle player, but the army drafted him during World War I. After his service abroad, Broonzy, like thousands of other black soldiers, returned to the racism and bleak economic prospects of the Jim Crow South and chose to move North to seek new opportunities. After learning to play the guitar, he performed at neighborhood parties in Chicago and in 1927 attracted the attention of Paramount Records, which released his first single, "House Rent Stomp," backed by "Big Bill's Blues." Over the following decades, Broonzy toured the United States and Europe. He released dozens of records but was never quite successful enough to give up working as a manual laborer. Many of his songs reflect this experience as a blue-collar worker, articulating the struggles, determination, and optimism of the urban black working class. Before his death in 1958, Broonzy finally achieved crossover success as a key player in the folk revival movement led by Pete Seeger and Alan Lomax, and as a blues ambassador to British musicians such as Lonnie Donegan and Eric Clapton. Weaving Broonzy's recordings, writings, and interviews into a compelling narrative of his life, Blue Smoke offers a comprehensive portrait of an artist recognized today as one of the most prolific and influential working-class blues musicians of the era.
Poetic Voices of the Holocaust By: Jeffrey I. Hiller When author Jeffrey I. Hiller was eight years old, he saw his grandmother looking at an older picture of her immediate family. Suddenly, she began to cry. She pointed a finger at her two brothers and said, “Hitler burned them.” Poetic Voices of the Holocaust is the result of Hiller’s passion on the subject and many years of diving through information to access all he could. The poems within are relevant to this day. Innocent people continue to be murdered, and we must speak out to condemn systematic racism wherever and whenever people are oppressed. These unique and heartbreaking poems shed light on the experience for millions of people from 1933 – 1945.
A New York Times Notable Book of 2016 Winner of the Zócalo Public Square Book Prize On March 29, 1516, the city council of Venice issued a decree forcing Jews to live in il geto—a closed quarter named for the copper foundry that once occupied the area. The term stuck. In this sweeping and original account, Mitchell Duneier traces the idea of the ghetto from its beginnings in the sixteenth century and its revival by the Nazis to the present. As Duneier shows, we cannot comprehend the entanglements of race, poverty, and place in America today without recalling the ghettos of Europe, as well as earlier efforts to understand the problems of the American city. Ghetto is the story of the scholars and activists who tried to achieve that understanding. As Duneier shows, their efforts to wrestle with race and poverty cannot be divorced from their individual biographies, which often included direct encounters with prejudice and discrimination in the academy and elsewhere. Using new and forgotten sources, Duneier introduces us to Horace Cayton and St. Clair Drake, graduate students whose conception of the South Side of Chicago established a new paradigm for thinking about Northern racism and poverty in the 1940s. We learn how the psychologist Kenneth Clark subsequently linked Harlem’s slum conditions with the persistence of black powerlessness, and we follow the controversy over Daniel Patrick Moynihan’s report on the black family. We see how the sociologist William Julius Wilson redefined the debate about urban America as middle-class African Americans increasingly escaped the ghetto and the country retreated from racially specific remedies. And we trace the education reformer Geoffrey Canada’s efforts to transform the lives of inner-city children with ambitious interventions, even as other reformers sought to help families escape their neighborhoods altogether. Duneier offers a clear-eyed assessment of the thinkers and doers who have shaped American ideas about urban poverty—and the ghetto. The result is a valuable new estimation of an age-old concept.