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The evolution of the Ghana Bonwire Kente cloth. The meanings of the cloth names, the design names, and the colors used in Kente cloth weaving. The evolution of the Kente cloth from being a Royal cloth to being a cloth for all and for all occasions. The traditional and contemporary views on the Ghana Bonwire Kente cloth.
This book is about the history of an African clothing material known as Kente cloth. All relevant cultural aspects of the cloth have been explained in details with several pictorial illustrations. The book traces Kente history and how it has been used since its invention, about four hundred years ago, by an Ashanti hunter. The two authors are Ashantis and traditionalists. The coauthor was born into the industry at Bonwire. He received a national award as Ghanas best Kente designer and weaver in 2008. His knowledge in the art of weaving and his lifetime exposure to Kente traditions makes it imperative for all those seeking knowledge about Kente, the genuine African fabric, to obtain a copy of this. The other important aspect this of book is the author. The book is the outcome of his intensive research on Kente cloth after his first publication (1993) of the book titled Kente Cloth: Introduction to History. This book is the history of Kente Cloth. It contains everything you need to know about this magnificent African cloth, which was created for special occasions only.
This collection of essays on archaeology and heritage studies is authored by local and expatriate scholars who are either past or current practitioners in archaeological work in Ghana. They are from Ghana, UK, US and Canada. The subject matter covered includes the history and evolution of the discipline in Ghana; the method and theory or 'how to do it' in archaeology, field research reports, and syntheses on findings from past and recent investigations. The eclectic or multidisciplinary strategy has been the research vogue in Ghanaian archaeology recently, and this is reflected in the various chapters. The essays engage with current theoretical trends in global archaeology and also focus on the role and status of archaeology as a discipline in Ghanaian society today. Archaeology is a relatively 'novel' subject to many in Ghana. This Reader will, therefore, be a huge asset to local students and experts alike. Foreign scholars will also find it very useful.
Focusing on expressions of popular culture among blacks in Africa, the United States, and the Caribbean this collection of multidisciplinary essays takes on subjects long overdue for study. Fifteen essays cover a world of topics, from American girls' Double Dutch games to protest discourse in Ghana; from Terry McMillan's Waiting to Exhale to the work of Zora Neale Hurston; from South African workers to Just Another Girl on the IRT; from the history of Rasta to the evolving significance of kente clothl from rap video music to hip-hop to zouk.The contributors work through the prisms of many disciplines, including anthropology, communications, English, ethnomusicology, history, linguistics, literature, philosophy, political economy, psychology, and social work. Their interpretive approaches place the many voices of popular black cultures into a global context. It affirms that black culture everywhere functions to give meaning to people's lives by constructing identities that resist cultural, capitolist, colonial, and postcolonial domination.
The history of Ghana attracts popular interest out of proportion to its small size and marginal importance to the global economy. Ghana is the land of Kwame Nkrumah and the Pan-Africanist movement of the 1960s; it has been a temporary home to famous African Americans like W. E. B. DuBois and Maya Angelou; and its Asante Kingdom and signature kente cloth-global symbols of African culture and pride-are well known. Ghana also attracts a continuous flow of international tourists because of two historical sites that are among the most notorious monuments of the transatlantic slave trade: Cape Coast and Elmina Castles. These looming structures are a vivid reminder of the horrific trade that gave birth to the black population of the Americas. The Fante and the Transatlantic Slave Trade explores the fascinating history of the transatlantic slave trade on Ghana's coast between 1700 and 1807. Here author Rebecca Shumway brings to life the survival experiences of southern Ghanaians as they became both victims of continuous violence and successful brokers of enslaved human beings. The era of the slave trade gave birth to a new culture in this part of West Africa, just as it was giving birth to new cultures across the Americas. The Fante and the Transatlantic Slave Trade pushes Asante scholarship to the forefront of African diaspora and Atlantic World studies by showing the integral role of Fante middlemen and transatlantic trade in the development of the Asante economy prior to 1807. Rebecca Shumway is Assistant Professor of History at the University of Pittsburgh.
Machine generated contents note: Luxury and global history Bernd-Stefan Grewe and Karin Hofmeester; 1. Precious things in motion: luxury and the circulation of jewels in Mughal India Kim Siebenhuner; 2. Diamonds as a global luxury commodity Karin Hofmeester; 3. Gold in twentieth-century India - a luxury? Bernd-Stefan Grewe; 4. Chinese porcelain local and global context: the imperial connection Anne Gerritsen; 5. Luxury or commodity? The success of Indian cotton cloth in the first global age Giorgio Riello; 6. The gendered luxury of wax prints in South Ghana: a local luxury good with global roots Silvia Ruschak; 7. From Venice to East Africa: history, uses and meanings of glass beads Karin Pallaver; 8. Imports and autarky: tortoiseshell in early modern Japan Martha Chaiklin; 9. Tickling and klicking the ivories - the metamorphosis of a global commodity in the nineteenth century Jonas Kranzer; 10. The conservation of luxury: safari hunting and the consumption of wildlife in twentieth-century East Africa Bernhard Gissibl; 11. Luxury as a global phenomenon: concluding remarks Bernd-Stefan Grewe and Karin Hofmeester
Provides an overview of the history and culture of Ghana, featuring discussion of the country's religion and thought, the arts, cuisine and traditional dress, gender roles, marriage and family, social customs, and lifestyle.
Kente is not only the best known of all African textiles, it is also one of the most admired of all fabrics worldwide. Originating among the Asante peoples of Ghana and the Ewe peoples of Ghana and Togo, this brilliantly colored and intricately patterned strip-woven cloth was traditionally associated with royalty. Over time, however, it has come to be worn and used in many different contexts. In Wrapped in Pride, seven distinguished scholars present an exhaustive examination of the history of kente from its earliest use in Ghana to its present-day impact in the African Diaspora. Doran H. Ross is the former director of the UCLA Fowler Museum of Cultural History.
A collection of texts from the Ghanaian Catholic Church, helping us to see how African scholars and church leaders grappled with the meaning of Vatican II in the immediate post-conciliar years.