Download Free The German Hero Politics Pragmatism Book in PDF and EPUB Free Download. You can read online The German Hero Politics Pragmatism and write the review.

In The Germanic Hero Brian Murdoch looks at the role the warrior-hero plays within a set of predetermined political and social constraints. the hero is not a sword-wielding barbarian, bent only upon establishing his own fame; such fame-seekers (including some famous medieval literary figures) might even fall outside the definition of the Germanic hero, the real value of whose deeds are given meaning only within the political construct. Individual prowess is not enough. The hero must conquer the blows of fate because he is committed to the conquest of chaos, and over all to the need for social stability. Brian Murdoch discusses works in Old English, Old and Middle High German, Old Norse, Latin and Old French, deliberately going beyond what is normally thought of as 'heroic poetry' to include the German so-called 'minstrel epic', and a work by a writer who is normally classified as a late medieval chivalric poet, Konrad von Wurzburg, the comparison of which with Beowulf allows us to span half a millennium.
Any reader of scholarship on the ancient and early medieval world will be familiar with the term 'Germanic', which is frequently used as a linguistic category, ethnonym, or descriptive identifier for a range of forms of cultural and literary material. But is the term meaningful, useful, or legitimate? The term, frequently applied to peoples, languages, and material culture found in non-Roman north-western and central Europe in classical antiquity, and to these phenomena in the western Roman Empire’s successor states, is often treated as a legitimate, all-encompassing name for the culture of these regions. Its usage is sometimes intended to suggest a shared social identity or ethnic affinity among those who produce these phenomena. Yet, despite decades of critical commentary that have highlighted substantial problems, its dominance of scholarship appears not to have been challenged. This edited volume, which offers contributions ranging from literary and linguistic studies to archaeology, and which span from the first to the sixteenth centuries AD, examines why the term remains so pervasive despite its problems, offering a range of alternative interpretative perspectives on the late and post-Roman worlds.
Fools and Heroes: The Changing Role of Communist Intellectuals in Czechoslovakia details two crucial years of 1948 and 1968 that marked the climax of contradictory developments, namely, the acceptance and repudiation of Soviet ideology and statecraft. Organized into three parts, this book begins with the class struggle and moral problems in Czechoslovakia. Subsequent part explores the economic problems and social history of the nation. The search for truth in terms of history, philosophy, and politics is also addressed.
In this study, the author looks at the role the warrior-hero plays within a set of predetermined political and social constraints. The hero if not a sword-wielding barbarian, bent only upon establishing his own fame; such fame-seekers (including some famous medieval literary figures) might even fall outside the definition of the Germanic hero, the real value of whose deeds are given meaning only within the political construct. Individual prowess is not enough. The hero must conquer the blows of fate because he is committed to the conquest of chaos, and over all to the need for social stability. Even the warrior-hero's concern with his reputation is usually expressed negatively: that the wrong songs are not sung about him. The author discusses works in Old English, Old and Middle High German, Old Norse, Latin and Old French, deliberately going beyond what is normally thought of as "heroic poetry" to include the German so-called "minstrel epic" and a work by a writer who is normally classified as a late medieval chivalric poet, Konrad von Wurzburg, the comparison of which with "Beowulf" allows us to span half a millennium.
History is told by the victors and dare to write about the losing side. Writer Mark Kurt dared to bring to the reader the book We Were Not Heroes, a fictional novel about the diabolical scenario of the Second World War where men and women were trying to survive the boundless cruelties. Never has so much detail been written about the strategy of a pack of German U-boats trying to intercept an Allied convoy, the cold-bloodedness during naval combat and the pursuit of their enemies with destroyers in an attempt to annihilate them. Mark Kurt in his narrative of suspense and intriguing describes the incursion of a German command in British territory led by Max as main character and in the pursuit of the Germans an intelligent and selfless British investigator in the attempt to stop them, but to each one of the characters is reserved a different destiny despite the same scenario of the Second World War.
The nineteenth century witnessed the birth of German nationalism and the unification of Germany as a powerful nation-state. In this era the reading public?s obsession with the most destructive and divisive war in its history?the Thirty Years? War?resurrected old animosities and sparked a violent, century-long debate over the origins and aftermath of the war. The core of this bitter argument was a clash between Protestant and Catholic historians over the cultural criteria determining authentic German identity and the territorial and political form of the future German nation. ø This groundbreaking study of modern Germany?s morbid fascination with the war explores the ideological uses of history writing, commemoration, and collective remembrance to show how the passionate argument over the ?meaning? of the Thirty Years? War shaped Germans' conception of their nation. The first book in the extensive literature on German history writing to examine how modern German historians reinterpreted a specific event to define national identity and legitimate political and ideological agendas, The Thirty Years? War and German Memory in the Nineteenth Century is a bold intellectual history of the confluence of history writing, religion, culture, and politics in nineteenth-century Germany.
AntiFascism and Memory in East Germany is a book about remembering and about forgetting, about war, and about the peace which eventually followed. In the unlikely setting of the German Democratic Republic (GDR), the Spanish Civil War became the subject of a debate which both predated and outlasted the Cold War, involving historians, veterans, politicains, censors, artists, writers, and Church activists. Examining these multiple memories and interpretations of Spain casts new and unexpected light on the legacy of the Spanish Civil War, and the relationship between history and memory under state socialism. The ruling Socialist Unity Party made full use of the antifascist legacy as legitimation for a non-democratic state. But despite dogged attempts at control and censorship, the state was unable to silence competing voices. All over East Germany, International Brigade veterans preserved their version of events - in letters to each other, in communications with the party, in discussions with friends and family around the kitchen table, and in memoirs written for the 'desk drawer'. For younger East Germans, the war retained an undeniably romantic aura. From their perspective, Spain was a far-away land to which they were forbidden to travel, the stuff of camp-fire singalongs and fantasies of adventure. This book dissects the relationship between state-sponsored history, the lobbying of veterans, cultural interpretations of war, and the memory traces left behind by marginalised or politically oppositional groups and individuals. It is a cultural history of memory under state socialism, a social history of veteran groups and their relationship with the state, and a political history of communist culture. Above all, it is the story of how post-war Europeans came to terms with the heavy burden of their pre-war past.
Exam Board: AQA Level: AS/A-level Subject: History First Teaching: September 2015 First Exam: June 2016 AQA approved Enhance and expand your students' knowledge and understanding of their AQA breadth study through expert narrative, progressive skills development and bespoke essays from leading historians on key debates. - Builds students' understanding of the events and issues of the period with authoritative, well-researched narrative that covers the specification content - Introduces the key concepts of change, continuity, cause and consequence, encouraging students to make comparisons across time as they advance through the course - Improves students' skills in tackling interpretation questions and essay writing by providing clear guidance and practice activities - Boosts students' interpretative skills and interest in history through extended reading opportunities consisting of specially commissioned essays from practising historians on relevant debates - Cements understanding of the broad issues underpinning the period with overviews of the key questions, end-of-chapter summaries and diagrams that double up as handy revision aids
A Companion to Ancient Epic presents for the first time a comprehensive, up-to-date overview of ancient Near Eastern, Greek and Roman epic. It offers a multi-disciplinary discussion of both longstanding ideas and newer perspectives. A Companion to the Near Eastern, Greek, and Roman epic traditions Considers the interrelation between these different traditions Provides a balanced overview of longstanding ideas and newer perspectives in the study of epic Shows how scholarship over the last forty years has transformed the ways that we conceive of and understand the genre Covers recently introduced topics, such as the role of women, the history of reception, and comparison with living analogues from oral tradition The editor and contributors are leading scholars in the field Includes a detailed index of poems, poets, technical terms, and important figures and events
Winner of the 2016 Roland H. Bainton Book Prize of the Sixteenth Century Society and Conference During the sixteenth century, no part of the Christian West saw the development of a more powerful and pervasive astrological culture than the very home of the Reformation movement--the Protestant towns of the Holy Roman Empire. While most modern approaches to the religious and social reforms of that age give scant attention to cosmological preoccupations, Robin Barnes argues that astrological concepts and imagery played a key role in preparing the ground for the evangelical movement sparked by Martin Luther in the 1520s, as well as in shaping the distinctive characteristics of German evangelical culture over the following century. Spreading above all through cheap printed almanacs and prognostications, popular astrology functioned in paradoxical ways. It contributed to an enlarged and abstracted sense of the divine that led away from clericalism, sacramentalism, and the cult of the saints; at the same time, it sought to ground people more squarely in practical matters of daily life. The art gained unprecedented sanction from Luther's closest associate, Philipp Melanchthon, whose teachings influenced generations of preachers, physicians, schoolmasters, and literate layfolk. But the apocalyptic astrology that came to prevail among evangelicals involved a perpetuation, even a strengthening, of ties between faith and cosmology, which played out in beliefs about nature and natural signs that would later appear as rank superstitions. Not until the early seventeenth century did Luther's heirs experience a "crisis of piety" that forced preachers and stargazers to part ways. Astrology and Reformation illuminates an early modern outlook that was both practical and prophetic; a world that was neither traditionally enchanted nor rationally disenchanted, but quite different from the medieval world of perception it had displaced.