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An exhibition which celebrates 80 years of conservation work by the Georgian Group.The exhibition aims to transport the visitor into a world of craftsmanship, beautyand design. Gathering together an eclectic selection of traditional 'Georgian' craftspractised in the 21st century, objects range from silk wallpaper and chandeliers tocarved stone sculpture and ceiling designs. The works on display demonstrate thatthe Georgian tradition is a living tradition, and is one that should be supported andpreserved.Founded in 1937, the Georgian Group is a conservation organisation created tocampaign for the preservation of historic buildings and planned landscapes of the18th and early 19th centuries.
Ex-cop Winnie Farlowe has been retired from police work due to a back injury, and has been fighting the bottle instead of bad guys ever since. But suddenly he meets Tess Binder, a stunning, three-time divorcée from the Balboa Bay Club where wallets are fat, bikinis are skimpy, and cosmetic surgery is one sure way to a billionaire's bank account. She believes her father's suicide was actually a murder and wants Winnie to help her prove it. Death and chicanery flourish amidst ranches, mansions, and yachting parties. Publishers Weekly called it "comic and deeply moving . . . a stupendous climax . . . virtually sure to be hailed as Wambaugh's best." And the San Diego Union-Tribune said, "a profoundly serious work and in reading it I laughed my head off."
The first comprehensive and objective history of the literature of Georgia, revealed to be unique among those of the former Byzantine and Russian empires, both in its quality and its 1500 years' history. It is examined in the context of the extraordinarily diverse influences which affected it - from Greek and Persian to Russian and modern European literature, and the folklore of the Caucasus.
Trailblazing Women of the Georgian Era offers a fascinating insight into the world of female inequality in the Eighteenth Century. It looks at the reasons for that inequality the legal barriers, the lack of education, the prejudices and misconceptions held by men and also examines the reluctance of women to compete on an equal footing. Why did so many women accept that a womans place was in the home?' Using seventeen case studies of women who succeeded despite all the barriers and opposition, the author asks why, in the light of their success, so little progress was made in the Victorian era.Representing women from all walks of life; artists, business women, philanthropists, inventors and industrialists, the book examines the way that the Quaker movement, with its doctrine of equality between men and women, spawned so many successful businesses and helped propel women to the forefront. In the 225 years since the publication of Mary Wollstonecrafts A Vindication of the Rights of Woman, questions remain as to why those noble ideas about equality were left to founder during the Victorian era? And why are there still so many areas where, for historical reasons, equality is still a mirage?
Fonthill, in Wiltshire, is traditionally associated with the writer and collector William Beckford who built his Gothic fantasy house called Fonthill Abbey at the end of the eighteenth century. The collapse of the Abbey’s tower in 1825 transformed the name Fonthill into a symbol for overarching ambition and folly, a sublime ruin. Fonthill is, however, much more than the story of one man’s excesses. Beckford’s Abbey is only one of several important houses to be built on the estate since the early sixteenth century, all of them eventually consumed by fire or deliberately demolished, and all of them oddly forgotten by historians. Little now remains: a tower, a stable block, a kitchen range, some dressed stone, an indentation in a field. Fonthill Recovered draws on histories of art and architecture, politics and economics to explore the rich cultural history of this famous Wiltshire estate. The first half of the book traces the occupation of Fonthill from the Bronze Age to the twenty-first century. Some of the owners surpassed Beckford in terms of their wealth, their collections, their political power and even, in one case, their sexual misdemeanours. They include Charles I’s Chancellor of the Exchequer, and the richest commoner in the nineteenth century. The second half of the book consists of essays on specific topics, filling out such crucial areas as the complex history of the designed landscape, the sources of the Beckfords’ wealth and their collections, and one essay that features the most recent appearance of the Abbey in a video game.
The East India Company at Home, 1757–1857 explores how empire in Asia shaped British country houses, their interiors and the lives of their residents. It includes chapters from researchers based in a wide range of settings such as archives and libraries, museums, heritage organisations, the community of family historians and universities. It moves beyond conventional academic narratives and makes an important contribution to ongoing debates around how empire impacted Britain. The volume focuses on the propertied families of the East India Company at the height of Company rule. From the Battle of Plassey in 1757 to the outbreak of the Indian Uprising in 1857, objects, people and wealth flowed to Britain from Asia. As men in Company service increasingly shifted their activities from trade to military expansion and political administration, a new population of civil servants, army officers, surveyors and surgeons journeyed to India to make their fortunes. These Company men and their families acquired wealth, tastes and identities in India, which travelled home with them to Britain. Their stories, the biographies of their Indian possessions and the narratives of the stately homes in Britain that came to house them, frame our explorations of imperial culture and its British legacies.
The highland region of the republic of Georgia, one of the former Soviet Socialist Republics, has long been legendary for its beauty. It is often assumed that the state has only made partial inroads into this region, and is mostly perceived as alien. Taking a fresh look at the Georgian highlands allows the author to consider perennial questions of citizenship, belonging, and mobility in a context that has otherwise been known only for its folkloric dimensions. Scrutinizing forms of identification with the state at its margins, as well as local encounters with the erratic Soviet and post-Soviet state, the author argues that citizenship is both a sought-after means of entitlement and a way of guarding against the state. This book not only challenges theories in the study of citizenship but also the axioms of integration in Western social sciences in general.
Neo-Georgian design, which began with a revival of the Georgian ideals of symmetry and classical proportion in the late nineteenth century, has exerted a powerful and enduring influence on English-language cultures around the world. Neo-Georgian Architecture 1880-1970 assesses the impact of this movement through a consideration of the buildings, objects, institutions, and actors involved, contending that Neo-Georgianism was not simply another dying gasp of Revivalism but a complex assertion of national image and identity with a complicated, and at times fraught, relationship to modernism.