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It is safe to say that selling sex constituted a significant, and visible, part of urban culture in Georgian England. Alongside the rise of the 'polite society' of Jane Austen's novels, the city of London, so described in 1758, had long been portrayed as a centre of vice and debauchery. In the shadows of the fashionable public parks and gardens, in alleyways along the banks of the Thames, even at church doors, there lurked a world of criminality and prostitution for which the bawdyhouse became one of the most potent symbols. The book will explore what is was like to run, work in, and frequent these establishments, which ranged from the filthy East End hovel to grand upmarket apartments. Through newspaper reports, criminal trials, political speeches and bawdy pamphlets and prints, it will also explore how they were perceived and, as the nineteenth century dawned, how the threat of disease and Victorian prudery meant that they were increasingly feared by the public and controlled by the legal system - and the 'happy hooker' firmly confined to the past.
One of our leading historians describes how Georgian London was shaped by the sex industry
Most people know that England shipped thousands of convicts to Australia, but few are aware that colonial America was the original destination for Britain's unwanted criminals. In the 18th century, thousands of British convicts were separated from their families, chained together in the hold of a ship, and carried off to America, sometimes for the theft of a mere handkerchief.What happened to these convicts once they arrived in America? Did they prosper in an environment of unlimited opportunity, or were they ostracized by the other colonists? Anthony Vaver tells the stories of the petty thieves and professional criminals who were punished by being sent across the ocean to work on plantations. In bringing to life this forgotten chapter in American history, he challenges the way we think about immigration to early America.The book also includes a helpful appendix with tips on researching individual convicts transported to America.
'Brand's meticulous research brings to life the colourful characters of the Georgian era's most notorious families with all the verve and skill of the era's finest novelists ... A powdered and pomaded, sordid and silk-swathed adventure' Hallie Rubenhold
A comprehensive history of the Georgians, comparing past views of these exciting, turbulent, and controversial times with our attitudes today The Georgian era is often seen as a time of innovations. It saw the end of monarchical absolutism, global exploration and settlements overseas, the world’s first industrial revolution, deep transformations in religious and cultural life, and Britain’s role in the international trade in enslaved Africans. But how were these changes perceived by people at the time? And how do their viewpoints compare with attitudes today? In this wide-ranging history, Penelope J. Corfield explores every aspect of Georgian life—politics and empire, culture and society, love and violence, religion and science, industry and towns. People’s responses at the time were often divided. Pessimists saw loss and decline, while optimists saw improvements and light. Out of such tensions came the Georgian culture of both experiment and resistance. Corfield emphasizes those elements of deep continuity that persisted even within major changes, and shows how new developments were challenged if their human consequences proved dire.
This pioneering study breaks new ground in presenting the gay community's history by sporting one of its more distinctive branches--molly houses. In this updated edition, with two new chapters, Rictor Norton digs deeper into both past and present to rediscover the original foundations of the molly subculture and challenges traditional notions by suggesting that it was primarily composed of the working class--blacksmiths, milkmen, publicans, and shoemakers. More extravagant personalities are investigated as well, such as dramatists Samuel Foote and Isaac Bickerstaff, and the Rev. John Church, denounced for blessing gay "marriages."
At a time when there were almost no career opening for women, a group of intrepid and gifted females scaled the heights of what was literally a man's world - they became brothelkeepers, or 'bawds', Mother Clap - women bawds were often known as Mother - ran male brothels, or Molly Houses. Elizabeth Holland had an immense moated mansion built on Bankside and for 30 years entertained the aristocracy, including royalty. When troops attempted to stop her trade and eject her from the house, she and her girls drove them off. The Georgian bawd Charlotte Hayes held a 'Cyprian Fete' at which gentlemen "of the highest breeding" first watched athletic young men copulating with nubile whores and then joined in themselves. Fergus Linnane reveals the other side of London's years of pomp and splendour, painting a vivid picture of the bawds, their girls, and their clients. Madams is fresh and original, offering humour, insight, and a very candid view of the sexual behaviour of Londoners through the ages.
If you love Julia Quinn's Bridgerton, you'll be enchanted by Sabrina Jeffries' Sinful Suitors! 'Anyone who loves romance must read Sabrina Jeffries!' Lisa Kleypas, New York Times bestselling author The Art of Sinning is the first novel in the Sinful Suitors series by New York Times bestselling author Sabrina Jeffries. Sabrina's witty, sexy historicals will be loved by fans of Sarah MacLean, Eloisa James and Julia Quinn. At St. George's Club, guardians conspire to keep their unattached sisters and wards out of the clutches of sinful suitors. Which works fine...except when the sinful suitors are members... American artist Jeremy Keane refuses to return home and take over his father's business. He'd much rather sample bevvies of beauties abroad, in search of a model for the provocative masterpiece he's driven to paint. When he meets Lady Yvette Barlow at a London wedding, he realizes she's perfect for his work - and determines to capture the young heiress's defiant spirit and breathtaking sensuality on canvas. No stranger to scandal, Yvette agrees to be Keane's subject - in exchange for his help gaining entry to the city's brothels he knows intimately, so she can track a missing woman and solve a family mystery. But when their practical partnership leads to lessons in the art of sinning, can they find a bold and lasting love? For more utterly romantic and wonderfully witty historical romance, don't miss Sabrina's other dazzling series including, The Hellions of Halstead Hall, The School for Heiresses and The Royal Brotherhood.
This book will look at the phenomenon of celebrity hookers in the eighteenth century – all of them the subject of extraordinary press scrutiny and comment. They were the fashion icons of the age, and what they wore was copied and put on sale in the high street within days. Many of them were passed around within the same small circle of aristocratic lovers. They were the object of constant gossip and whether they were flaunting their fame by taking a box at the opera for the entire season, or by parading through Hyde Park in a phaeton pulled by matching cream ponies, or returning from Paris wearing the very latest fashions, they enjoyed a celebrity status nowadays bestowed on TV reality stars and footballers’ wives.
What induced the British to adopt foreign coffee-drinking customs in the seventeenth century? Why did an entirely new social institution, the coffeehouse, emerge as the primary place for consumption of this new drink? In this lively book, Brian Cowan locates the answers to these questions in the particularly British combination of curiosity, commerce, and civil society. Cowan provides the definitive account of the origins of coffee drinking and coffeehouse society, and in so doing he reshapes our understanding of the commercial and consumer revolutions in Britain during the long Stuart century. Britain’s virtuosi, gentlemanly patrons of the arts and sciences, were profoundly interested in things strange and exotic. Cowan explores how such virtuosi spurred initial consumer interest in coffee and invented the social template for the first coffeehouses. As the coffeehouse evolved, rising to take a central role in British commercial and civil society, the virtuosi were also transformed by their own invention.