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Excerpt from The George Sand-Gustave Flaubert Letters This translation of the correspondence be tween George Sand and Gustave Flaubert was undertaken in consequence of a suggestion by Professor Stuart P. Sherman. The transla tor desires to acknowledge valuable criticism given by Professor Sherman, Ruth M. Sherman, and Professor Kenneth mckenzie, all of Whom have generously assisted in revising the manu script. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
INTRODUCTION The correspondence of George Sand and Gustave Flaubert, if approached merely as a chapter in the biographies of these heroes of nineteenth century letters, is sufficiently rewarding. In a relationship extending over twelve years, including the trying period of the Franco-Prussian War and the Commune, these extraordinary personalities disclose the aspects of their diverse natures which are best worth the remembrance of posterity. However her passionate and erratic youth may have captivated our grandfathers, George Sand in the mellow autumn of her life is for us at her most attractive phase. The storms and anguish and hazardous adventures that attended the defiant unfolding of her spirit are over. In her final retreat at Nohant, surrounded by her affectionate children and grandchildren, diligently writing, botanizing, bathing in her little river, visited by her friends and undistracted by the fiery lovers of the old time, she shows an unguessed wealth of maternal virtue, swift, comprehending sympathy, fortitude, sunny resignation, and a goodness of heart that has ripened into wisdom. For Flaubert, too, though he was seventeen years her junior, the flamboyance of youth was long since past; in 1862, when the correspondence begins, he was firmly settled, a shy, proud, grumpy toiling hermit of forty, in his family seat at Croisset, beginning his seven years' labor at L'Education Sentimentale, master of his art, hardening in his convictions, and conscious of increasing estrangement from the spirit of his age. He, with his craving for sympathy, and she, with her inexhaustible supply of it, meet; he pours out his bitterness, she her consolation; and so with equal candor of self-revelation they beautifully draw out and strengthen each the other's characteristics, and help one another grow old.
A revelatory collection of correspondence by the lauded author of titanic American classics such as The Recognitions and J R, shedding light on his staunchly private life. UPDATED WITH OVER TWO DOZEN NEW LETTERS AND PHOTOGRAPHS Now recognized as one of the giants of postwar American fiction, William Gaddis shunned the spotlight during his life, which makes this collection of his letters a revelation. Beginning in 1930 when Gaddis was at boarding school and ending in September 1998, a few months before his death, these letters function as a kind of autobiography, and also reveal the extent to which he drew upon events in his life for his fiction. Here we see him forging his first novel, The Recognitions (1955), while living in Mexico, fighting in a revolution in Costa Rica, and working in Spain, France, and North Africa. Over the next twenty years he struggles to find time to write the National Book Award–winning J R (1975) amid the complications of work and family; deals with divorce and disillusionment before reviving his career with Carpenter’s Gothic (1985); then teaches himself enough about the law to produce A Frolic of His Own (1994). Resuming his lifelong obsession with mechanization and the arts, he finishes a last novel, Agapē Agape (published in 2002), as he lies dying. This newly revised edition includes clarifying notes by Gaddis scholar Steven Moore, as well as an afterword by the author’s daughter, Sarah Gaddis.
The Correspondence of George Sand and Gustave Flaubert captures a brilliant epistolary exchange that traverses the breadth of nineteenth-century French literary tradition. Within this collection, readers witness the unfolding of a deep, intellectual companionship that greatly influenced the literary output and critical reception of both authors. The volume is a testament to the diversity of literary styles and preoccupations of the period, showcasing the dialogue between two distinct yet harmoniously aligned literary voices. Through their letters, Sand and Flaubert navigate the realms of political tumult, aesthetic debates, and personal tribulations, offering unparalleled insights into the life of the writer in the nineteenth century. The contributors to this anthology, Sand and Flaubert, were titans of French literature, each bringing to the table a unique perspective shaped by divergent backgrounds and philosophies. Despite their differences, the correspondence reveals a mutual respect and understanding that transcends their individual stances, embodying the era's sociopolitical and cultural dynamism. Their letters create a rich tapestry that reflects the complexities of the human condition, guided by two of the most influential minds of their time. This collection is not merely an academic exercise but a doorway into the vibrant intellectual milieu of 19th-century France. It offers readers a unique opportunity to witness the interplay of ideas and emotions between two literary giants, enriching our understanding of their works and the period in which they lived. For scholars and enthusiasts of French literature, this volume is an invaluable resource that deepens our comprehension of the literary landscape of the time and the enduring power of written correspondence in shaping literary history.
"You worry me when you tell me that your book will blame the patriots for everything that goes wrong. Is that really so? and then the victims! it is quite enough to be undone by one's own fault without having one's own foolishness thrown in one's teeth. Have pity! There are so many fine spirits among them just the same! Christianity has been a fad and I confess that in every age it is a lure when one sees only the tender side of it; it wins the heart. One has to consider the evil it does in order to get rid of it…." Gustave Flaubert (1821-1880) was an influential French writer who was perhaps the leading exponent of literary realism of his country. He is known especially for his first published novel, Madame Bovary, for his Correspondence, and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Maupassant was a protégé of Flaubert. Amantine-Lucile-Aurore Dupin (1804-1876), best known by her pseudonym George Sand, was a French novelist and memoirist. She is equally well known for her much publicized romantic affairs with a number of artists, including the composer and pianist Frédéric Chopin and the writer Alfred de Musset. She corresponded with Gustave Flaubert. Despite their obvious differences in temperament and aesthetic preference, they eventually became close friends.
The George Sand-Gustave Flaubert Letters is a compilation of personal correspondence between two great nineteenth century French writers and contemporaries. The letters reveal often divergent but always profound, effervescent, and fascinating views on art, literature, drama, philosophy, culture, and gossip of the period, an unparalleled window into history, and a rare interior glimpse into the creative psyche of two literary giants.
Gustave Flaubert (1821-1880) was an influential French writer who was perhaps the leading exponent of literary realism of his country. He is known especially for his first published novel, Madame Bovary, for his Correspondence, and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Maupassant was a protégé of Flaubert. Amantine-Lucile-Aurore Dupin (1804-1876), best known by her pseudonym George Sand, was a French novelist and memoirist. She is equally well known for her much publicized romantic affairs with a number of artists, including the composer and pianist Frédéric Chopin and the writer Alfred de Musset. She corresponded with Gustave Flaubert. Despite their obvious differences in temperament and aesthetic preference, they eventually became close friends. Excerpt: "You worry me when you tell me that your book will blame the patriots for everything that goes wrong. Is that really so? and then the victims! it is quite enough to be undone by one's own fault without having one's own foolishness thrown in one's teeth. Have pity! There are so many fine spirits among them just the same! Christianity has been a fad and I confess that in every age it is a lure when one sees only the tender side of it; it wins the heart. One has to consider the evil it does in order to get rid of it...."
This eBook edition of "Personal Correspondence Between Gustave Flaubert & George Sand" has been formatted to the highest digital standards and adjusted for readability on all devices. Gustave Flaubert (1821-1880) was an influential French writer who was perhaps the leading exponent of literary realism of his country. He is known especially for his first published novel, Madame Bovary, for his Correspondence, and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Maupassant was a protégé of Flaubert. Amantine-Lucile-Aurore Dupin (1804-1876), best known by her pseudonym George Sand, was a French novelist and memoirist. She is equally well known for her much publicized romantic affairs with a number of artists, including the composer and pianist Frédéric Chopin and the writer Alfred de Musset. She corresponded with Gustave Flaubert. Despite their obvious differences in temperament and aesthetic preference, they eventually became close friends. Excerpt: "You worry me when you tell me that your book will blame the patriots for everything that goes wrong. Is that really so? and then the victims! it is quite enough to be undone by one's own fault without having one's own foolishness thrown in one's teeth. Have pity! There are so many fine spirits among them just the same! Christianity has been a fad and I confess that in every age it is a lure when one sees only the tender side of it; it wins the heart. One has to consider the evil it does in order to get rid of it…."