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This book pursues an original perspective on Europe's shifting extent and geopolitical standing: how countries and spaces marginal to it impact on Europe as a center. A theoretical discussion of borders and margins is developed, and set against nine studies of countries, regions, and identities seen as marginal to Europe.
A comparative study of the relationship between the end of the Cold War and the resurgence of geopolitics in Europe.
Offers an integral picture of the EU's internal and external borders to reveal the processes of re-bordering and social change currently taking place, exploring issues such as security, immigration, economic development and changing social and political attitudes.
This text deciphers and explains the geopolitics of Europe, putting an emphasis on the relation between politics, culture and territory, and on the major geopolitical and cultural shifts which affect the relation between security, identity and territory.
This book traces the shifting meanings of security and geopolitics in Central European states that acceded into the EU or NATO in 2004. The author examines assumptions that shaped these debates and influenced policy-making, combining fresh theoretical approaches from international relations and political geography with rich empirical material from Central Europe. This book provides the first in-depth analysis of security discourse in the region.
Honeymooners Viktor and Liesel Landauer are filled with the optimism and cultural vibrancy of central Europe of the 1920s when they meet modernist architect Rainer von Abt. He builds for them a home to embody their exuberant faith in the future, and the Landauer House becomes an instant masterpiece. Viktor and Liesel, a rich Jewish mogul married to a thoughtful, modern gentile, pour all of their hopes for their marriage and budding family into their stunning new home, filling it with children, friends, and a generation of artists and thinkers eager to abandon old-world European style in favor of the new and the avant-garde. But as life intervenes, their new home also brings out their most passionate desires and darkest secrets. As Viktor searches for a warmer, less challenging comfort in the arms of another woman, and Liesel turns to her wild, mischievous friend Hana for excitement, the marriage begins to show signs of strain. The radiant honesty and idealism of 1930 quickly evaporate beneath the storm clouds of World War II. As Nazi troops enter the country, the family must leave their old life behind and attempt to escape to America before Viktor's Jewish roots draw Nazi attention, and before the family itself dissolves. As the Landauers struggle for survival abroad, their home slips from hand to hand, from Czech to Nazi to Soviet possession and finally back to the Czechoslovak state, with new inhabitants always falling under the fervent and unrelenting influence of the Glass Room. Its crystalline perfection exerts a gravitational pull on those who know it, inspiring them, freeing them, calling them back, until the Landauers themselves are finally drawn home to where their story began. Brimming with barely contained passion and cruelty, the precision of science, the wild variance of lust, the catharsis of confession, and the fear of failure - the Glass Room contains it all.
Central Europe is one of the key notions of classical geopolitics yet it has always been a somewhat elusive concept. Originally perceived as a plan for a German dominated political and economic union, it subsequently emerged to threaten leaders in the East and West in a variety of forms. Otilia Dhand provides a critical examination of the concept of Central Europe, from its early inception to the present day. Making extensive use of archival material, she shows how successive manifestations of Central Europe - of whatever vintage - have failed to bring about their intended changes on the international structure, and how customary claims about Central Europe are not supported by the original source material. The result is a work of outstanding scholarship that advances our understanding of regionalism and geopolitics in Europe.
This book examines the relationship between national identity construction and current foreign policy discourses on Russia in selected European Union member states in 2014–2018. It shows that divergent national discourses on Russia derive from the different ways in which the country was constructed in national identity. The book develops an interpretive theoretical framework and argues that policy makers’ agency can profoundly influence the contestation between different identity narratives. It includes case studies in policy areas that are of primary importance for EU–Russia relations, such as energy security (the Nord Stream 2 controversy), the Ukraine crisis and Russia’s military intervention in Syria. Focusing on EU member states that have traditionally taken different stances vis-à-vis Russia (Germany, Poland and Finland), it shows that at the peak of the Ukraine crisis national discourses converged towards a pragmatic, but critical narrative. As the Ukraine crisis subsided and new events took centre stage in foreign policy discussions (i.e. the Syrian civil war, international terrorism), long-standing and identity-based divergences partly re-emerged in the discourses of policy makers. This became particularly evident during the Nord Stream 2 controversy. Deep-rooted and different perceptions of the Russian Other in EU member states are still influential and lead to divergent national agendas for foreign policy towards Russia. This book will be of interest to students and scholars working in European and EU politics, Russian and Soviet politics, and International Relations.
With its focus on the popular television genre of Nordic noir, this book examines subtle and explicit manifestations of geopolitics in crime series from Scandinavia and Finland, as well as the impact of such programmes on how northern Europe is viewed around the world. Drawing on a diverse set of literature, from screen studies to critical International Relations, Geopolitics, Northern Europe, and Nordic Noir addresses the fraught geopolitical content of Nordic television series, as well as how Nordic noir as a genre travels the globe. With empirical chapters focusing on the interlinked concepts of the body, the border, and the nation-state, this book interrogates the various ways in which northern European states grapple with challenges wrought by globalisation, neoliberalism, and climate change. Reflecting the current global fascination with all things Nordic, this text examines the light and dark sides of the region as seen through the television screen, demonstrating that series such as Occupied, Trapped, and The Bridge have much to teach us about world politics. This book will be of interest to those interested in geopolitics, national identity, and the politics of popular culture in: Scandinavian studies, media/screen studies, IR/political science, human/cultural geography, sociology, anthropology, cultural studies, and communication.
European Media provides a clear, concise account of the structures, dynamics and realities of the changing face of media in Europe. It offers a timely and illuminating appraisal of the issues surrounding the development of new media in Europe and explores debates about the role of the media in the formation of a European public sphere and a European identity. The book argues that Europe offers an ideal context for examining interactions between global, regional and national media processes and its individual chapters consider: the changing structure of the European media; the development of new media; the Europeanization of the media in the region; the challenges for the content; and audiences. Special emphasis is given to the transformation of political communication in Europe and the alleged emergence of a European public sphere and identity. European Media: Structures, Politics and Identity is an invaluable text for courses on media and international studies as well as courses dealing with European and national policy studies. It is also helpful to students, researchers and professionals in the media sector since it combines hard facts with theoretical insight.