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"His first book was called Invisible City and has become quite a legend. Twelve years after this initial success, the American photographer Ken Schles now presents his second book of photographs - The Geometry of Innocence. With his photographs, Schles approaches the omnipresence of social structures, which - pushed by the flood of media images - are undergoing permanent, almost frantic change. In a veritable visual roller coaster he sends his viewers onto city streets, playgrounds, into pubs and bars, puts them into a police helicopter and takes them to death row, hospital rooms and police interventions. There is no "story", only a breathless sequence of pictures condensed into thematic clusters - a highly intense visual experience soon holding the viewer spell-bound. Ken Schles is aware that the meaning of the photographic image is relative. But he did his book anyway, and with The Geometry of Innocence, he succeeded in creating a bold, highly sophisticated picture book."--Publisher.
Blake said of his works, 'Tho' I call them Mine I know they are not Mine'. So who owns Blake? Blake has always been more than words on a page. This volume takes Blake 2.0 as an interactive concept, examining digital dissemination of his works and reinvention by artists, writers, musicians, and filmmakers across a variety of twentieth-century media.
A “delightful” tour of Rome’s St. Agnes Outside the Walls, examining the stories, rituals, and architecture of this seventeen-hundred-year-old building (The Christian Science Monitor). In The Geometry of Love, acclaimed author Margaret Visser, the preeminent “anthropologist of everyday life,” takes on the living history of the ancient church of St. Agnes. Examining every facet of the building, from windows to catacombs, Visser takes readers on a mesmerizing tour of the old church, covering its social, political, religious, and architectural history. In so doing, she illuminates not only the church’s evolution but also its religious legacy in our modern lives. Written as an antidote to the usual dry and traditional studies of European churches, The Geometry of Love is infused with Visser’s unmatched warmth and wit, celebrating the remarkable ways that one building can reveal so much about our history and ourselves.
?[Praeg] applies the notion of ?sacrificial violence?, as developed by Girard, to the genocide in Rwanda, necklace burnings in South Africa, and the phenomenon of family murders. He shows how there is an underlying logic tying these together, while at the same time resisting a unifying (modernist) discourse which attempts to eradicate the differences. This is an extremely interesting, at times fascinating, text. It is very well written and ... [the] insights gained leave no option but to rethink the manifestation of violence fundamentally.? ? Paul Cilliers Department of Philosophy, Stellenbosch University
Growing up in a rural working-class home, Maureen Craig rebels against her angry mother, the privileges of her favoured brother and the relentless conformity of 1950s society. This novel was controversially first published in 1975.
WITHIN ALL THAT HARSH REALITY, A LOVE BLOOMS THAT TAKES OVER ALL THE PATRIOTIC FERVOR AND THE DEEP LOVE FOR THE MOTHER LAND. A LOVE LIKE NO OTHER, A LOVE THAT DRAWS THE LINES OF HIS FUTURE HIS DEEP LOVE FOR JUST BEING A FREE MAN TAKES HIM TO THE LAND OF FREEDOM AND LIBERTY. THIS IS THE STORY OF ALMOST ALL OF US. STORY OF US NEW GENERATION AMERICANS WHO HAVE COME HOME TO BE FREE. THIS LOVE STORY IS THE LOVE OF ALL WHO PREFERRED TO BE FREE THAN BEING AT THE MERCY OF PATRIOTISM UNDER DICTATORSHIP.
A groundbreaking appreciation of Dylan as a literary practitioner WINNER OF THE ELIZABETH AGEE PRIZE IN AMERICAN LITERATURE The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tradition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition. In lucid prose, Raphael Falco demonstrates the similarity between what Renaissance writers called imitatio and the way Dylan borrows, digests, and transforms traditional songs. Although Dylan’s lyrical postures might suggest a post-Romantic, “avant-garde” consciousness, No One to Meet shows that Dylan’s creative process borrows from and creatively expands the methods used by classical and Renaissance authors. Drawing on numerous examples, including Dylan’s previously unseen manuscript excerpts and archival materials, Raphael Falco illuminates how the ancient process of poetic imitation, handed down from Greco-Roman antiquity, allows us to make sense of Dylan’s musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylan’s songs and allows us to celebrate him as what he truly is: a great writer.
In This is Tomorrow Michael Bird takes a fresh look at the long twentieth century, from the closing years of Queen Victorias reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistlers defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliassons melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century.
This anthology offers selections from the works of 57 Los Angeles poets, continuing a long tradition of publishing by independent presses.