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Exploring the Western conceptualizations of non-western patterns of same-sex desire and the evolution of European attitudes to homosexuality, this research particularly examines how the construction of "sodomite" identity was intertwined with essentialist definitions of so-called "racial" identity.
A thorough, cross-cultural history of sexual categories, focusing on such subjects as puritanism, sodomy, and ethnicity in colonial North America; cross-gender behavior and hermaphroditism; and the semiotics of genitalia. The author also demonstrates that representation of cultural "otherness," as found in European thought from the Enlightenment through modern times, is closely related to modern constructions of homosexual identity. Annotation copyright by Book News, Inc., Portland, OR
This research explores the Western conceptualizations of non-western patterns of same-sex desire and relates these to the evolution of European attitudes to homosexuality. It contributes to the historiography of western constructions of cultural and sexual "otherness" and aims at unravelling in particular how the construction of modern "sodomite," later "homosexual" identity was intertwined with essentialist definitions of so-called "racial" identity.
What did it mean to be a man in colonial Latin America? More specifically, what did indigenous and Iberian groups think of men who had sexual relations with other men? Providing comprehensive analyses of how male homosexualities were represented in areas under Portuguese and Spanish control, Infamous Desire is the first book-length attempt to answer such questions. In a study that will be indispensable for anyone studying sexuality and gender in colonial Latin America, an esteemed group of contributors view sodomy through the lens of desire and power, relating male homosexual behavior to broader gender systems that defined masculinity and femininity.
Homosexuality was and still is thought to be quintessentially 'un-African'. Yet in this book Chantal Zabus examines the anthropological, cultural and literary representations of male and female same-sex desire from early colonial contacts between Europe and Africa in the nineteenth century to the present. Covering a broad geographical spectrum, from Mali to South Africa and from Senegal to Kenya, and adopting a comparative approach encompassing two colonial languages (English and French) and some African languages, 'Out in Africa' charts developments in Sub-Saharan African texts and contexts through the work of 7 colonial and some 25 postcolonial writers.
Bringing together established critics and exciting new voices, this collection offers readings of Trollope that recognize and repay his importance as source material for scholars working in diverse fields of literary and cultural studies. Drawing on work from economics, colonialism and ethnicity, gender studies, new historicism, liberalism, legal studies, and politics, the contributors make a convincing case for Trollope's writings as a vehicle for the theoretical explorations of Victorian culture that currently predominate.
When Trump became president, much of the country was repelled by what they saw as the vulgar spectacle of his ascent, a perversion of the highest office in the land. In his bold, innovative book, Political Perversion, rhetorician Joshua Gunn argues that this “mean-spirited turn” in American politics (of which Trump is the paragon) is best understood as a structural perversion in our common culture, on a continuum with infantile and “gotcha” forms of entertainment meant to engender provocation and sadistic enjoyment. Drawing on insights from critical theory, media ecology, and psychoanalysis, Gunn argues that perverse rhetorics dominate not only the political sphere but also our daily interactions with others, in person and online. From sexting to campaign rhetoric, Gunn advances a new way to interpret our contemporary political context that explains why so many of us have difficulty deciphering the appeal of aberrant public figures. In this book, Trump is only the tip of a sinister, rapidly growing iceberg, one to which we ourselves unwittingly contribute on a daily basis.
The secret vice: Masturbation in Victorian fiction and medical culture provides a unique consideration of writings on self-abuse in the long nineteenth century. The book examines the discourse on masturbation in medical works by English, Continental and American practitioners and demonstrates the influence and impact of these writings, not only on Victorian pornography but also in the creation of fictional characters by canonical authors such as Bram Stoker, J. S. Le Fanu, Charles Dickens and Oscar Wilde. The book also features the first detailed and balanced study of the largely overlooked literature on masturbation as it pertains to women in clinical and popular medical works aimed at the female reader. Mason concludes with a consideration of the way the distinctly Victorian discourse on masturbation has persisted into the late-twentieth and twenty-first centuries with particular reference to Willy Russell’s tragic-comic novel, The Wrong Boy (2000) and to the construction of ‘Victorian Dad’, a character featured in the adult comic, Viz.
Post-war British artist Keith Vaughan (1912-77) was not only a supremely accomplished painter; he was an impassioned, eloquent writer. Image of a Man provides a comprehensive critical reading of his extraordinary journal, uncovering the attitudes and arguments that shaped and reshaped Vaughan's identity as a man and as an artist.
I have long been awe-struck by authors' claims that their books had been in the making for 5, or 10, or even 15 years. I now have a better appreciation ofthe work involved in bringing a book to press. The seeds of this project have had a long germination. The impetus for this book began more than 10 years ago when I was a graduate student in clinical psychology. Having an interest in human sexuality-and in theories on the forms of sexual attraction specifically-I was perplexed by various perspectives on this subject. Disciplines of thought that I encountered medicine, evolutionary biology, developmental psychology, gay/lesbian theory, social constructionism, anthropology, Marxism, Christianity, and others-perceived the issue so differently, so strongly, with almost no overlap. I was fascinated that the question ofhow and why one is attracted to either one or both sexes could elicit such conviction and divergent points of view. There seemed to be no easy way to resolve these differences. Still, what frustrated me most in my readings were several conceptual problems among the two prominent proponents of contemporary sexuality theory scientists and social constructionists. One ofmy first frustrations with biomedical and social scientists who write about sexuality was that they often define sexual attraction in strict behavioral terms, as completed observable sexual acts--observable in the sense that such acts or their consequences are seen by others.