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As elegant as they are practical, pocket knives have long been considered essential equipment for a gentleman. No cleverly programmed app is able to open blister packages, peel a pear, or cut off a thread hanging from a seam. Revealed are the most beautiful pocket knives from old standards of past generations such as Boker, Puma, Forge de Laguiole, Saladini, Case, Great Eastern Cutlery, and Queen Cutlery to the more modern Claude Dozorme, Neptunia, Fantoni, and Rockstead. Interesting facts about the history and technology of pocket knives add to an assortment of stylish and striking pocket knives that anyone can cut into.
The "Gentleman's magazine" section is a digest of selections from the weekly press; the "(Trader's) monthly intelligencer" section consists of news (foreign and domestic), vital statistics, a register of the month's new publications, and a calendar of forthcoming trade fairs.
The Gentleman's Magazine was the leading eighteenth-century periodical. By integrating the magazine's history, readers and contents this study shows how 'gentlemanliness' was reshaped to accommodate their social and political ambitions.
On July 4, 1796, a group of women gathered in York, Pennsylvania, to celebrate the twentieth anniversary of American independence. They drank tea and toasted the Revolution, the Constitution, and, finally, the rights of women. This event would have been unheard of thirty years before, but a popular political culture developed after the war in which women were actively involved, despite the fact that they could not vote or hold political office. This newfound atmosphere not only provided women with opportunities to celebrate national occasions outside the home but also enabled them to conceive of possessing specific rights in the young republic and to demand those rights in very public ways. Susan Branson examines the avenues through which women's presence became central to the competition for control of the nation's political life and, despite attempts to quell the emerging power of women—typified by William Cobbett's derogatory label of politically active women as "these fiery Frenchified dames"—demonstrates that the social, political, and intellectual ideas regarding women in the post-Revolutionary era contributed to a more significant change in women's public lives than most historians have recognized. As an early capital of the United States, the leading publishing center, and the largest and most cosmopolitan city in America during the eighteenth century, Philadelphia exerted a considerable influence on national politics, society, and culture. It was in Philadelphia that the Federalists and Democratic Republicans first struggled for America's political future, with women's involvement critical to the outcome of their heated partisan debates. Middle and upper-class women of Philadelphia were able to achieve a greater share in the culture and politics of the new nation through several key developments, including theaters and salons that were revitalized following the war, allowing women to intermingle and participate in political discussions, and the wider availability of national and international writings, particularly those that described women's involvement in the French Revolution—perhaps the most important and controversial historical event in the early development of American women's political consciousness. Given these circumstances, Branson argues, American women were able to create new more active social and political roles for themselves that brought them out of the home and into the public sphere. Although excluded from the formal political arenas of voting and lawmaking, American women in the Age of Revolution nevertheless thought and acted politically and were able to make their presence and opinions known to the benefit of a young nation.
Explores a vital aspect of British Romanticism, the role of illustration in Romantic-era literary texts and visual culture.
"The five volumes of A History of American Magazines constitute a unique cultural history of America, viewed through the pages and pictures of her periodicals from the publication of the first monthly magazine in 1741 through the golden age of magazines in the twentieth century"--Page 4 of cover.