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This series offers a range of heretofore unavailable writings in English translation on the subjects of art, architecture, and aesthetics. Camus's description of the French hotel argues that architecture should please the senses and the mind.
Camus's description of the French hotel argues that architecture should please the senses and the mind.
"In his twenty-five years as President of Boston University, Dr. Silber oversaw a building program totaling more than 13 million square feet. Here he constructs an unflinching case, beautifully illustrated, against the worst trends in contemporary architecture. He challenges architects to derive creative satisfaction from meeting the practical needs of clients and the public. He urges the directors of our universities, symphony orchestras, museums, and corporations to stop financing inefficient, overpriced architecture, and calls on clients and the public to tell the emperors of our skylines that their pretensions cannot hide the naked absurdity of their designs."--BOOK JACKET.
Demonstrates how a building's setting should inform and inspire rather than constrain architectural design Context-Architecture and the Genius of Place is a highly engaging, informative discussion of context in architectural theory and practice. Eric Parry, one of the UK's most highly regarded architects — whose work has been widely lauded for its innovative response to its setting — addresses the contemporary definition of context and its importance for sustainable everyday living and urban design. Looking beyond the formal agenda to explore the fundamentals that give new social and cultural perspective to this vital point of departure for designers, this book turns the urban statistician's telescopic focus on global trends inside out for a better understanding of the cultural and physical conditions that make archetypes like the Parisian Café, the London High Street, the Baltic City Square, and the Mumbai Market part of the architect's lexicon. From pavement to landscape, readers will examine how context must be taken into account at every stage in the design process. This book draws on the author's extensive experience within complex urban settings to show how the existing fabric and social conditions can provide an essential starting point for new design, offering a framework for thinking about design responses and their relationship to cultural origins of place. Discover the importance of orientation Develop a sequential understanding of urban space Hear the dialogue between parts within a whole Differentiate the uses of formal and informal Whereas existing urban settings, particularly historic city centers, are generally regarded as limiting to architectural creativity, this book presents context as grounds for inspiration rather than constraint. When used correctly, these techniques create the feeling that a new building has always been there, simply because it "fits". Context explains the methods behind brilliant architecture, helping designers create buildings that not only belong, but can provide a catalyst to urban life.
Attempts to develop a theory of understanding architecture in concrete, existential terms, following the guidelines of Heidegger
“The remarkable story of the two seventeenth-century geniuses. . . . A highly successful double biography.” —Booklist The rivalry between the brilliant seventeenth-century Italian architects Gianlorenzo Bernini and Francesco Borromini is the stuff of legend. Enormously talented and ambitious artists, they met as contemporaries in the building yards of St. Peter’s in Rome, became the greatest architects of their era by designing some of the most beautiful buildings in the world, and ended their lives as bitter enemies. Engrossing and impeccably researched, full of dramatic tension and breathtaking insight, The Genius in the Design is the remarkable tale of how two extraordinary visionaries schemed and maneuvered to get the better of each other and, in the process, created the spectacular Roman cityscape of today. “Entertaining. . . . Morrissey finely renders the intense rivalry between these two artists.” —Publishers Weekly “With clear prose and splendid touches of drama, history and architecture are both brought wonderfully to life.” —Ross King, New York Times bestselling author of Brunelleschi’s Dome and Michelangelo and the Pope’s Ceiling “Engrossing.” —Matthew Pearl, of The Dante Club “Genius in the Design reveals the dark side of 17th Century Italy with sparkling anecdotes and you-are-there immediacy” —Laurence Bergreen, author of Over the Edge of the World “Fascinating . . . a scintillating introduction to the Baroque.” —Iain Pears, New York Times bestselling author An Instance of the Fingerpost “Page-turning reading.” —Seattle Times Book Review “Morrissey illuminates the contrast between the celebrated Bernini and the anguished Borromini.” —Boston Globe
Revealing how design gives our life meaning and helps us understand what it is to be human, 'The Genius of Design' examines design both as a process and as a product--
Little Genius . . . where curious kids can learn and laugh while being captivated by the world around them. A first architecture book for little geniuses! Architects are artists and scientists as well. They design the spaces where we shop, learn, visit, and dwell. From drawing houses with crayons to building with Legos and blocks, children are born architects! And Little Genius: Architecture is a child’s first look at the incredible work that architects do. Each spread features one or more amazing buildings or architectural feats, such as the Taj Mahal, the Chrysler Building, the Great Wall of China, the Parthenon, the Sydney Opera House, the Great Mosque of Djenné, and more!!! Also, a few terms such as Gothic and Art Deco are introduced without weighing down the lilting, rhyming text. With dynamic artwork by illustrator and architect Jomike Tejido, children will enjoy reading and re-reading this educational and fun book!
The story behind a little-known episode in the annals of modern architecture and psychology—a 1950s creativity study of the top architects of the day, including Eero Saarinen, I.M. Pei, Philip Johnson, Louis Kahn, Richard Neutra, George Nelson, and dozens more—is now published for the first time. The story of midcentury architecture in America is dominated by outsized figures who were universally acknowledged as creative geniuses. Yet virtually unheard of is this intensive 1958–59 study, conducted at the Institute of Personality Assessment and Research at the University of California, Berkeley, that scrutinized these famous architects in an effort to map their minds. Deploying an array of tests reflecting current psychological theories, the investigation sought to answer questions that still apply to creative practice today: What makes a person creative? What are the biographical conditions and personality traits necessary to actualize that potential? The study’s findings have been gathered through numerous original sources, including questionnaires, aptitude tests, and interview transcripts, revealing how these great architects evaluated their own creativity and that of their peers. In The Creative Architect, Pierluigi Serraino charts the development, implementation, and findings of this historic study, producing the first look at a fascinating and forgotten moment in architecture, psychology, and American history.