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The wackiest road trip in history continues in book four of the New York Times bestselling Genius Files series, following twins Coke and Pepsi as they dodge villains and visit weird-but-true landmarks from Texas all the way to Roswell, New Mexico! After their explosive escape at Graceland, twins Coke and Pepsi are ready to resume their trip across America—only now in a convertible instead of the RV. They travel through Arkansas and Oklahoma, visiting weird-but-true tourist stops along the way, and finally end up in Texas, home of the Weird Capital of the Country, Austin. The twins' many enemies—the bowler dudes, Mrs. Higgins, and Dr. Warsaw—all swear that they're done chasing Coke and Pepsi for good. But when the twins start receiving more codes and ciphers from a mysterious robotic voice, they know someone's after them. They just have to figure out who before the mystery villain finds them first. With the real-kid humor that has earned him millions of readers around the world, and featuring all new weird-but-true locations around America, this fourth book in the New York Times bestselling Genius Files series is absolutely batty!
It is an analytical view of some of the concepts and aspects of life according to recent scientific studies that changed my consideration of some of these concepts and led me to the discovery of these secrets. It is literary and social in the light of opinions, the great philosophers theories, the writers words, and the psychologists ideas about concepts and explains them. I tried to understand and comprehend the wide knowledge base about how to behave better and find more wealth of realism and much happiness in life.
The «Genius» is Theodore Dreiser’s autobiographical novel about the turn-of-the-century art scene. It explores the multiple con licts between art and business, art and marriage, and between traditional and modern views of sexual morality. The «Genius» was deemed so shocking that its sale was immediately prohibited by the New York Society for the Suppression of Vice.
The «Genius» is Theodore Dreiser’s autobiographical novel about the turn-of-the-century art scene. It explores the multiple con licts between art and business, art and marriage, and between traditional and modern views of sexual morality. The «Genius» was deemed so shocking that its sale was immediately prohibited by the New York Society for the Suppression of Vice.
“Sexy, surprising, funny, insightful, and wildly entertaining” (Huffington Post)—the definitive biography of Giacomo Casanova, the impoverished boy who became the famous writer, notorious libertine, and self-invented genius in decadent eighteenth-century Europe. Today, “Casanova” is a synonym for “great lover,” yet the real story of this remarkable figure is little known. A figure straight out of a Henry Fielding novel, Giacomo Casanova was erotic, brilliant, impulsive, and desperate for recognition; a self-destructive genius. Over the course of his lifetime, he claimed to have seduced more than one hundred women, among them married women, young women in convents, girls just barely in their teens, women of high and low birth alike. Abandoned by his mother, an actress and courtesan, Casanova was raised by his illiterate grandmother, coming of age in a Venice filled with spies and political intrigue. He was intellectually curious and read forbidden books, for which he was jailed. He staged a dramatic escape from Venice’s notorious prison, I Piombi, the only person known to have done so. He then fled to France, ingratiated himself at the royal court, and invented the national lottery that still exists to this day. He crisscrossed Europe, landing for a while in St. Petersburg, where he was admitted to the court of Catherine the Great. He corresponded with Voltaire and met Mozart and Lorenzo da Ponte—assisting them as they composed the timeless opera Don Giovanni. And he wrote what many consider the greatest memoir of the era, the twelve-volume Story of My Life. Laurence Bergreen’s Casanova recounts this astonishing life in rich, intimate detail, and at the same time, paints a dazzling portrait of eighteenth-century Europe, filled with a cast characters from serving girls to kings and courtiers, “great fun for any history lover” (Kirkus Reviews).
Presents a look at the marriage of the American playwright and the movie star, discussing their different backgrounds, creative needs, dependency issues, and career conflicts which led to their divorce after five tumultuous years.
Will world renowned genius, Gene Yuss, discover what hides "under the earth?" Do monsters stand guard, ready to destroy all intruders? Gene advances more into the unseen after a tragedy and as he learns about God. Gene writes "The Unseen World," speculating what happens before "In the beginning" (Genesis 1:1). Only Space exists until a good being appears, desiring to create angels, intelligent and free. The problem? Freedom is dangerous, and the intelligent but not free are puppets. What happens to those created? Who is in the whirling mass that plummets down under . . . under what? Gene desires that his generation be the greatest ever. But God shocks Gene with "Will you . . . Do you . . ." questions to determine their readiness before his "not easy" instructions for success. Into advice, God suggests for Genius Generation president, Gene's best friend, another shock. No, Gene is the highest ranked. Can he believe it? Will he really be the savior of the twenty-first century? Does Gene go under the earth? What is there?
Reprint of the original, first published in 1873.