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In this second volume, David H. Bradley picks up the story of the African Methodist Episcopal Church Zion in 1873. From there he follows A. M. E. Zion’s growth through Reconstruction, Jim Crow, and the Civil Rights Movement, showing the denomination’s special capacity for empowering lay people to be crucial to African American organization in the Civil Rights Movement. Throughout, Bradley explores the dynamics of organizational institutionalization in the midst of new growth and transformation through the Great Migration and the flowering of A. M. E. Zion churches in new African American communities on the West Coast.
Explores the emergence of African Methodism within the black Atlantic and how it struggled to sustain its liberationist identity.
First published in 1956, Rev. David S. Bradley Sr. wrote what was at the time and remains today the most thorough, scholarly history of the beginnings and growth of the African Methodist Episcopal Zion Church. Beginning with the birth of A. M. E. Zion Chapel in a humble chapel in New York City, Part 1 traces the growth of the church into a powerful and agile denomination, expanding from the settled coast into the frontiers of upstate New York and western Pennsylvania. The advancing denomination, with natural and inherited "antagonism to slavery," attracted "freedmen, seeking spiritual freedom," including the famous black Abolitionist activists—Sojourner Truth, Harriet Tubman, and Frederick Douglass, who learned and honed his rhetorical skills as an exhorter in the A. M. E. Zion congregation in New Bedford, Massachusetts, under Reverend Thomas James. "No road was too pioneering no thought too liberal, for these were freedmen, seeking spiritual freedom . . . All along the Mason Dixon Line, and further West, in Ohio and Indiana, Zion Churchmen became beacon points of hope to the escaped slave and A. M. E. Zion became the church of freedom."
Publication is an act of power. It brings a piece of writing to the public and identifies its author as a person with an intellect and a voice that matters. Because nineteenth-century Black Americans knew that publication could empower them, and because they faced numerous challenges getting their writing into print or the literary market, many published their own books and pamphlets in order to garner social, political, or economic rewards. In doing so, these authors nurtured a tradition of creativity and critique that has remained largely hidden from view. Bryan Sinche surveys the hidden history of African American self-publication and offers new ways to understand the significance of publication as a creative, reformist, and remunerative project. Full of surprising turns, Sinche's study is not simply a look at genre or a movement; it is a fundamental reassessment of how print culture allowed Black ideas and stories to be disseminated to a wider reading public and enabled authors to retain financial and editorial control over their own narratives.