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Once the world’s prairies, grasslands, steppes and tundra teemed with massive herds of game: gazelle, wild ass, bison, caribou and antelope. Humans seeking to hunt these large fast-moving herds devised a range of specialised traps that share many characteristics across all continents. Typically consisting of guiding walls or lines of stones leading to an enclosure or trap, game drives were designed for a mass killing. Construction of the game drive, organisation of the hunt and processing of the carcass often required group co-operation and in many cases game drives have been linked to seasonal gatherings of otherwise scattered groups, who may have used these occasions not only to hunt, but also for social, ritual and economic activities. The Gazelle’s Dream: Game Drives of the Old and New Worlds is the first comparative study of game drives, examining this mode of hunting across three continents and a broad range of periods. The book describes the hunting of bison in North America, reindeer in Scandinavia, antelope in Tibet and an extensive array of examples from the greater Middle East, from Egypt to Armenia. The Gazelle’s Dream will be of value to anyone with an interest in the history of hunting and wildlife management.
As mesmerizing as a tale from the lips of Sheherazade, Gazelle traces the story of Elizabeth, a thirteen-year-old American girl whose adolescent passion is awakened in the exotic climate of 1950s Cairo. While her mother–whose beauty and sexual prowess both frighten and fascinate Elizabeth–moves into a hotel to pursue a string of lovers, her father, a historian, loses himself in a world of chess and toy soldiers. Elizabeth’s imagination, primed by an explicit edition of The Arabian Nights, leads her to fantasies about her father’s friend, a gentle, older man named Ramses Ragab, a perfume maker who visits their house regularly to play games of war and who opens her up to the mystery of hieroglyphics and the art of exotic scents.
From the tenth century to the thirteenth, the Jews of Spain belonged to a vibrant and relatively tolerant Arabic-speaking society, a sophisticated culture that had a marked effect on Jewish life, thought, artistic tastes, and literary expression. In this companion volume to Wine, Women, and Death, we see how the surrounding Arabic culture influenced the new poetry that was being written for the synagogue service. The Hebrew poems here, accompanied by elegant English translations and explanatory essays are short lyrics of the highest literary quality.
Ever feel like your dreams are trying to tell you something? Dive into "Dreams: Decoding the Language of Dreams," a captivating exploration of the mysterious world that unfolds while you sleep. This isn't your average dream dictionary—it's a deep dive into the history, cultures, and practices that have revered dreams as messages from beyond. Ever wondered if dreams are just random firings in our brains, or if they hold deeper meaning? Journey through the ages, from ancient dream temples and oracles to modern scientific inquiries. Uncover how cultures across the globe have sought to interpret and harness the power of dreams in warfare, healing, and spiritual growth. We'll delve into dream incubation practices, exploring how you can actively engage with your dreams to seek guidance and inspiration. Discover the fascinating world of lucid dreaming, where you become aware you're dreaming and can even influence the narrative. This book isn't just about interpreting symbols; it's about understanding the profound impact dreams can have on our lives. We'll examine how dreams have fueled creativity, sparked social justice movements, and even provided insights into the animal kingdom. "Dreams: Decoding the Language of Dreams" is your passport to a realm where anything is possible. Whether you're a seasoned dreamer or simply curious about the mysteries of the sleeping mind, this book will leave you with a newfound appreciation for the extraordinary power of dreams.
A guide to interpreting dreams.
What if you were told that you could twist time to save the present and the future? Majestic, Melody, and Comet seem like ordinary cubs, but when disaster strikes they must fight for their lives. They must arise, and do what no ordinary cubs have done before, but itll take more than just friends to save the savannahs and all the lions, leopards, and cheetahs in it. All of them must choose: listen to the Stars Legend, or die.
During the day, high school teacher John Gonzales is a dedicated role model who wants the best for his students, but at night he battles internal demons. When he discovers the well-liked football coach handing out illicit drugs to his players like candy on Halloween, Gonzales confronts himhaving no idea that he has just set off a chain of events that may ruin his career, his reputation, and his future. After approaching the principal with his concerns and receiving nothing but humiliation in return, Gonzales stubbornly decides to take his accusations to the school board. Unfortunately, he is up against corrupt school officials and a seemingly untouchable coach responsible for a series of successful football games. As the season draws to a close and tension mounts, Gonzales relentlesslyand unsuccessfullycontinues his attempts to obtain evidence. Then, when the body of a popular cheerleader is found near the stadium with a small container of ecstasy pills in her possession, the team quarterback is suddenly overcome with guilt and joins forces with Gonzales. A frantic chase ensues, and only time will tell whether the teacher and the quarterback survive long enough to find justice.
Perhaps the greatest Hebrew poet since biblical times, Judah Halevi (ca. 1075-1141) is best-known for his “Songs of Zion,” written late in life. But when Halevi first appeared on the stage of history, he was just a young man, incredibly talented - and completely unknown. This study focuses on Halevi’s earliest period of creativity within a circle of Hebrew poets centering on the Muslim city-kingdom of Granada. Part One examines the lure of Muslim Spain for an up-and-coming young poet and the poems paving his way thither; Part Two, the social setting in which this circle of poets flourished and the dynamics behind many of its poems. A number of poems are brought in translation, many for the first time.
Reema runs to remember the life she left behind in Syria. Caylin runs to find what she's lost. Under the grey Glasgow skies, twelve-year-old refugee Reema is struggling to find her place in a new country, with a new language and without her brother. But she isn't the only one feeling lost. Her Glasgwegian neighbour Caylin is lonely and lashing out. When they discover an injured fox and her cubs hiding on their estate, the girls form a wary friendship. And they are more alike than they could have imagined: they both love to run. As Reema and Caylin learn to believe again, in themselves and in others, they find friendship, freedom and the discovery that home isn’t a place, it’s the people you love. Heartfelt and full of hope, The Fox Girl and the White Gazelle is an uplifting story about the power of friendship and belonging. Inspired by her work with young asylum seekers, debut novelist Victoria Williamson's stunning story of displacement and discovery will speak to anyone who has ever asked 'where do I belong?'
In late nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured content. Cosmopolitan Dreams brings this culture to light, showing how literature became a site in which modern daily life could be portrayed and satirized, the protocols of modernity challenged, and new futures imagined. Drawing on never-before-translated Urdu fiction and prose and focusing on the novel and satire, Jennifer Dubrow shows that modern Urdu literature was defined by its practice of self-critique and parody. Urdu writers resisted the cultural models offered by colonialism, creating instead a global community of imagination in which literary models could freely circulate and be readapted, mixed, and drawn upon to develop alternative lines of thinking. Highlighting the participation of readers and writers from diverse social and religious backgrounds, the book reveals an Urdu cosmopolis where lively debates thrived in newspapers, literary journals, and letters to the editor, shedding fresh light on the role of readers in shaping vernacular literary culture. Arguing against current understandings of Urdu as an exclusively Muslim language, Dubrow demonstrates that in the late nineteenth century, Urdu was a cosmopolitan language spoken by a transregional, transnational community that eschewed identities of religion, caste, and class. The Urdu cosmopolis pictured here was soon fractured by the forces of nationalism and communalism. Even so, Dubrow is able to establish the persistence of Urdu cosmopolitanism into the present and shows that Urdu’s strong tradition as a language of secular, critical modernity did not end in the late nineteenth century but continues to flourish in film, television, and on line. In lucid prose, Dubrow makes the dynamic world of colonial Urdu print culture come to life in a way that will interest scholars of modern Asian literatures, South Asian literature and history, cosmopolitanism, and the history of print culture.