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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Trixy is a 1904 novel by the best-selling but largely forgotten American author and women’s rights activist Elizabeth Stuart Phelps. The book decries the then common practice of vivisection, or scientific experiments on live animals. In Trixy, contemporary readers can trace the roots of the early animal rights movement in Phelps’s influential campaign to introduce legislation to regulate or end this practice. Phelps not only presents a narrative polemic against the cruelty of vivisection but argues that training young doctors in it makes them bad physicians. Emily E. VanDette’s introduction demonstrates that Phelps’s protest writing, which included fiction, pamphlets, essays, and speeches, was well ahead of its time. Though not well known today, Phelps’s 1868 spiritualist novel, The Gates Ajar, which offered a comforting view of the afterlife to readers traumatized by the Civil War, was the century’s second best-selling American novel, surpassed only by Uncle Tom’s Cabin. Recently scholars and readers have begun to reexamine Phelps’s significance. As contemporary authors, including Peter Singer, Jonathan Safran Foer, Donna J. Haraway, Gary L. Francione, and Carol J. Adams, have extended her vision, they have also created new audiences for her work.
Elizabeth Stuart Phelps Ward (August 31, 1844 - January 28, 1911) was an early feminist American author and intellectual who challenged traditional Christian beliefs of the afterlife, challenged women's traditional roles in marriage and family, and advocated clothing reform for women. In 1868, three years after the Civil War ended, she published The Gates Ajar, which depicted the afterlife as a place replete with the comforts of domestic life and where families would be reunited-along with family pets-through eternity.