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In Behind the Gas Mask, Thomas Faith offers an institutional history of the Chemical Warfare Service, the department tasked with improving the Army's ability to use and defend against chemical weapons during and after World War One. Taking the CWS's story from the trenches to peacetime, he explores how the CWS's work on chemical warfare continued through the 1920s despite deep opposition to the weapons in both military and civilian circles. As Faith shows, the believers in chemical weapons staffing the CWS allied with supporters in the military, government, and private industry to lobby to add chemical warfare to the country's permanent arsenal. Their argument: poison gas represented an advanced and even humane tool in modern war, while its applications for pest control and crowd control made a chemical capacity relevant in peacetime. But conflict with those aligned against chemical warfare forced the CWS to fight for its institutional life--and ultimately led to the U.S. military's rejection of battlefield chemical weapons.
Profiles the man responsible for inventing the traffic light and gas mask, both very important elements for safety.
With more than 650 photographs, this book provides in depth information and a reference guide for identifying 53 common American military gas masks and it also includes information about another 43 uncommon military, special purpose and civilian American gas masks. The book is easily usable by a novice military collector that knows little or nothing about American military gas masks and at the same time, provides a useful quick reference book for the advanced collector. It covers American gas masks and accessories used during the Great War of 1917-1918 to the modern day M50 series Joint Service General Purpose Masks. Additional collector information is included about the quantities of masks manufactured for or procured by the United States military, manufacturing date markings on masks, fakes and reproductions, items issued with gas masks, hints for easy gas mask identification and historical information relating to collecting of American military gas masks.
"Gas Mask Nation explores Japanese daily life during the widespread culture of civil defense that emerged through fifteen years of war, beginning with Japan's invasion of Manchuria in 1931 and only ending with Japan's decisive defeat in WWII. This fifteen-year period involved intense social mobilization and the militarization of citizens. As in nearly every war since the invention of the airplane, surveillance, secrecy, and physical safety became visual symbols of national preparedness and anxiety. Everybody was vulnerable, always. And everybody had a role to play. Prevailing scholarship tends to portray the war years in Japan as a landscape of privation where consumer and popular culture were suppressed under the massive censorship of the war machine. Weisenfeld claims otherwise: while not denying the horrors of war, she shows that pleasure, desire, wonder, creativity, and humor were all still abundantly present. Even amidst the fear, tasty caramels were sold to children with paper gas masks as promotional giveaways, and popular magazines featured everything from attractive models in the latest civil defense fashions to futuristic wartime weapons. Gas Mask Nation examines the multilayered construction of an anxious yet perversely pleasurable culture of civil air defense through a diverse range of art works and media including experimental and documentary photographs, newsreels, popular magazine illustrations, advertising, cartoons, and state propaganda"--
The First World War introduced the widespread use of lethal chemical weapons. In its aftermath, the British government, like that of many states, had to prepare civilians to confront such weapons in a future war. Over the course of the interwar period, it developed individual anti-gas protection as a cornerstone of civil defence. Susan R. Grayzel traces the fascinating history of one object – the civilian gas mask – through the years 1915–1945 and, in so doing, reveals the reach of modern, total war and the limits of the state trying to safeguard civilian life in an extensive empire. Drawing on records from Britain's Colonial, Foreign, War and Home Offices and other archives alongside newspapers, journals, personal accounts and cultural sources, she connects the histories of the First and Second World Wars, combatants and civilians, men and women, metropole and colony, illuminating how new technologies of warfare shaped culture, politics, and society.
Although the Blitz has come to symbolize the experience of civilians under attack, Germany first launched air raids on Britain at the end of 1914 and continued them during the First World War. With the advent of air warfare, civilians far removed from traditional battle zones became a direct target of war rather than a group shielded from its impact. This is a study of how British civilians experienced and came to terms with aerial warfare during the First and Second World Wars. Memories of the World War I bombings shaped British responses to the various real and imagined war threats of the 1920s and 1930s, including the bombing of civilians during the Spanish Civil War and, ultimately, the Blitz itself. The processes by which different constituent bodies of the British nation responded to the arrival of air power reveal the particular role that gender played in defining civilian participation in modern war.
The weekend has finally arrived, and Owen returns to find Rick in the pool. After a long, sexy, underwater session, they go inside and explore the wonders of an old gas mask. This is the second story in the "Rick & Owen" series of one-sitting short reads that explore the relationship between two gay men who are into BDSM, breath play, water play (Aquaphiles), and related fetishes. ***Warning: This 7500 word short story contains some explicit and graphic language. It contains gagging blowjobs, asphyxiation (bagging and drowning), and gay oral sex. It is intended for mature audiences.***
Ryan is a university student dealing with the normal problems of a 22-year-old guy -- shyness, virginity, weird roommates, and a massive crush on Cassandra, a waitress at his local greasy spoon. (Oh, and a freakish ability to change into a fly.) When he finally gets up the nerve to ask Cassandra for a date, he learns that the two have more in common than they first thought. (Turns out that Cassandra can make things disappear.) Sharing their secrets for the first time, Ryan and Cassandra realize they were made for each other...and to battle forces of evil! Inspired by Sailor Moon, they team up to fight the villians in their own backyard, taking on cigarette barons, right wing newspapers, and the overzealous local police. But can the Superheroes for Social Justice transform the world in time? Find out in.. Notice: This Book is published by Historical Books Limited (www.publicdomain.org.uk) as a Public Domain Book, if you have any inquiries, requests or need any help you can just send an email to [email protected] This book is found as a public domain and free book based on various online catalogs, if you think there are any problems regard copyright issues please contact us immediately via [email protected]
A book full of boxes. A box in itself. An unboxing. This book explores boxes in their broadest sense and size. It invites us to step into the field, unravel how and why things are contained and how it might be otherwise. By turning the focus of Science and Technology Studies (STS) to boxing practices, this collation of essays examines boxes as world-making devices. Gathered in the format of a field guide, it offers an introduction to ways of ordering the world, unpacking their boxed-up, largely invisible politics and epistemics. Performatively, pushing against conventional uses of academic books, this volume is about rethinking taken-for-granted formats and infrastructures of scholarly ordering - thinking, writing, reading. It diverges from encyclopedic logics and representative overviews of boxing practices and the architectural organization of monographs and edited volumes through a single, overarching argument. This book asks its users to leave well-trodden paths of linear and comprehensive reading and invites them to read sideways, creating their own orders through associations and relating. Thus, this book is best understood as an intervention, a beginning, an open box, a slim volume that needs expansion and further experiments with ordering by its users.
Unruly Spirits connects the study of séances, telepathy, telekinesis, materializations, and other parapsychic phenomena in France during the age of Sigmund Freud to an epistemological crisis that would eventually yield the French adoption of psychoanalysis. Skillfully navigating experiments conducted by nineteenth-century French psychical researchers and the wide-ranging debates that surrounded their work, M. Brady Brower situates the institutional development of psychical research at the intersection of popular faith and the emergent discipline of psychology. Brower shows how spiritualist mediums were ignored by French academic scientists for nearly three decades. Only after the ideologues of the Third Republic turned to science to address what they took to be the excess of popular democracy would the marvels of mediumism begin to emerge as legitimate objects of scientific inquiry. Taken up by the most prominent physicists, physiologists, and psychologists of the last decades of the nineteenth century, psychical research would eventually stall in the 1920s as researchers struggled to come to terms with interpersonal phenomena (such as trust and good faith) that could not be measured within the framework of their experimental methods. In characterizing psychical research as something other than a mere echo of popular spirituality or an anomaly among the sciences, Brower argues that the questions surrounding mediums served to sustain the scientific project by forestalling the establishment of a closed and complete system of knowledge. By acknowledging persistent doubt about the intentions of its participants, psychical research would result in the realization of a subjectivity that was essentially indeterminate and would thus clear the way for the French reception of psychoanalysis and the Freudian unconscious and its more comprehensive account of subjective uncertainty.