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This book offers a novel interpretation of politics and identity in Ovid's epic poem of transformations, the Metamorphoses. Reexamining the emphatically fictional character of the poem, Playing Gods argues that Ovid uses the problem of fiction in the text to redefine the power of poetry in Augustan Rome. The book also provides the fullest account yet of how the poem relates to the range of cultural phenomena that defined and projected Augustan authority, including spectacle, theater, and the visual arts. Andrew Feldherr argues that a key to the political as well as literary power of the Metamorphoses is the way it manipulates its readers' awareness that its stories cannot possibly be true. By continually juxtaposing the imaginary and the real, Ovid shows how a poem made up of fictions can and cannot acquire the authority and presence of other discursive forms. One important way that the poem does this is through narratives that create a "double vision" by casting characters as both mythical figures and enduring presences in the physical landscapes of its readers. This narrative device creates the kind of tensions between identification and distance that Augustan Romans would have felt when experiencing imperial spectacle and other contemporary cultural forms. Full of original interpretations, Playing Gods constructs a model for political readings of fiction that will be useful not only to classicists but to literary theorists and cultural historians in other fields.
First published in 2001. This is a vivid account of what their gods meant to the Romans from archaic times to late antiquity, and an exploration of the rites and rituals connected to them. After an extensive introduction into the nature of classical religion, the book is divided into three pain main parts: religions of the family and land; religions of the city; and religions of the empire. The book ends with the rise and impact Christianity. Using archaeological and epigraphic evidence, and drawling extensively on a wide range of relevant literary material, this book is ideally suited for undergraduate courses in the history of Rome and its religions. Its urbane style and lightly worn scholarship will broaden its appeal to the large number of non-academic readers with a serious interest in the classical world.
An elegant and entertaining account of the transformations of the Greek gods across the ages, from antiquity to the Renaissance and the present day The gods of Olympus are the most colorful characters of Greek civilization: even in antiquity, they were said to be cruel, oversexed, mad, or just plain silly. Yet for all their foibles and flaws, they proved to be tough survivors, far outlasting classical Greece itself. In Egypt, the Olympian gods claimed to have given birth to pharaohs; in Rome, they led respectable citizens into orgiastic rituals of drink and sex. Under Christianity and Islam they survived as demons, allegories, and planets; and in the Renaissance, they triumphantly emerged as ambassadors of a new, secular belief in humanity. Their geographic range, too, has been little short of astounding: in their exile, the gods and goddesses of Olympus have traveled east to the walls of cave temples in China and west to colonize the Americas. They snuck into Italian cathedrals, haunted Nietzsche, and visited Borges in his restless dreams. In a lively, original history, Barbara Graziosi offers the first account to trace the wanderings of these protean deities through the millennia. Drawing on a wide range of literary and archaeological sources, The Gods of Olympus opens a new window on the ancient world, religion, mythology, and its lasting influence.
Today the majority of humankind worships a single God. Although this God is said to be all loving and wanting peace for his worshippers there is very little peace among the three religions based on common theology. Judaism, Christianity and Islam all foster hatred for one another, causing millions of deaths and untold suffering for hundreds of years.This book explores the mythic, historical, and archaeological record to illustrate the history of these conflicts. The Gods of Man also looks at how monotheism eventually dominated and destroyed the ancient and peaceful goddess traditions that had existed for thousands of years before. Is the God of today simply used to enforce government edicts, justify war and to control society?Gary R. Varner has written several articles and books on ancient religions, folklore and mythology. He is a member of the American Folklore Society and the Foundation for Mythological Studies.
From Greece to Palmyra, Tyre or Babylon, the names of the gods, like 'Thundering Zeus', 'Three-faced Moon', 'Baal of the Force' or the enigmatic YHWH, reveal their history, family ties, fields of competence and capacity for action. Shared or specific, these names bring to light networks of gods: the Saviour gods, the Ancestral gods, the gods of a city or a family. Names tell stories about the relationship between men and gods, gods and places, places and cultures and so on. They show how gods travel and spread, how they appear and disappear, how they participate in the political, social, intellectual history of each community. Through the study of divine names, the twelve chapters of this book unfold a gallery of portraits that reveal the changing aspects of the divine throughout the ancient Mediterranean.
Series title in part also at head of t.-p. Bibliography: p. [573]-595.
Darrell Schweitzer, author of The Mask of the Sorcerer and editor of Weird Tales collaborates with macabre artist-writer Jason Van Hollander on a series of remarkable fantasies, variously grotesque, horrific, ethereal, and darkly comic. Several of these form a cycle set in as-yet undiscovered countries where the common men have thrown down the gods and decadent nobles reach new heights of ecstasy and terror with the drug hanquil. You'll also encounter a wrenching yet romantic ghost story set in the American Southwest, an intimately personal tale of the Cthulhu Mythos and the lingering legacy of Dunwich; plus a dance of death; and a house haunted by the terror of eternal life. Here are all the stories Schweitzer and Van Hollander have written together, a unique blending which makes these two the most successful collaborative team since Burke and Hare.