Download Free The Gardens Of William Morris Book in PDF and EPUB Free Download. You can read online The Gardens Of William Morris and write the review.

William Morris, designer, poet, socialist – nature lover. This volume focuses on Morris's vision of the garden, uncovering the principles which had such a profound effect on garden designers such as Gertrude Jekyll and William Robinson. Guided by Morris and the plants which appear in his work, this book endorses gardening with indigenous plants, giving information, both historical and practical, for gardening the William Morris way.
Illustrated with original photographs of Shipman's superb gardens - many by photographer Mattie Edwards Hewitt which have never been previously published - and new photographs by Carol Betsch which were specially commissioned for this volume, the book documents in fascinating detail the life and work of one of America's most important and influential garden designers.
A beautiful and informative gift book devoted to designs by William Morris that incorporate flowers—a central motif in his oeuvre and one that played a part in the majority of his designs. The leading figure of the Arts and Crafts Movement, William Morris (1834–1896) is one of the best-known and most popular of all British designers. A passionate advocate of craftsmanship over mass production, he designed a huge variety of objects, but it is his spectacular carpet, fabric, and wallpaper patterns that have continued to capture the popular imagination and influence interior designers and the decorative arts. Around six hundred such designs are attributed to Morris, most of which are based on nature, including trees, plants, and flowers. This beautifully designed, accessibly priced gift book offers a wealth of designs by Morris where flowers are the principal motif. The text traces the origins of Morris’s flower-based designs: his own gardens at the Red House in Kent; sixteenth- and seventeenth-century herbals; illuminated medieval manuscripts; late medieval and Renaissance tapestries; and the range of decorated objects, particularly from the Islamic world, that Morris studied at the South Kensington Museum, now the Victoria and Albert Museum. Authored by Rowan Bain, senior curator at the William Morris Gallery, and lavishly illustrated with over one hundred color illustrations, William Morris’s Flowers will both inform and delight.
A beautifully illustrated survey of the premiere Arts and Crafts artist.
The Arts and Crafts Movement espoused values of simplicity, craftsmanship and beauty quite counter to Victorian and Edwardian industrialism. Though most famous for its architecture, furniture and ornamental work, between the 1890s and the 1930s the movement also produced gardens all over Britain whose designs, redolent of a lost golden era, had worldwide influence. These designs, by luminaries such as Gertrude Jekyll and Sir Edwin Lutyens, were engaging and romantic combinations of manor-house garden formalism and the naive charms of the cottage garden – but from formally clipped topiary to rugged wild borders, nothing was left to chance. Sarah Rutherford here explores the winding paths and meticulously shaped hedges, the gazebos and gateways, the formal terraces and the billowing border plantings that characterised the Arts and Crafts garden, and directs readers and gardeners to where they can visit and be inspired by these beautiful works of art.
Decor.
Once mostly rolling hills and valleys covered with hardwood forest in the seventeenth century, contemporary Philadelphia and the Delaware Valley now claim the largest concentration of many of the finest public and private gardens in the world. William M. Klein explores the broader attitudes and behaviors toward nature that have influenced this developmentt - of colonial farms and gardens created for survival to the art of suburban gardens to nature conservatories and public parks. Discover how in 300 years we have moved from fencing nature out to fencing nature in. Out of the past, examine the worm fence at Colonial Pennsylvania Plantations, overgrown by weeds as it would have been during Colonial times, zigzagging across the fields tenuously holding back the great forest that presses down. Into the present, consider the chain link fence at the John Heinz Wildlife Refuge at Tinicum that bounds a threatened wetland habitat from the intrusion of highways and reverberates to the sounds of traffic from I-95 and the Philadelphia International Airport. Klein's eloquent and knowledgeable narrative include detailed portraits of forty-four individual gardens, all lustrously illustrated by noted garden photographer Derek Fell. While considering a particular garden's historical and social influences, Klein discusses the philosophy behind each garden, its planner's goals and even personality, and the garden's interaction with surrounding architecture. This complete guide also includes each location's address, phone number, hours of operation, events, and featured plants, flowers, and trees. Yet this book goes far beyond the usual guides in this search for answers to the perennial questions of how and why each generation struggles to define its place in nature. As we approach the twenty-first century, the garden has become the metaphor for how we must begin to view all nature today - tended space where we collect, name, nurture, and share our love of plants. Author note: Formerly Director of the Morris Arboretum of the University of Pennsylvania, Dr. William M. Klein, Jr. is Executive Director of the National Tropical Botanical Garden in Lawai, Hawaii. In 1993 he was presented with the American Horticultural Society's Professional Award, and has been a Fellow of the American Association for the Advancement of Science since 1989. He has published many important writings on nature, botany, and landscape, including his previous book, The Vascular Flora of Pennsylvania: Annotated Checklist and Atlas. Derek Fell is a widely published garden photographer and the author of more than 50 garden books and garden calendars.
William Morris and his Palace of Art is a comprehensive new study of Red House, Bexleyheath; the only house commissioned by William Morris and the first independent architectural work of his close friend, Philip Webb. Morris moved in to Red House as an ebullient young man of 26, with an independent income and a head brimming with ideas and the persistent question of ‘how best to live? Red House, together with its Pre-Raphaelite garden, stands as the physical embodiment of his exuberant spirit, youthful ambition, passionate medievalism, creativity and great sense of possibility. For five intense years from 1860–5, it was a place of halcyon days – happy family life, loyal friendship, good humoured competition, and the jovial campaign of decorating; furnishing the house and designing the garden. Drawing on a wealth of new physical evidence, this book argues that Red House constitutes an ambitious and critical chapter in his design history. It will re-consider the inspiration it provided for the founding of ‘the Firm’ of Morris, Marshall, Faulkner & Co. (later Morris & Co.), in 1861, and the vital collaboration of Webb, Burne-Jones, Rossetti and their intimate circle in realising Morris’s dream for his house.
“The ever-alluring Arts and Crafts garden…is profoundly relevant to our 21st-century needs.” —Sam Watters, author of Gardens for a Beautiful America In Gardens of the Arts and Crafts Movement, landscape scholar Judith B. Tankard surveys the inspirations, characteristics, and development of garden design during this iconic movement. Tankard presents a selection of houses and gardens of the era from Great Britain and North America. With almost 300 illustrations and photographs, and an emphasis on the diversity of designers who helped forge the movement, Gardens of the Arts and Crafts Movement is an essential resource for this truly distinct approach to garden design.