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An “eccentric and charming” love letter to Versailles Palace and its storied grounds, by the man who knows them best—for gardening lovers and Francophiles (New York Times) Tour Versailles’ 2,100 acres as its gardener-in-chief describes its fascinating history and his 40 years of living and working in the gardens. In Alain Baraton’s Versailles, every grove tells a story. As the gardener-in-chief, Baraton lives on its grounds, and since 1982 he has devoted his life to the gardens, orchards, and fields that were loved by France’s kings and queens as much as the palace itself. His memoir captures the essence of the connection between gardeners and the earth they tend, no matter how humble or grand. With the charm of a natural storyteller, Baraton weaves his own path as a gardener with the life of the Versailles grounds, and his role overseeing its team of 80 gardeners tending to 350,000 trees and 30 miles of walkways across 2,100 acres. He richly evokes this legendary place and the history it has witnessed but also its quieter side that he feels privileged to know: The same gardens that hosted the lavish lawn parties of Louis XIV and the momentous meeting between Marie Antoinette and the Cardinal de Rohan remain enchanted—private places where visitors try to get themselves locked in at night, lovers go looking for secluded hideaways, and elegant grandmothers secretly make cuttings to take back to their own gardens. A tremendous bestseller in France, The Gardener of Versailles gives an unprecedentedly intimate view of one of the grandest places on earth.
Marie-Antoinette has been idolized as the height of eighteenth-century French style and vilified as the spark that ignited the French Revolution. This book departs from such traditional interpretations of the infamous queen’s reign and chooses to reflect on the humanistic aspects of her private realm. To escape the formalities and royal obligations of Louis XVI’s court, Marie-Antoinette created a private realm of pleasure for herself at the Petit Trianon and Hameau, where she planted the first Anglo-Chinese garden; created a trysting grotto; a working farm; and revolutionized architecture and gardening trends for the century to come. Marie-Antoinette’s entire private domain and its story are told in beautiful photographic detail by François Halard for the first time since its recent restoration and accompanied by well-researched texts by garden expert Christian Duvernois.
"As gardener to His Majesty, Jean-Baptiste de La Quintinie is master of his own domain, the royal fruit and vegetable garden. Louis' generals might proclaim the power of France abroad, but La Quintine's espaliers and vegetable plots assert nothing less than man's mastery over nature; a garden that can feed a thousand at a sitting, standards of pruning that in three hundred years have never been surpassed."--Jacket.
Presents an illustrated account of the creation of one of the world's most dazzling and extensive gardens, the gardens at the palace of Versailles, noting the unique four-decade friendship between Louis XIV, the creator of the garden, and Andre Le Ntre, the gardener.
In seventeenth-century France, land took on new importance for the practice of politics and rituals of court life. In her major new book, Chandra Mukerji highlights the connections between the two seemingly disparate activities of engineering and garden design. She shows how, at Versailles in particular, the royal park showcased French skills in using nature and art to design a distinctively French landscape and create a naturalized political territoriality. She challenges the association of state power with social and legal structures alone and demonstrates the importance for Louis XIV and his state of a controlled physical site, a demarcated French territory within the wider European geo-political continent.
Throughout the nineteenth century, the gardens were maintained, restored and replanted, and today they are being further restored to their original state, reflecting the most significant contributions made by each of the preceding periods.
A photographic tour of the gardens of Versailles throughout the four seasons that emphasizes sculptures found on the grounds.
The first book to examine how the vast gardens of Versailles were used as a setting for the receptions of ambassadors, heads of state, and other visiting dignitaries who conducted diplomatic and political business with France.
Ovid tells the story of Latona, the mother by Jupiter of Apollo and Diana. In her flight from the jealous Juno, she arrives faint and parched on the coast of Asia Minor. Kneeling to sip from a pond, Latona is met by the local peasants, who not only deny her effort but muddy the water in pure malice. Enraged, Latona calls a curse down upon the stingy peasants, turning them to frogs. In his masterful study, Thomas F. Hedin reveals how and why a fountain of this strange legend was installed in the heart of Versailles in the 1660s, the inaugural decade of Louis XIV’s patronage there. The natural supply of water was scarce and unwieldy, and it took the genius of the king’s hydraulic engineers, working in partnership with the landscape architect André Le Nôtre, to exploit it. If Ovid’s peasants were punished for their stubborn denial of water, so too the obstacles of coarse nature at Versailles were conquered; the aquatic iconography of the fountain was equivalent to the aquatic reality of the gardens. Latona was designed by Charles Le Brun, the most powerful artist at the court of Louis XIV, and carried out by Gaspard and Balthazar Marsy. The 1660s were rich in artistic theory in France, and the artists of the fountain delivered substantial lectures at the Académie royale de peinture et de sculpture on subjects of central concern to their current work. What they professed was what they were visualizing in the gardens. As such, the fountain is an insider’s guide to the leading artistic ideals of the moment. Louis XIV was viewed as the reincarnation of Apollo, the god of creativity, the inspiration of artists and scientists. Hedin’s original argument is that Latona was a double declaration: a glorification of the king and a proud manifesto by artists.
The Chateau de Versailles is one of the most beautiful and fascinating achievements of eighteenth-century French art. This unique book offers readers unprecedented access to this historical treasure. The world's most iconic chateau has welcomed tourists the world over, yet this handsome slipcased volume offers up the charm of a thousand and one hidden places in the chateau, its gardens, and pavilions. All were designed to surprise and delight the eye and all the senses at every turn, their ornate decoration forming an integral part of the elite lifestyle of the eighteenth century. This comprehensive volume captures the exquisite setting and inimitable ambience of Versailles and its gardens, from its intimate private spaces usually closed to the general public to the charming Petit Trianon and dairy farm created for the pure pleasure of Marie-Antoinette.