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Two people, one city, different times; connected by a memoir. Can love exist in a city destined for decades of misery? Adnan leads a weary existence as a bookshop owner in modern-day, war-torn Baghdad, where bombings, corruption and assault are everyday occurrences and the struggle to survive has suffocated the joy out of life for most. But when he begins to clean out his bookshop of forty years to leave his city in search of somewhere safer, he comes across the story of Ali, the Gardener of Baghdad, Adnan rediscovers through a memoir handwritten by the gardener decades ago that beauty, love and hope can still exist, even in the darkest corners of the world.
Shortlisted for the International Prize for Arabic Fiction 2018 This number one best-selling title in Iraq, Dubai, and the UAE is a heart-rending tale of two girls growing up in war-torn Baghdad Baghdad, 1991. The Gulf War is raging. Two girls, hiding in an air raid shelter, tell stories to keep the fear and the darkness at bay, and a deep friendship is born. But as the bombs continue to fall and friends begin to flee the country, the girls must face the fact that their lives will never be the same again. This poignant debut novel reveals just what it's like to grow up in a city that is slowly disappearing in front of your eyes, and how in the toughest times, children can build up the greatest resilience.
“A winning blend of travelogue and literary biography” by a British journalist who travels the journey Agatha Christie once did from London to Iraq. (Entertainment Weekly) With her marriage to her first husband over, Agatha Christie decided to take a much needed holiday; the Caribbean had been her intended destination, but a conversation at a dinner party with a couple who had just returned from Iraq changed her mind. Five days later she was off on a completely different trajectory. Merging literary biography with travel adventure, and ancient history with contemporary world events, Andrew Eames tells a riveting tale and reveals fascinating and little-known details of this exotic chapter in the life of Agatha Christie. His own trip from London to Baghdad--a journey much more difficult to make in 2002 with the political unrest in the Middle East and the war in Iraq, than it was in 1928--becomes intertwined with Agatha's, and the people he meets could have stepped out of a mystery novel. Fans of Agatha Christie will delight in Eames' description of the places and events that appeared in and influenced her fiction--and armchair travelers will thrill in the exotica of the journey itself. “Agatha Christie fans, as well as connoisseurs of fine travel writing, will relish British journalist Eames's gripping, humorous and eye-opening account of his train and bus trip across Europe and the Middle East on the eve of the second Gulf War.” Publisher’s Weekly Second;Iraq;Gulf;war;Kurds;Armenians;Palestinians;English;travel;writer;writing;1928;bestselling;mystery;author;English;crime;writer;Europe;passenger;train;memoir;literary;biography;adventure;travel;history;autobiography;holiday;Middle;East;Damascus;Ur;Syria;archaeology TRV026090 TRAVEL / Special Interest / Literary BIO007000 BIOGRAPHY & AUTOBIOGRAPHY / Literary Figures BIO026000 BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs TRV015000 TRAVEL / Middle East / General 9781468306415 Candlemoth Ellory, R.J.
In the months leading up to the American invasion of Iraq, this New Yorker correspondent “embedded’ himself among the people of Baghdad and, along with a small number of other Western reporters, rode out the entire invasion and much of the subsequent occupation from inside the city. Jon Lee Anderson’s dispatches from Baghdad were immediately and widely recognized as the most important writing anyone was doing on the war anywhere, for any publication. In recognition of its significance, The New Yorker routinely held the magazine open an extra day and set up a special production team to deal with the pieces; around the office, comparisons to John Hersey’s fabled article “Hiroshima” were flying. The Fall of Baghdad is not a collection of New Yorker pieces, though; it is an original and organically cohesive narrative work that tells the story of what the people of Baghdad have endured at the hands of Saddam Hussein, during the war and during its aftermath. This is not a pro- or anti-war book; the point is to bear witness to what the people in this city have endured, to put a human face on a calamity of epic dimensions. The focus alternates among a small cast of characters, a group of disparate Iraqis who allow Anderson to bring to life different facets of the story he wants to tell; and he fills in the canvas around his figures with rich background that makes their significance sing, and helps bind the book together as the definitive reckoning with one of the most fateful stories of our time.
An on-the-ground commander describes his brigade's first year in Iraq after the U.S. forces seized Baghdad in the spring of 2003, and explains what went right and wrong as the U.S. military confronted an insurgency, in a firsthand analysis of success and failure in Iraq.
The diplomatic historian examines the ideas, policies and actions that led from Vietnam to the Iraq War and America’s disastrous role in the Middle East. “What will stand out one day is not George W. Bush’s uniqueness but the continuum from the Carter doctrine to ‘shock and awe’ in 2003.” —from The Long Road to Baghdad In this revealing narrative of America’s path to its “new longest war,” one of the nation’s premier diplomatic historians excavates the deep historical roots of the US misadventure in Iraq. Lloyd Gardner’s sweeping and authoritative narrative places the Iraq War in the context of US foreign policy since Vietnam, casting the conflict as a chapter in a much broader story—in sharp contrast to the dominant narrative, which focus almost exclusively on the actions of the Bush Administration in the months leading up to the invasion. Gardner illuminates a vital historical thread connecting Walt Whitman Rostow’s defense of US intervention in Southeast Asia, Zbigniew Brzezinski’s attempts to project American power into the “arc of crisis” (with Iran at its center), and the efforts of two Bush administrations, in separate Iraq wars, to establish a “landing zone” in that critically important region. Far more disturbing than a simple conspiracy to secure oil, Gardner’s account explains the Iraq War as the necessary outcome of a half-century of doomed US policies. “A vital primer to the slow-motion conflagration of American foreign policy.” —Kirkus Reviews
Thieves of Baghdad is a riveting account of Colonel Matthew Bogdanos and his team's extraordinary efforts to recover over 5,000 priceless antiquities stolen from the Iraqi National Museum after the fall of Baghdad. A mixture of police procedural, treasure hunt, war-time thriller, and cold-eyed assessment of the international black market in stolen art, Thieves of Baghdad also explores the soul of a truly remarkable man: a soldier, a father, and a passionate, dedicated scholar.
'Enthralling and moving. It is magical.'— Claudia Roden In the 1940s a third of Baghdad's population was Jewish. Within a decade nearly all 150,000 had been expelled, killed or had escaped. This graphic memoir of a lost homeland is a wordless narrative by an author homesick for a home she has never visited. Transported by the power of music to her ancestral home in the old Jewish quarter of Baghdad, the author encounters its ghost-like inhabitants who are revealed as long-gone family members. As she explores the city, journeying through their memories and her imagination, she at first sees successful integration, and cultural and social cohesion. Then the mood turns darker with the fading of this ancient community's fortunes. This beautiful wordless narrative is illuminated by the words and portraits of her family, a brief history of Baghdadi Jews and of the making of this work. Says Isaacs: 'The Finns have a word, kaukokaipuu, which means a feeling of homesickness for a place you've never been to. I've been living in two places all my life; the England I was born in, and the lost world of my Iraqi-Jewish family's roots.'
*International Booker Prize finalist* “Brave and ingenious.” —The New York Times “Gripping, darkly humorous . . . profound.” —Phil Klay, bestselling author and National Book Award winner for Redeployment “Extraordinary . . . A devastating but essential read.” —Kevin Powers, bestselling author and National Book Award finalist for The Yellow Birds From the rubble-strewn streets of U.S.-occupied Baghdad, Hadi—a scavenger and an oddball fixture at a local café—collects human body parts and stitches them together to create a corpse. His goal, he claims, is for the government to recognize the parts as people and to give them proper burial. But when the corpse goes missing, a wave of eerie murders sweeps the city, and reports stream in of a horrendous-looking criminal who, though shot, cannot be killed. Hadi soon realizes he’s created a monster, one that needs human flesh to survive—first from the guilty, and then from anyone in its path. A prizewinning novel by “Baghdad’s new literary star” (The New York Times), Frankenstein in Baghdad captures with white-knuckle horror and black humor the surreal reality of contemporary Iraq.
The third novel in Yasmina Khadra's bestselling trilogy about Islamic fundamentalism has the most compelling backdrop of any of his novels: Iraq in the wake of the American invasion. A young Iraqi student, unable to attend college because of the war, sees American soldiers leave a trail of humiliation and grief in his small village. Bent on revenge, he flees to the chaotic streets of Baghdad where insurgents soon realize they can make use of his anger. Eventually he is groomed for a secret terrorist mission meant to dwarf the attacks of September 11th, only to find himself struggling with moral qualms. The Sirens of Baghdad is a powerful look at the effects of violence on ordinary people, showing what can turn a decent human being into a weapon, and how the good in human nature can resist. “Compelling. . . . Khadra brings us deep into the hearts and minds of people living in unspeakable mental anguish.” —Los Angeles Times