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A neighborhood unites to create a community garden on an empty lot, then must fight to keep it when the owners of the lot want to build a parking lot.
So begins this lyrical tribute to the bugs, bees, and birds that make the garden such a busy place. With each turned page, more visitors appear, and all the while the “surprise”—a chrysalis—changes unnoticed until, on the last page, a butterfly emerges and flies away across the garden’s well-tended borders. Back-of-book notes about the natural histories of the garden’s denizens complete this lovely and lively portrait of backyard nature, which is also a gentle meditation on the rewards of paying attention. A chipmunk hides on every page to divert and engage young readers.Fountas & Pinnell Level O This is my busy green garden. There’s a surprise In clever disguise, That hangs in my busy green garden. This is a ladybug dawdling so, Near the surprise, in clever disguise, That hangs in my busy green garden. This is a honeybee buzzing below The red spotted ladybug dawdling so, Near the surprise, in clever disguise, That hangs in my busy green garden.
"A dazzling debut novel about resilience, courage, home and family."--Rebecca Stead, Newbery Award-winning author of When You Reach Me SoHo, 1981. Twelve-year-old Olympia is an artist--and in her neighborhood, that's normal. Her dad and his business partner Apollo bring antique paintings back to life, while her mother makes intricate sculptures in a corner of their loft, leaving Ollie to roam the streets of New York with her best friends Richard and Alex, drawing everything that catches her eye. Then everything falls apart. Ollie's dad disappears in the middle of the night, leaving her only a cryptic note and instructions to destroy it. Her mom has gone to bed, and she's not getting up. Apollo is hiding something, Alex is acting strange, and Richard has questions about the mysterious stranger he saw outside. And someone keeps calling, looking for a missing piece of art. . . Olympia knows her dad is the key--but first, she has to find him, and time is running out.
The story is told in well-arranged pieces. The book approaches two people who approach crime like theater. All the human characters in Greenstreet are strangers to one another. What they do not do is judge one another. For these two special people, their social function is to become millionaires. The book is about an illusory world a writer can create. Writing can be thought of as heroic. There is a barrier to success and a hurdle on the way to becoming a hero. Several people in the book take leaps in a change in their bearing. It is possible at times to lose oneself in the written world. The best reporter in this book is the reader. This is made possible by its emotional trickery. This alternative lets the reader speak critically about its comedy and tragedy. You may be able to observe your own change within. The idea is not to leave you narrow-minded. If you have ideas, do it. The book’s characters are telling you what to do. All within reason. There is opportunity here for people with ideas.
Greenstreet and Back is an amazing, humorous autobiography that follows a journey from, a near death experience, to an incredible passage of self acceptance and realisation. The true story of painful rehabilitation dips into the black humour of facing your own mortality and the acceptance that the life once known was now a thing of the past. The book is a chronicle of courage and fortitude that shows with determination any obstacle can be overcome. Francis begins a pilgrimage to learn about his new life that eventually takes him to the other side of the world to exotic South East Asia. His hilarious encounters along the way happen mostly by chance and very unexpectedly. From a near molestation by a dancing Ladyboy in Northern Thailand to a "run in" with gun tooting bandits in Cambodia, the quest gets ever more bizarre and farcical. Eventually Francis experiences an epiphany but fate has one more harsh and cruel card to play towards the end of his odyssey.
This 1881 work by Marshall Wilder, president of the New England Historic Genealogical Society, provides an interesting history of horticulture in the city of Boston and its surrounding area.
A much-needed guide on how to apply patterns in user interface design While the subject of design patterns for software development has been covered extensively, little has been written about the power of the pattern format in interface design. A Pattern Approach to Interactive Design remedies this situation, providing for the first time an introduction to the concepts and application of patterns in user interface design. The author shows interface designers how to structure and capture user interface design knowledge from their projects and learn to understand each other's design principles and solutions. Key features of this book include a comprehensive pattern language for the interface design of interactive exhibits as well as a thorough introduction to original pattern work and its application in software development. The book also offers invaluable practical guidance for interface designers, project managers, and researchers working in HCI, as well as for designers of interactive systems.
Two hundred and fifty-three archetypal patterns consisting of problem statements, discussions, illustrations, and solutions provide lay persons with a framework for engaging in architectural design.