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From the author of the international bestsellers The Light Over London and The Whispers of War comes “a compelling read, filled with lovable characters and an alluring twist of fates” (Ellen Keith, author of The Dutch Wife) about five women living across three different times whose lives are all connected by one very special garden. Present day: Emma Lovett, who has dedicated her career to breathing new life into long-neglected gardens, has just been given the opportunity of a lifetime: to restore the gardens of the famed Highbury House estate, designed in 1907 by her hero Venetia Smith. But as Emma dives deeper into the gardens’ past, she begins to uncover secrets that have long lain hidden. 1907: A talented artist with a growing reputation for her work, Venetia Smith has carved out a niche for herself as a garden designer to industrialists, solicitors, and bankers looking to show off their wealth with sumptuous country houses. When she is hired to design the gardens of Highbury House, she is determined to make them a triumph, but the gardens—and the people she meets—promise to change her life forever. 1944: When land girl Beth Pedley arrives at a farm on the outskirts of the village of Highbury, all she wants is to find a place she can call home. Cook Stella Adderton, on the other hand, is desperate to leave Highbury House to pursue her own dreams. And widow Diana Symonds, the mistress of the grand house, is anxiously trying to cling to her pre-war life now that her home has been requisitioned and transformed into a convalescent hospital for wounded soldiers. But when war threatens Highbury House’s treasured gardens, these three very different women are drawn together by a secret that will last for decades. “Gorgeously written and rooted in meticulous period detail, this novel is vibrant as it is stirring. Fans of historical fiction will fall in love with The Last Garden in England” (Roxanne Veletzos, author of The Girl They Left Behind).
Although the integration of sculpture in gardens is part of a long tradition dating back at least to antiquity, the sculptures themselves are often overlooked, both in the history of art and in the history of the garden. This collection of essays considers the changing relationship between sculpture and gardens over the last three centuries, focusing on four British archetypes: the Georgian landscape garden, the Victorian urban park, the outdoor spaces of twentieth-century modernism and the late-twentieth-century sculpture park. Through a series of case studies exploring the contemporaneous audiences of gardens, the book uncovers the social, political and gendered messages revealed by sculpture's placement and suggests that the garden can itself be read as a sculptural landscape.
The Freckleton catastrophe of August 23, 1944, occurred when an American B-24 Liberator crashed into the small village of Freckleton in northwest England. The plane was on a test flight when it encountered a rare and severe summer thunderstorm. Air traffic control at the American air base Warton recalled the bomber back to the base. When the pilot attempted to abort the landing because of poor visibility and high winds, a downdraft caught the plane and it crashed into the adjacent village of Freckleton. As the B-24 tumbled through the village, destroying three houses and a snack bar, flames erupted from wreckage and engulfed Holy Trinity grade school. Before the fire could be brought under control, the holocaust destroyed an entire generation of children in this village of fewer than 1,000 inhabitants. The village would never be the same. In a compelling account of sorrow, loss, hope and finally rebirth, the book looks at the history of the village, the establishment of the base at Warton, the crash, the funeral of the 61 victims, the official British inquest and the American investigation into the cause of the crash. The lives of the survivors, the servicemen and the villagers are followed through 2012.