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Excerpt from The Garden of Allah, Vol. 1 of 2 But Domini, with wide-open eyes, was staring from her big, square pillow at the red brick floor Of her bedroom, on which stood various trunks marked by the Officials Of the Douane. There were two windows in the room look ing out towards the Place de la Marine, below which lay the station. Closed persz'ennes Of brownish-green, blistered wood protected them. One Of these windows was Open. Yet the candle at Domini' s bedside burnt steadily. The night was warm and quiet, without wind. AS She lay there, Domini still felt the movement of the sea. The passage had been a bad one. The ship, crammed with French recruits for the African regiments, had pitched and rolled almost Incessantly for thirty-one hours, and Domini and most Of the recruits had been ill. Domini had had an'inner cabin, with a skylight Opening onto the lower deck, and had heard above the sound Of the waves and winds their groans and exclamations, rough laughter, and half-timid, half-defiant conversations as She shook in her berth. At Marseilles she had seen them come On board, One by one, dressed in every variety Of poor costume, each One looking anxiously around to see what the others were like, each one carrying a mean yellow or black bag or a carefully-tied bundle. On the wharf stood a Zouave, in tremendous red trousers and a fez, among great heaps Of dull brown woollen rugs. And as the recruits came hesitat ingly along he stopped them with a sharp word, examined the tickets they held out, gave each one a rug, and pointed to the gangway that led from the wharf to the vessel. Domini, then leaning over the rail Of the upper deck, had noticed the different expressions with which the recruits looked at the Zouave. TO all Of them he was a pheno menon, a mystery Of Africa and Of the new life for which they were embarking. He stood there impudently and indifi'erently among the woollen rugs, his red fez pushed well back on his short, black hair cut en 6mm, his bronzed face twisted into a grimace Of fiery contempt, throwing, with his big and muscular arms, rug after rug to the anxious young peasants who filed before him. They all gazed at his legs in the billowing red trousers; some like children regarding a Jack-in-the-box which had just sprung up into view, others like ignorant, but superstitious, people who had unexpectedly come upon a shrine by the way side. One Or two seemed disposed to laugh nervously, as the very stupid laugh at anything they see for the first time. But fear seized them. They refrained convulsively and shambled on to the gangway, looking sideways, like fowls, and holding their rugs awkwardly to their breasts with their dirty, red hands. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Garden of Allah, Vol. 2 of 2 When the sun rose her sensation of death passed away, leaving behind it, however, a lethargy of mind and body such as she had never known before the previous night Suzanne, coming in to call her, exclaimed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Garden of Allah, Vol. 2 Night had fallen over the desert, a clear purple night, starry but without a moon. Around the Bordj, the Arabs who were halting to sleep at Arba on their journeys to and from beni-mora were huddled, sipping coffee, playing dominoes by the faint light of an oil lamp, smoking cigarettes and long pipes of keef. Within the court of the Bordj the mules were feeding tranquilly in rows. The camels roamed the plain among the tamarisk bushes, watched over by shrouded shadowy guardians sleepless as they were. The mountains were lost in the darkness that lay over the desert. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from The Garden of Allah Domini, looking towards the land with the vague and yet inquiring glance of those who are going out to sea, noticed the church of N otre dame de la Garde, perched on its high hill, and dominating the noisy city, the harbour, the cold, grey squadrons of the rocks and Monte Cristo's dungeon. At the time she hardly knew it, but now, as she lay in bed in the silent inn, she remembered that, keeping her eyes upon the church, she had murmured a confused prayer to the Blessed Virgin for the recruits. What was the prayer? She could scarcely recall it. A woman's petition, perhaps, against the temptations that beset men shifting for themselves in far-off and dangerous countries; a woman's cry to a woman to watch over all those who wander. When the land faded, and the white sea rose, less romantic considerations took possession of her. She wished to sleep, and drank a dose of a drug. It did not act completely, but only numbed her senses. Through the long hours she lay in the dark cabin, looking at the faint radiance that penetrated through the glass shutters of the skylight. The recruits, humanised and drawn together by misery, were becoming acquainted. The incessant murmur of their voices dropped down to her, with the sound of the waves, and of the mysterious cries and creaking shudders that go through labouring ships. And all these noises seemed to her hoarse and pathetic, suggestive, too, of danger. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Deserts of North Africa cast a spell over Russian Orthodox monk.
A young woman moves to Algeria in search of a new life. She meets and falls in love with a renegade monk.
The Garden Of Allah This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!