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Aloysius Archer, the straight-talking World War II veteran fresh out of prison, returns in this riveting #1 New York Times bestselling thriller from David Baldacci. The 1950s are on the horizon, and Archer is in dire need of a fresh start after a nearly fatal detour in Poca City. So Archer hops on a bus and begins the long journey out west to California, where rumor has it there is money to be made if you’re hard-working, lucky, criminal—or all three. Along the way, Archer stops in Reno, where a stroke of fortune delivers him a wad of cash and an eye-popping blood-red 1939 Delahaye convertible—plus a companion for the final leg of the journey, an aspiring actress named Liberty Callahan who is planning to try her luck in Hollywood. But when the two arrive in Bay Town, California, Archer quickly discovers that the hordes of people who flocked there seeking fame and fortune landed in a false paradise that instead caters to their worst addictions and fears. Archer’s first stop is a P.I. office where he is hoping to apprentice with a legendary private eye and former FBI agent named Willie Dash. He lands the job, and immediately finds himself in the thick of a potential scandal: a blackmail case involving a wealthy well-connected politician running for mayor that soon spins into something even more sinister. As bodies begin falling, Archer and Dash must infiltrate the world of brothels, gambling dens, drug operations, and long-hidden secrets, descending into the rotten bones of a corrupt town that is selling itself as the promised land—but might actually be the road to perdition, and Archer’s final resting place.
A novel from the author of PARSON'S DAUGHTER, HAROLD, DINNER OF HERBS, GOODBYE HAMILTON, BLACK VELVET GOWN, INVISIBLE CORD, WHIP, MOTH, CULTURED HANDMAIDEN, HAMILTON and BILL BAILEY.
A memoir of growing up in mob-run Sin City from a casino heir-turned-governor who's seen two sides of every coin When Bob Miller arrived in Las Vegas as a boy, it was a small, dusty city, a far cry from the glamorous, exciting place it is today. Driving the family car was his father Ross Miller, a tough guy—though a good family man—who had operated on both sides of the law on some of the meaner streets of industrial Chicago. The Miller family was as close and as warm as "Ozzie and Harriet," as long as you knew that Ozzie was a bookmaker and a business acquaintance of some very dubious criminal types. As Bob grew up, so did Vegas, now a "town" of some two million. Ross Miller became a respectable businessman and partner in a major casino, though he was still capable of settling a score with his fists. And Bob went on to law school, entering law enforcement and eventually becoming a popular governor of Nevada, holding office longer than anybody in the state's history. And the Miller family's legacy continues. Bob's own son is presently serving as Secretary of State. A warm family memoir, the story of a city heir, with just a little bit of The Godfather and Casino thrown in for spice, Son of a Gambling Man is a unique and thoroughly memorable story.
The Restoration was a decade of experimentation: from the founding of the Royal Society for investigating the sciences to the startling role of credit and risk; from the shocking licentiousness of the court to failed attempts at religious tolerance. Negotiating all these, Charles II, the "slippery sovereign," laid odds and took chances, dissembling and manipulating his followers. The theaters may have been restored, but the king himself was the supreme actor. Yet while his grandeur, his court, and his colorful sex life were on display, his true intentions lay hidden. Charles II was thirty when he crossed the English Channel in fine May weather in 1660. His Restoration was greeted with maypoles and bonfires, as spring after the long years of Cromwell's rule. But there was no way to turn back, no way he could "restore" the old dispensation. Certainty had vanished. The divinity of kingship had ended with his father's beheading. "Honor" was now a word tossed around in duels. "Providence" could no longer be trusted. As the country was rocked by plague, fire, and war, people searched for new ideas by which to live. And exactly ten years after he arrived, Charles would again stand on the shore at Dover, this time placing the greatest bet of his life in a secret deal with his cousin, Louis XIV of France. Jenny Uglow's previous biographies have won the James Tait Black Memorial Prize and International PEN's Hessell-Tiltman Prize for History. A Gambling Man is Uglow at her best: both a vivid portrait of Charles II that explores his elusive nature and a spirited evocation of a vibrant, violent, pulsing world on the brink of modernity.
Evoking the golden age of crime and for fans of Raymond Chandler and Agatha Christie, comes A Gambling Man from one of the world's bestselling thriller writers, David Baldacci. A lucky roll of the dice It is nearly 1950 and Aloysius Archer is on his way to Bay Town, California to take up a post with renowned gumshoe, Willie Dash. Making an overnight stop in Reno he gets lucky at the casino, meets a talented actor named Liberty Callahan with her sights set on Hollywood, and helps out a man threatened by mobsters for a bad debt. With a magnificent Delahaye motor as his repayment, Archer goes west with Liberty to seek work, fame and fortune. The journey is dangerous and full of surprises as Liberty shows her steel and reveals she has a past as dark as Archer’s. A risk worth taking In Bay Town, Willie Dash is tasked with finding out who is doing everything in their power to prevent his client, politician Douglas Kemper, from being mayor. As Archer and Dash dig deeper, they discover a town full of secrets and strange events. When two seemingly unrelated murders occur at Midnight Moods, a local burlesque club owned by local scion, Sawyer Armstrong, Archer and Dash must dig deep to find a connection between the killings. All bets are off To prove himself in his first case as a PI, Archer will need all of his skills to decipher the truth from the lies, the good from the evil and the relevance of the mysterious happenings offshore he saw during a late night boat ride in the Pacific. While Liberty, in a final perilous showdown, shows that she’s a true star in the making.
Based on the lives of John J. Cozad and Robert Henri.
The theme of this book is a Tour de Noir of a gamblers life. Written in the third person, it describes the successes and eventual downfall of a young hustler. The book extensively describes gambling situations, cheating moves, scams against casinos and casino methods of cheating players. Heretofore unpublished, and possibly unknown even to law enforcement, are the conspiracies and actions of notorious Nevada cheating crews. Gambling on golf, backgammon, gin rummy and poker, and methods employed to take advantage of opponents, are extensively discussed. The early chapters are moments in present time followed by reflection of the protagonist on his past and maturation, development of an exculpatory personal philosophy, love interest (explicit sex) and sexual encounters. His interactions with the Mafia, famous gamblers like Titanic Thompson, and present day high-rollers are authentic. Throughout his adventures the humor and irony in life situations are captures.
Tony 10 was the online betting username of Tony O'Reilly, the postman who became front-page news in 2011 after he stole €1.75 million from An Post while he was a branch manager in Gorey. He used the money to fund a gambling addiction that began with a bet of €1 and eventually rose to €10 million, leading to the loss of his job, his family, his home – and winning him a prison sentence. From the heart-stopping moments in a hotel room in Cyprus with his wedding money riding on the Epsom Derby, to the euphoria of winning half a million over a weekend, to the late goals and the horses falling at the last fence, Tony 10 is the story of an ordinary man's journey from normality to catastrophe. At times, he vowed to get out while he was ahead, only to be taken by another surge of adrenaline, falling deeper and deeper into a compulsion that consumed his life. His disappearance on the morning the fraud was discovered led to a surreal three days on the run in Northern Ireland, and ultimately his arrest, conviction and sentencing to four years in jail. Tony 10 is the mesmerising story of the secret life of a pathological gambler – as well as the most compelling account yet of the damage wrought by the online gambling industry.
In this fast-paced historical thriller, the #1 New York Times bestselling author introduces Archer, a WWII veteran forced to investigate a small-town murder -- or risk returning to prison. It's 1949. When war veteran Aloysius Archer is released from Carderock Prison, he is sent to Poca City on parole with a short list of do's and a much longer list of don'ts: do report regularly to his parole officer, don't go to bars, certainly don't drink alcohol, do get a job -- and don't ever associate with loose women. The small town quickly proves more complicated and dangerous than Archer's years serving in the war or his time in jail. Within a single night, his search for gainful employment -- and a stiff drink -- leads him to a local bar, where he is hired for what seems like a simple job: to collect a debt owed to a powerful local businessman, Hank Pittleman. Soon Archer discovers that recovering the debt won't be so easy. The indebted man has a furious grudge against Hank and refuses to pay; Hank's clever mistress has her own designs on Archer; and both Hank and Archer's stern parole officer, Miss Crabtree, are keeping a sharp eye on him. When a murder takes place right under Archer's nose, police suspicions rise against the ex-convict, and Archer realizes that the crime could send him right back to prison . . . if he doesn't use every skill in his arsenal to track down the real killer.
Britain's most widely read author of the late twentieth century, Catherine Cookson published more than 100 books, including The Fifteen Streets, The Black Velvet Gown, and Katie Mulhollond. Set in England's industrial northeast, her novels depict the social, economic, and emotional hardships of that area. In the first essay collection devoted to Cookson, the contributors examine what Cookson's memoirs and historical fiction mean to readers, including how her fans contribute to her position in the cultural imaginary; constructions of gender, class, and English and Irish identity in her work; the importance of place in her novels; Cookson's place in the heritage industry; and television adaptations of Cookson's works. Cookson's work tackled topics that were still taboo in the early post-World War II era, such as domestic abuse, rape, and incest. This collection places Cookson in historical context and shows how skillful she was at pushing generic boundaries.