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In Dante’s Debt Count Dante Galván was ruthless. Though it broke Daisy’s heart to hand over control of her family’s horse farm to him, she had no alternative — she was in Dante’s debt up to her ears! Part of the deal included Daisy relocating to Dante’s ranch in Argentina. Daisy knew she was far too ordinary to ever become the count’s wife, but could she resist Dante’s demands that she repay her dues in his bed? Lazaro’s Revenge One day Lazaro Herrera will get revenge on his half-brother Dante, who received all the love and opportunities from their father that he was denied. When Dante’s sister-in-law Zoe arrives in Argentina, Lazaro sees his chance for revenge. But Lazaro hasn’t counted on Zoe’s beauty and the powerful sexual magnetism that smolders between them. Will his plan for revenge fall apart, or can he still go through with it and deny his own happiness? The Latin Lover’s Secret Child Argentinean wine tycoon Lucio Cruz is not expecting the call that summons him to his estranged wife’s side. Ana’s suffering a partial loss of memory, and Lucio discovers that she’s returned to being the fiery, affectionate girl with whom he once eloped. Suddenly he can’t resist her — but he knows he must. In just a few weeks, their divorce will be final...unless Ana can recall a secret that could change both their lives!
V.I:Aach-Apocalyptic lit.--V.2: Apocrypha-Benash--V.3:Bencemero-Chazanuth--V.4:Chazars-Dreyfus--V.5: Dreyfus-Brisac-Goat--V.6: God-Istria--V.7:Italy-Leon--V.8:Leon-Moravia--V.9:Morawczyk-Philippson--V.10:Philippson-Samoscz--V.11:Samson-Talmid--V.12: Talmud-Zweifel.
Argentinean wine tycoon Lucio Cruz is not expecting the call that summons him to his estranged wife's side. She's suffering a partial loss of memory, and Lucio discovers that she's returned to being the fiery, affectionate girl with whom he once eloped. Suddenly he can't resist her--but he knows he must. In just a few weeks, their divorce will be final.... Unless Ana can recall a secret that could change both their lives...
From the epic poetry of pre-Columbian civilizations to the contemporary magic realism of Gabriel García Márquez, this book provides a comprehensive survey of the rich and diverse literary traditions of Spanish America. Alfred Coester's insightful analysis and engaging prose make this volume a must-read for anyone interested in the literary history of the Americas. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In an effort to save the floundering Galvan Enterprises, Dante immediately begins settling all of the company’s debtor accounts. When he arrives on the Collingsworth farm he’s greeted by a headstrong beauty named daisy. The rumors surrounding her farm lead him to distrust every word that slips from her luscious lips. But the passion she exudes as she argues with him soon threatens to replace the last of his coherent thoughts with an intense yearning he tries desperately to deny. Against his better judgment, Dante begins to consider helping the fiery woman standing before him. And just when all hope seems lost for the Collingswood farm, Dante makes Daisy an offer she’d be a fool to refuse.
Contains histories of some of the minorities in Utah.
Collection covers Remembering Our Ancestors, Folklore Tales and Memorabilia and Family Sagas from favorite storytellers like James Ward Lee, Thad Sitton, J. Frank Dobie, Jean Granberry Schnitz, and many more.
Pamela Gillilan was born in London in 1918, married in 1948 and moved to Cornwall in 1951. When she sat down to write her poem Come Away after the death of her husband David, she had written no poems for a quarter of a century. Then came a sequence of incredibly moving elegies. Other poems followed, and two years after starting to write again, she won the Cheltenham Festival poetry competition. Her first collection That Winter (Bloodaxe, 1986) was shortlisted for the Commonwealth Poetry Prize.