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Though little known to English readers, Zoshchenko was one of the most popular writers in early Soviet Russiaa̮ time when, as Hicks explains in a useful introduction to this collection of brief comic tales, satire was not yet prohibited by the authorities. Describing himself as "a temporary substitute for the proletarian writer," Zoshchenko wrote in a deliberately simple style, filling his pages with corrupt officials, petty thieves, and confused bureaucrats.
Among the most popular writers of the early Soviet period was the satirist Mikhail Zoshchenko, whose career spanned nearly four decades and who was as beloved by ordinary people as he was admired by the elite. His most popular pieces, often appearing in newspapers, were "short-short stories" written in a slangy, colloquial style. Typical targets of his satire are the Soviet bureaucracy, crowded conditions in communal apartments, marital infidelities and the rapid turnover in marriage partners, and what a disdainful Soviet judge in one of the sketches dismisses as "the petty-bourgeois mode of life, with its adulterous episodes, lying, and similar nonsense." Farcical complications, satiric understatement, humorous anachronisms, and an ironic contrast between high-flown sentiments and the down-to-earth reality of mercenary instincts were his favorite devices. Zoshchenko had an uncanny knack for eluding Soviet censorship (one of the sketches even touches humorously on the dangerous topic of party purges) and his work as a result offers us a marvelous window on life in Russia during the twenties and thirties.
Three wishes go awry in a middle-grade debut as comical as it is spooky. Toxic Vapor Worms. Shark Hounds. King-Crab Spiders. Two-Headed Mutant Rodents.These are just a few of the beasts featured in the pages of Scare Scape, the creepiest comic book around. They are vicious. They are terrifying. They are, luckily, totally made up.Morton Clay is a huge fan of Scare Scape, so he isn't easily frightened. He's not afraid of the dark, or grossed-out by bugs and slugs. But when Morton and his siblings, James and Melissa, find an old stone statue buried in their yard, they discover that there is good reason to be afraid. . . .Spooky, funny, and fresh, Sam Fisher's middle-grade debut explores the bonds and rivalries that are unique to siblings . . . even as it revels in monstrous mayhem!
This book puts the widely-held view that 'arms control in space is not possible' to the test and aims to explore how, and under what conditions, arms control could become a reality. Drawing upon international regimes and IR theory, Mutschler examines the success of space weapons and anti-ballistic missiles.
As McKee follows the trail of a very ambitious poisoner, he finds the next victim on her way from a Connecticut mansion...stuffed in a trunk. "Svelte story...The gentle Scot, McKee, gets at the truth after many consequences. [Reilly's] smooth, romantic manner always pleases."--Kirkus Reviews "The best Inspector McKee mystery yet! Highly emotional, intricately plotted, and tough to guess."--The New York Herald "Verdict: Satisfying"--The Saturday Review From the cover: - An unwelcome box of orange blossoms...a syllable uttered by a dying woman...A leopard-skin coat worn by a messenger of death...a pearl button in a tiny pool of melted snow... A nearly empty coca-cola bottle...A blue wool thread at the bottom of a flight of stairs...A series of cork-tipped Egyptian cigarettes...A snatch of music between the gusts of a snowstorm... A golden box with very deadly contents - A shabby old trunk with very dead contents...a telephone call from a murderer...A single galosh half buried in the snow...A blank sheet of paper showing some curious embossings...a spent bullet in the fold of a shirt... Wouldn't You Like To Know-- - Why Mouse was crying dreadfully in the night? - Who sent her the box of orange blossoms? - What was on the card she tore up and burned? - What caused the peculiar gathering of forces at the Biltmore? - What was behind the four mysterious and meaningless deaths by poison? - What caused the dark fear which gnawed at Julie? - Who was in the living-room when Julie listened at the door? - What Rosetta Westing was doing in Brian's garage? - Why the elegant Conroy was stopping at a shabby roadhouse in Easton? - Who tried to climb in Julie's window? - What was the significance of Julie's sinister dream? You will learn the answers to these questions in the unfolding of one of the grimmest and most perplexing manhunts in Inspector McKee's spectacular career.
A portrait of three couples successively occupying a suite at the Plaza. A suburban couple take the suite while their house is being painted and it turns out to be the one in which they honeymooned 23 (or was it 24?) years before and was yesterday the anniversary, or is it today? This tale of marriage in tatters is followed by the exploits of a Hollywood producer who, after three marriages, is looking for fresh fields. He calls a childhood sweetheart, now a suburban housewife, for a little sexual diversion. Over the years she has idolized him from afar and is now more than the match he bargained for. The last couple is a mother and father fighting about the best way to get their daughter out of the bathroom and down to the ballroom where guests await her or as Mother yells, "I want you to come out of that bathroom and get married!"--Publisher's description.