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When a mysterious fire ravages the town of Donkleywood, causing the death of her beloved grandfather Nickolas, eleven-year-old Holly O'Flanigan, numb with grief, loses all hope of ever becoming a famous artist like him or of escaping her abusive foster family, the Smoralls. While hiding from them, Holly discovers a secret attic where her grandfather left a decidedly unusual paintbrush and a canvas with the image of a fantasy world-one Holly and three friends literally fall into. The painting is a gateway to the parallel world of Magora, where everything and everyone are created by painting. With her three sidekicks in tow, Holly enrolls in the exciting Cliffony Art Academy, where they learn to weave painting with magic, just as Grandfather Nickolas could. Her hopes of becoming a painter and escaping the Smoralls finally seem to be coming true. Meanwhile, valuable artwork is being stolen from the Gallery of Wonders. As these paintings could provide a portal back to the real world, Holly begins a search for the thief. She believes that the dark Duke of Cuspidor might be the culprit and that he has a spy among the instructors of Cliffony. But Holly's self-doubt keeps her from making any progress in school, and she struggles to learn the brushstrokes she needs so urgently. They not only bring objects, people, and animals to life, they're also Holly's best defense against the dangerous Unfinished-monstrous beings created when an artist leaves a painting incomplete. Like vampires, the Unfinished hunger for the one thing that can flesh out their bodies-blood. And because Holly is a Gindar, an artist with the rare ability to create a brand new species, they want Holly's blood most of all."
Armchair travellers will be thrilled to explore the world's most recognized and memorable buildings with the innovative and interactive Architectural Wonders. The large format three-dimensional pop-up spreads are engineering marvels in their own right, designed by top paper engineers, illuminating all of the spectacular details of each building and highlighting key structural elements. They showcase landmarks such as Notre Dame, the Empire State Building, the Taj Mahal and the Sydney Opera House.History buffs will also appreciate the sections featuring captivating details about the history of each building, including how many years (or centuries!) it took to complete, the socio-political climate of the era and other insightful information.For those who aren't necessarily interested in architecture or history, Architectural Wonders makes a wonderful coffee-table book.
"This report features specific examples where the Battelle name and logo were seen throughout the duration of the show and includes metrics for credit line impressions"--Executive summary
“A poet celebrates the wonders of nature in a collection of essays that could almost serve as a coming-of-age memoir.” —Kirkus Reviews As a child, Nezhukumatathil called many places home: the grounds of a Kansas mental institution, where her Filipina mother was a doctor; the open skies and tall mountains of Arizona, where she hiked with her Indian father; and the chillier climes of western New York and Ohio. But no matter where she was transplanted—no matter how awkward the fit or forbidding the landscape—she was able to turn to our world’s fierce and funny creatures for guidance. “What the peacock can do,” she tells us, “is remind you of a home you will run away from and run back to all your life.” The axolotl teaches us to smile, even in the face of unkindness; the touch-me-not plant shows us how to shake off unwanted advances; the narwhal demonstrates how to survive in hostile environments. Even in the strange and the unlovely, Nezhukumatathil finds beauty and kinship. For it is this way with wonder: it requires that we are curious enough to look past the distractions in order to fully appreciate the world’s gifts. Warm, lyrical, and gorgeously illustrated by Fumi Nakamura, World of Wonders is a book of sustenance and joy. Praise for World of Wonders Barnes & Noble 2020 Book of the Year An NPR Best Book of 2020 An Esquire Best Book of 2020 A Publishers Weekly “Big Indie Book of Fall 2020” A BuzzFeed Best Book of Fall 2020 “Hands-down one of the most beautiful books of the year.” —NPR “A timely story about love, identity and belonging.” —New York Times Book Review “A truly wonderous essay collection.” —Roxane Gay, The Audacity
A beautiful and evocative look at identity and creativity, The Gallery of Unfinished Girls is a stunning debut in magical realism. Perfect for fans of The Walls Around Us and Bone Gap. Mercedes Moreno is an artist. At least, she thinks she could be, even though she hasn’t been able to paint anything worthwhile in the past year. Her lack of inspiration might be because her abuela is in a coma. Or the fact that Mercedes is in love with her best friend, Victoria, but is too afraid to admit her true feelings. Despite Mercedes’s creative block, art starts to show up in unexpected ways. A piano appears on her front lawn one morning, and a mysterious new neighbor invites Mercedes to paint with her at the Red Mangrove Estate. At the Estate, Mercedes can create in ways she hasn’t ever before. But Mercedes can’t take anything out of the Estate, including her new-found clarity. Mercedes can’t live both lives forever, and ultimately she must choose between this perfect world of art and truth and a much messier reality. “A dreamy and subtle work of art, The Gallery of Unfinished Girls explores love, family, and the maddening, magical drive to create art.”—Adi Alsaid, author of Let's Get Lost
Presents an interactive history of the human imagination, separated by the seven stages of alchemical process, encouraging readers to question their understanding of life and the way in which imagination is quantified.
At the end of a boring summer in her un-magical hometown, Holly O'Flanigan is eager to return to the parallel world of Magora. Holly's nosy neighbor, Ms. Hubbleworth, has been missing for a year, and Holly and her friends, Brian, Rufus, and Amanda, know where she is. A year ago, they left the real world together and entered Magora via a painting Holly's late grandfather created. When Holly and her friends head back to Magora to enroll for their second year at Cliffony Academy of the Arts, Holly finds out that her friend Ileana is severely ill. She suffers from a disease that dissolves her blood and turns her back into what she was before-a so-called Unfinished, an incomplete, painted creature that drains the blood of others to become whole. Holly tries to find a cure, but in vain-Ileana's illness is progressing. While Holly continues to donate blood to keep Ileana stable and the new school year starts, she meets Ms. Hubbleworth again. Surprisingly, her nosy neighbor has no knowledge of her old life back in the real world and seems fully immersed in her position as a teacher at the art academy. When Holly learns that the leaves of a mysterious Golden Maple Tree could cure Ileana's illness, she begins her search for the tree and discovers an ancient monastery where the dangerous blood-sucking Unfinished live. But Holly's best friend Rufus is kidnapped and taken to the monastery. With her other friends in tow, Holly enters into a fierce battle against the Unfinished to free Rufus and collect the leaves of the Golden Maple Tree to cure Ileana. In the process, Holly learns the truth behind Ms. Hubbleworth's memory loss-changing everything Holly thought she knew about Magora.
Kosky focuses on a handful of artists - Walter De Maria, Diller + Scofidio, James Turrell, and Andy Goldsworthy - to show how they introduce spaces hospitable to mystery and wonder, redemption and revelation, and transcendence and creation.
Why pause and study this particular painting among so many others ranged on a gallery wall? Wonder, which Descartes called the first of the passions, is at play; it couples surprise with a wish to know more, the pleasurable promise that what is novel or rare may become familiar. This is a book about the aesthetics of wonder, about wonder as it figures in our relation to the visual world and to rare or new experiences. In three instructive instances--a pair of paintings by Cy Twombly, the famous problem of doubling the area of a square, and the history of attempts to explain rainbows--Philip Fisher examines the experience of wonder as it draws together pleasure, thinking, and the aesthetic features of thought. Through these examples he places wonder in relation to the ordinary and the everyday as well as to its opposite, fear. The remarkable story of how rainbows came to be explained, fraught with errors, half-knowledge, and incomplete understanding, suggests that certain knowledge cannot be what we expect when wonder engages us. Instead, Fisher argues, a detailed familiarity, similar to knowing our way around a building or a painting, is the ultimate meeting point for aesthetic and scientific encounters with novelty, rare experiences, and the genuinely new.
This is an art book which highlights the possibility of using natural, organic materials as art supplies and inspiration.