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Wiggins and Pyke are back for a second instalment in their series of Edwardian Murder Mysteries. London 1913. The Beast has been slain but the City now faces an even greater peril. London reels under multiple nefarious attacks including the threat of the deadliest of all diseases, The Plague, returning to scourge her people whilst a crazed multiple murderer stalks her streets. Unspeakable atrocities threaten to rip the heart not only from the families of DCI Wiggins and DS Pyke but also from the very Realm itself. The Russian Necromancer, Luca Radasiliev, conjures forth demons and creatures of the night whilst lunatics rise and an old enemy resurfaces to conduct a deadly vendetta intent on death and mayhem. Whilst the City quakes in terror and lesser men hope for salvation, two men fearlessly confront the dangers that threaten on all fronts. Pour the absinthe and hold onto your hat! If you thought the 'Reign of the Beast' was thrilling, get ready for the jaw-dropping second instalment of the DCI Wiggins series.Welcome to the Gallery of Death.
As the New York Times–bestselling series continues, a double murder in front of an exclusive club takes a London detective on a wild ride. Robbie Parsons is one of London’s finest, a black cab driver who knows every street, every theater, every landmark in the city by heart. In his backseat is a man with a gun in his hand—a man who brazenly committed a crime in front of the Artemis Club, a rarefied art gallery-cum-casino, then jumped in and ordered Parsons to drive. As the criminal eventually escapes to Nairobi, Detective Superintendent Richard Jury comes across the case in the Saturday paper. Two days previously, Jury had met and instantly connected with one of the victims of the crime, a professor of astrophysics at Columbia and an expert gambler. Feeling personally affronted, Jury soon enlists Melrose Plant, Marshall Trueblood, and his whole gang of merry characters to contend with a case that takes unexpected turns into Tanzanian gem mines, a closed casino in Reno, Nevada, and a pub that only London’s black cabbies, those who have “the knowledge,” can find. The Knowledge is prime fare from “one of the most fascinating mystery writers today” (Houston Chronicle). “Grimes’ twenty-fourth mystery starring Richard Jury gets off to a breakneck start. . . . Besides the fast action, it’s fascinating to see how Robbie uses a London’s cabdriver’s deep familiarity with the streets to keep himself alive. . . . Jury’s devoted readership will find much to enjoy.” —Booklist “Solid. . . . Readers will appreciate the elements that have made this a long-running bestselling series, notably a complicated case and distinctive characters.” —Publishers Weekly “Martha Grimes’ Richard Jury returns in a new mystery that is every bit as clever and suspenseful as her others. The plot is intriguing and unusual, featuring the usual cast of characters Grimes fans have come to know and love, as well as a set of streetwise, worldly children that could have come straight out of a Dickens novel.” —Patricia Uttaro, Rochester Public Library
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Librarian Charlie Harris and his cat Diesel must content with some spirited southern ladies when a feud ends in murder in this mystery in the New York Times bestselling series. The Ducote sisters are in a tiff with Vera Cassity over the location of Athena, Mississippi's annual library fundraising gala, and Charlie would rather curl up in a corner than get into the fray. It seems everyone—even his housekeeper Azalea—has it in for Vera. And at the gala, she gives them good reason, with a public display of rancor aimed at anyone who gets in her way. But those bitter words wind up being her last. When Charlie discovers Azalea standing over Vera's dead body, it's up to him—with a little help from Diesel—to clear Azalea's name, and catch a killer before his last chapter is finished.
An impossible killer stalks the Bayou... NYPD detective John Decker thinks his family's dark past is behind him when he's offered the job as town sheriff in his sleepy southern hometown. Happy for a change in scenery, and a quieter way of life, he accepts the position. But when a pair of mutilated bodies are found in the woods just days before a massive storm is due to make landfall, the similarities dredge up the horrific memories of his mother's unsolved murder almost thirty years ago. A murder that drove his father to madness and an early grave, and John to abandon his high school sweetheart and escape to New York. The Medical Examiner insists that the killer cannot be human...but that's ridiculous. There are no large predators in the area. The men were clearly targeted by someone...or something. As the skies darken and the weather worsens, more bodies pile up. But what is the connection? He must find out who-or what-is behind these attacks. Because if he doesn't, the next victim might, once again, be someone he loves... Part mystery, part supernatural thriller, you won't want to stop reading until the very end. If you are a fan of James Rollins, Douglas Preston, or Lincoln Child, you will love the John Decker series.
This book uses humour and personal insight to weave tales, analysis, and history in this insider account of an enlightened populist student movement. The students involved took their citizenship seriously by asking the authorities who they were benefiting and who they were ignoring. They altered the prevailing culture by asking, “why not do something different”? Unlike other books on the Sixties, this book shows how predominantly working middle-class white students in a very conservative region initiated radical changes. They ushered in a new era of protecting women and minorities from discriminatory practices. This vivid account of bringing conservative students around to support social justice projects illustrates how step-by-step democratic change results in reshaping a nation’s character. Across the globe, students are seeking change. In the US, over 80 percent believe they have the power to change the country, and 60 percent think they’re part of that movement. This book’s portrayal of such efforts in the Sixties will inspire and guide those students.
Winner, 2019 Ron Tyler Award for Best Illustrated Book, sponsored by the Texas State Historical Association (TSHA) In this expansive and vigorous survey of the Houston art scene of the 1970s and 1980s, author Pete Gershon describes the city’s emergence as a locus for the arts, fueled by a boom in oil prices and by the arrival of several catalyzing figures, including museum director James Harithas and sculptor James Surls. Harithas was a fierce champion for Texan artists during his tenure as the director of the Contemporary Arts Museum–Houston (CAM). He put Texas artists on the map, but his renegade style proved too confrontational for the museum’s benefactors, and after four years, he wore out his welcome. After Harithas’s departure from the CAM, the chainsaw-wielding Surls established the Lawndale Annex as a largely unsupervised outpost of the University of Houston art department. Inside this dirty, cavernous warehouse, a new generation of Houston artists discovered their identities and began to flourish. Both the CAM and the Lawndale Annex set the scene for the emergence of small, downtown, artist-run spaces, including Studio One, the Center for Art and Performance, Midtown Arts Center, and DiverseWorks. Finally, in 1985, the Museum of Fine Arts presented Fresh Paint: The Houston School, a nationally publicized survey of work by Houston painters. The exhibition capped an era of intensive artistic development and suggested that the city was about to be recognized, along with New York and Los Angeles, as a major center for art-making activity. Drawing upon primary archival materials, contemporary newspaper and magazine accounts, and over sixty interviews with significant figures, Gershon presents a narrative that preserves and interweaves the stories and insights of those who transformed the Houston art scene into the vibrant community that it is today.
The bogeyman is real. In a tunnel deep beneath an Alaskan mountain, a man is brutally murdered. Just one in a series of grisly deaths, it is not long before whispers grow that the Qalupalik, a terrifying creature born from centuries of superstition and fear, has come to wreak havoc on the small coastal town of Shackleton, Alaska. With no way to stop the slayings, the town turns to disgraced ex-cop John Decker, hoping he can do what they could not. The assignment, far from his native Louisiana, might be just what Decker needs to put the past behind him. But as the bodies mount, and the town grows frantic, Decker realizes that whatever is on the loose is no mere superstition. The bogeyman is real, and it's up to him to stop it.