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A ruthless leader has seized control of the Ares and will stop at nothing to destroy Ava’s fledgling alliance. The Earth Mother, reeling from the agony of a warming planet, threatens to unleash her fiery rage. The Gaia Elders challenge Ava’s claim to the mantle of Alpha, sowing discord within the Order. Facing danger on all sides, Ava struggles to unlock the puzzle of communing with the Earth Mother. But betrayal lurks where she least expects it.
A World of Many Worlds is a search into the possibilities that may emerge from conversations between indigenous collectives and the study of science's philosophical production. The contributors explore how divergent knowledges and practices make worlds. They work with difference and sameness, recursion, divergence, political ontology, cosmopolitics, and relations, using them as concepts, methods, and analytics to open up possibilities for a pluriverse: a cosmos composed through divergent political practices that do not need to become the same. Contributors. Mario Blaser, Alberto Corsín Jiménez, Déborah Danowski, Marisol de la Cadena, John Law, Marianne Lien, Isabelle Stengers, Marilyn Strathern, Helen Verran, Eduardo Viveiros de Castro
The emergence of modern sciences in the seventeenth century profoundly renewed our understanding of nature. For the last three centuries new ideas of nature have been continually developed by theology, politics, economics, and science, especially the sciences of the material world. The situation is even more unstable today, now that we have entered an ecological mutation of unprecedented scale. Some call it the Anthropocene, but it is best described as a new climatic regime. And a new regime it certainly is, since the many unexpected connections between human activity and the natural world oblige every one of us to reopen the earlier notions of nature and redistribute what had been packed inside. So the question now arises: what will replace the old ways of looking at nature? This book explores a potential candidate proposed by James Lovelock when he chose the name 'Gaia' for the fragile, complex system through which living phenomena modify the Earth. The fact that he was immediately misunderstood proves simply that his readers have tried to fit this new notion into an older frame, transforming Gaia into a single organism, a kind of giant thermostat, some sort of New Age goddess, or even divine Providence. In this series of lectures on 'natural religion,' Bruno Latour argues that the complex and ambiguous figure of Gaia offers, on the contrary, an ideal way to disentangle the ethical, political, theological, and scientific aspects of the now obsolete notion of nature. He lays the groundwork for a future collaboration among scientists, theologians, activists, and artists as they, and we, begin to adjust to the new climatic regime.
A spunky, feminist take on the myth of Gaia, the Greek goddess of the Earth Long before the age of the Olympian gods, Gaia created the world in all its beauty. But from Gaia also came the Titans, who ran wild and free through this world—until her husband Ouranos turned on Gaia and declared himself the ruler of all she’d created. Her son Cronus then rose to power, but soon he too became hungry for more power—so much so that he swallowed his own children. But Gaia managed to hide the youngest son, Zeus, from Cronus. Zeus grew up and defeated Cronus and saved his brothers and sisters. Gaia thought this would be the end of all the needless war, but Zeus was not satisfied—he swore to rid the world of anyone who challenged his power. Gaia was furious. She wanted no part in the world of Zeus. She would not fight his destruction with more destruction. It might be too late for Zeus, but it wasn’t too late for the mortals—or for the earth itself. Follow the goddess of earth through her struggles with gods and mortals as she discovers her strength and eventually finds the peace she has always longed for. Tales of Great Goddesses are graphic novels that bring the stories of some of the most powerful and fascinating mythical goddesses to life!
“The book is full of empathetic, insightful, and often very funny portraits of Margulis, Lovelock, and a community of other figures associated with Gaia.” —Carla Nappi, New Books in Science, Technology, and Society In 1965 English scientist James Lovelock had a flash of insight: the Earth is not just teeming with life; the Earth, in some sense, is life. He mulled this revolutionary idea over for several years, first with his close friend the novelist William Golding, and then in an extensive collaboration with the American scientist Lynn Margulis. In the early 1970s, he finally went public with the Gaia hypothesis, the idea that everything happens for an end: the good of planet Earth. Lovelock and Margulis were scorned by professional scientists, but the general public enthusiastically embraced Lovelock and his hypothesis. In The Gaia Hypothesis, philosopher Michael Ruse, with his characteristic clarity and wit, uses Gaia and its history, its supporters and detractors, to illuminate the nature of science itself. Gaia emerged in the 1960s, a decade when authority was questioned and status and dignity stood for nothing, but its story is much older. Ruse traces Gaia’s connection to Plato and a long history of goal-directed and holistic—or organicist—thinking and explains why Lovelock and Margulis’s peers rejected it as pseudoscience. But Ruse also shows why the project was a success. He argues that Lovelock and Margulis should be commended for giving philosophy firm scientific basis and for provoking important scientific discussion about the world as a whole, its homeostasis or—in this age of global environmental uncertainty—its lack thereof. “[Ruse’s] treatment is thought-provoking and original, as you would expect from this perceptive, irrepressible philosopher of biology.” —New Scientist
From Uzbek author-in-exile Hamid Ismailov comes a dark new parable of power, corruption, fraud, and deception. Ismailov narrates an intimate clash of civilizations as he follows the lives of three expatriates living in England. Domrul is a young Turk with vague and painful memories of ethnic strife in the Uzbekistan of his childhood. His Irish girlfriend Emer struggles with her own adolescent trauma from growing up in war-torn Bosnia. Domrul is the caretaker for Gaia, the eighty-year-old, powerful wife of a Soviet party boss with a mysterious past. One of Ismailov’s few novels written in Uzbek, Gaia, Queen of Ants offers a rare portrait of a complex and little-known part of the world. A plot centered on political corruption and ethnic conflict is punctuated with Sufi philosophy and religious gullibility. As Ismailov’s characters grapple with questions of faith, power, sex, and family, Gaia, Queen of Ants presents a moving tale of universal themes set against a Central Asian backdrop in the twenty-first century.
Ava Fae delights in the appearance of an alluring new boy at her high school, until she sees the dagger tattoo on the inside of his wrist. She knows that tattoo, and it can mean only one thing—either she or the new boy will be dead by the end of the school year.
The end of the world is a seemingly interminable topic Ð at least, of course, until it happens. Environmental catastrophe and planetary apocalypse are subjects of enduring fascination and, as ethnographic studies show, human cultures have approached them in very different ways. Indeed, in the face of the growing perception of the dire effects of global warming, some of these visions have been given a new lease on life. Information and analyses concerning the human causes and the catastrophic consequences of the planetary ‘crisis’ have been accumulating at an ever-increasing rate, mobilising popular opinion as well as academic reflection. In this book, philosopher Déborah Danowski and anthropologist Eduardo Viveiros de Castro offer a bold overview and interpretation of these current discourses on ‘the end of the world’, reading them as thought experiments on the decline of the West’s anthropological adventure Ð that is, as attempts, though not necessarily intentional ones, at inventing a mythology that is adequate to the present. This work has important implications for the future development of ecological practices and it will appeal to a broad audience interested in contemporary anthropology, philosophy, and environmentalism.
When a Salem psychic tells 24-year-old middle school teacher Mattie Fisher, she's a member of a secret order of reincarnated gods called the Ascended, she isn't buying it for a second. But then the woman says that the dreams that haunt her waking life are actually memories of her past lives, and if she undergoes a ceremony, she'll finally be a normal person. What Mattie doesn't realize is that there's more at stake than just an escape from endless nights of depressing Netflix binge-watching. A god of war is hunting her-forcing her to race from the deity-filled streets of New York to sacred Hindu temples to the lawless Amazon jungle. If Mattie is to survive and overcome her loneliness, she must discover and accept the powers buried within her that will either bring peace to the world or endless war.
For the first time since its publication in l984, a completely updated and revised edition of this best-selling atlas which brings it into the 1990s, incorporating the new events, issues, and statistics of the past decade.