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British rural landscapes on film offers insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-first century. It is the first book to exclusively deal with representations of the British countryside on film. The contributors demonstrate that the countryside has provided Britain (and its constituent nations and regions) with a dense range of spaces in which cultural identities have been (and continue to be) worked through. British rural landscapes on film demonstrates that British cinema provides numerous examples of how national identity and the identity of the countryside have been partly constructed through filmic representation, and how British rural films can allow us to further understand the relationship between the cultural identities of specific areas of Britain and the landscapes they inhabit.
In the papers collected in this, the first volume of the Spatial Practices series, Englishness is reflected in the spaces it occupies or dwells in. Broadly influenced by a renewed and growing interest in questions of cultural identity, its emergence in Victorian theories and fictions of nationality, and the new cultural geography, the papers cover a rich variety of spaces and places which have been appropriated for cultural meanings: the rural countryside and farmland of the Home Counties in the early nineteenth century as Arcadian idyll in Cobbett, as the land to die for in war propaganda, and as nostalgia for a unified, organic English culture in Lawrence, Morton and Priestley’s travel writing, but also in the Shell Tourist Guides to motoring in rural England; English moorland; the sacred geographies of monuments in Hardy and others; the traditional seaside deconstructed in Martin Parr’s photography, and the sea as English Victorian imperial territory and its symbolic breezes in Froude’s travel writing. The English landscape is also a paradigm for the description of other places in D. H. Lawrence’s travel writing or for the colonial territory itself in Rushdie’s writing India, a displacement of other landscapes. This collection of papers examines the assumption that constructions of rural England provide the basis for an understanding of Englishness.
This is the changing story of Britain as it has been preserved in our fields, roads, buildings, towns and villages, mountains, forests and islands. From our suburban streets that still trace out the boundaries of long vanished farms to the Norfolk Broads, formed when medieval peat pits flooded, from the ceremonial landscapes of Stonehenge to the spread of the railways - evidence of how man's effect on Britain is everywhere. In The Making of the British Landscape, eminent historian, archaeologist and farmer, Francis Pryor explains how to read these clues to understand the fascinating history of our land and of how people have lived on it throughout time. Covering both the urban and rural and packed with pictures, maps and drawings showing everything from how we can still pick out Bronze Age fields on Bodmin Moor to how the Industrial Revolution really changed our landscape, this book makes us look afresh at our surroundings and really see them for the first time.
"This book focuses on three multi-faceted aspects of rural sustainability: farms and farming, the remaking of rural communities and rural spaces, and policy and action in rural development. The research is focused on three global regions: North America, the United Kingdom and Ireland, and Australia."--back cover.
This book shows how governance regimes before the 1970s suppressed rural prospects of housing improvement and created conditions for middle-class capture. Using original archival sources to reveal the intricacies of local and national policy processes, weak rural housing performances are shown to owe more to national governance regimes than local under-performance. Looking `behind the scenes' at policy processes highlights neglected principles in national governance, and shows how investigating rural housing is fundamental to understanding the national scene. With original insights and a new analytical perspective, this volume offers evidence and conclusions that challenge mainstream assumptions in public policy, housing, rural studies and planning.
This text examines how businesses and the environment interact. It is ideal for students with no previous knowledge of business studies. It examines in depth the ways in which business, industry, the physical environment, environmentalism and social change have evolved alongside each other. The authors use boxed case-studies to highlight how business practice and the environment interact at levels from local to global, with examples from multinational companies, government bodies, national charities and local enterprise. The book also contains a large number of informative diagrams. The case studies include: * Shell Oil's environmental policy * railways and the industrial revolution * the British National Trust's business enterprises * Sainsbury's approach to organic foods * Australia's landcare scheme * changing trends in retailing * Brent Spar * big game hunting and conservation.
First published in 1999. The Issues in Heritage Management series is a joint venture between Routledge and English Heritage. It provides accessible, thought-provoking books on issues central to heritage management. Each book within the series is designed to provide a topical introduction to a key issue in heritage management for students in higher education and for heritage professionals. Rapid changes are taking place in countryside management today, making their impact on the historic landscape. In an accessible format, this volume examines the questions and conflicts that arise in Managing the Historic Rural Landscape. It is essential reading for students and professionals concerned with countryside management, in particular those involved with cultural landscapes and students of planning.
Focusing on the countryside, this book explores issues of ethnicity, identity and racialised exclusion in rural Britain. It questions what the countryside 'is', problematises who is seen as belonging to rural spaces, and argues for the recognition of a rural multiculture.