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Jonathan Langley's life took a devastating turn when he lost his eyesight to a rare illness. Once a successful painter and printmaker, Jonathan now lives in complete darkness, rarely leaving his apartment and angry at the world. When he encounters his precocious 11-year-old neighbor, Lupe, the two form an unlikely friendship. Her cheerful presence shatters his hardened exterior, revealing a gentle man struck by tragedy. Lupe leads him to a fresh perspective by showing him the power of kindness, compassion, and love. Based on the celebrated teachings of Louise Hay, Painting the Future explores the power of positive thinking in healing past struggles and learning to live a joyful, heart-centered life.
A groundbreaking study of visionary artist Hilma af Klint. When Swedish artist Hilma af Klint died in 1944 at the age of 81, she left behind more than a thousand paintings and works on paper that she kept largely private during her lifetime. Believing the world was not yet ready for her art, she stipulated that it should remain unseen for another 20 years. But only in recent decades has the public had a chance to reckon with af Klint's radically abstract painting practice - one which predates the work of Vasily Kandinsky and other artists widely considered trailblazers of modernist abstraction. Accompanying the first major survey exhibition of the artist's work in the United States, Hilma af Klint represents her groundbreaking painting series while expanding recent scholarship to present the fullest picture yet of the artist's life and work. Essays explore the social, intellectual, and artistic milieu of af Klint's 1906 break with figuration and her subsequent development, placing her in the context of Swedish modernism and folk art traditions, contemporary scientific discoveries, and spiritualist and occult movements. A roundtable discussion among contemporary artists, scholars, and curators considers af Klint's sources and relevance to art in the 21st century. The volume also delves into her unrealized plans for a spiral-shaped temple in which to display her art - a wish that finds a fortuitous answer in the Guggenheim Museum's rotunda, the site of the forthcoming exhibition.
Preface and Acknowledgments / Thomas Krens -- The Genesis of a Museum: A History of the Guggenheim / Thomas Krens -- Frank Lloyd Wright and the Solomon R. Guggenheim Museum / Bruce Brooks Pfeiffer -- Paintings of Modern Life and Modern Myths: Late-Nineteenth- and Early Twentieth-Century Representations of Gender, Class, and Race in the Thannhauser Collection / Andrea Feeser -- 1912 / Lisa Dennison -- Technology and the Spirit: The Invention of Non-Objective Art / Michael Govan -- Peggy's Surreal Playground / Jennifer Blessing -- Art of This Century and the New York School / Diane Waldman -- Against the Grain: A History of Contemporary Art at the Guggenheim / Nancy Spector -- The Institution as Frame: Installations at the Guggenheim / Clare Bell.
"Olja Ivanjicki is one of Serbia's most important and best-loved contemporary artists. Producing work since the 1950s, she first came to prominence in her native country as the sole female member of Mediala, a group of painters, writers and architects that made a significant impact on the public and cultural life of Belgrade in the late fifties and early sixties. Recipient of a Ford Foundation scholarship in 1962, Ivanjicki left Serbia to live and work, albeit briefly, in the United States, where she was brought into contact with Pop Art. This was to have a lasting influence on her work." "Ivanjicki's paintings are distinguished by the way they combine figures and symbols from diverse cultures and civilizations - past, present and future - to form imaginative montages that evoke the spirit of an age in almost cinematic terms. Renaissance madonnas, military leaders, idealized human types, famous scientists, great artists and major politicians all exist simultaneously in the world of her art. However, Ivanjicki is much more than just a painter. She is also a sculptor, poet, newspaper columnist, costume designer and architect. Into all these media she infuses the unique power of her character and artistic skill." "Olja Ivanjicki: Painting the Future, written in the main part by the artist herself and supplemented with an introduction by writer and critic Sue Hubbard, investigates all aspects of her work over the course of her long and distinguished career, and by doing so brings her work to the wider international audience it richly deserves." --Book Jacket.
Beskrivelse: Wabi-sabi is a beauty of things imperfect, impermanent, and incomplete. It is a beauty of things modest and humble. It is a beauty of things unconventional.
How hip-hop culture and graffiti electrified the art of Jean-Michel Basquiat and his contemporaries in 1980s New York In the early 1980s, art and writing labeled as graffiti began to transition from New York City walls and subway trains onto canvas and into art galleries. Young artists who freely sampled from their urban experiences and their largely Black, Latinx and immigrant histories infused the downtown art scene with expressionist, pop and graffiti-inspired compositions. Jean-Michel Basquiat (1960-88) became the galvanizing, iconic frontrunner of this transformational and insurgent movement in contemporary American art, which resulted in an unprecedented fusion of creative energies that defied longstanding racial divisions. Writing the Future features Basquiat's works in painting, sculpture, drawing, video, music and fashion, alongside works by his contemporaries--and sometimes collaborators--A-One, ERO, Fab 5 Freddy, Futura, Keith Haring, Kool Koor, LA2, Lady Pink, Lee Quiñones, Rammellzee and Toxic. Throughout the 1980s, these artists fueled new directions in fine art, design and music, reshaping the predominantly white art world and driving the now-global popularity of hip-hop culture. Writing the Future, published to accompany a major exhibition, contextualizes Basquiat's work in relation to his peers associated with hip-hop culture. It also marks the first time Basquiat's extensive, robust and reflective portraiture of his Black and Latinx friends and fellow artists has been given prominence in scholarship on his oeuvre. With contributions from Carlo McCormick, Liz Munsell, Hua Hsu, J. Faith Almiron and Greg Tate, Writing the Future captures the energy, inventiveness and resistance unleashed when hip-hop hit the city.
A unique system for jump-starting artistic creativity, encouraging experimentation and growth, and increasing sales for artists of all levels, from novices to professionals. Have you landed in a frustrating rut? Are you having trouble selling paintings in galleries, getting bogged down by projects you can’t seem to finish or abandon, or finding excuses to avoid working in the studio? Author Carol Marine knows exactly how you feel—she herself suffered from painter’s block, until she discovered “daily painting.” The idea is simple: do art (usually small) often (how often is up to you), and if you’d like, post and sell it online. Soon you’ll find that your block dissolves and you’re painting work you love—and more of it than you ever thought possible! With her encouraging tone and useful exercises, Marine teaches you to: -Master composition and value -Become confident in any medium including oil painting, acrylic painting, watercolors, and other media -Choose subjects wisely -Stay fresh and loose -Photograph, post, and sell your art online -Become connected to the growing movement of daily painters around the world
An exciting new global survey of largely unknown talent, selected by an international jury Painting is enjoying a remarkable creative renaissance in the twenty-first century, with many of the world’s leading artists now working in this most enduring and seductive of media. 100 Painters of Tomorrow is the culmination of a new project, initiated by curator Kurt Beers and Thames & Hudson, to find the 100 most exciting painters at work today. This major publication introduces and presents the work from a global cast of painters selected by an international panel featuring some of the most prominent names in contemporary art. The resulting volume offers an intelligent snapshot of the best new talent in painting from across the world, gathered through an open call for submissions that drew over 4,300 applications. Open to any artist using paint as their primary medium, the submissions guidelines specified no age limit, but each of the selected artists has gained professional recognition in the last five years through their education, gallery representation, or in the production of a significant body of work. In addition, more than 100 of the world’s leading art schools were directly invited to participate, nominating recent graduates to submit their applications. The book presents high-quality images of the rising stars’ work, along with essential biographic information and quotations from the artists.