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The Future Ain’t What It Used to Be details how the 2016 presidential election developed in the eleven states that make up the South. Preeminent scholars of Southern politics analyze this momentous election, including the issues that drove southern voters, the nomination process in early 2016, and where the region may be headed politically in the Trump era. In addition, each state chapter includes analysis on notable congressional races and important patterns within the states. This new edited volume will be an important tool for scholars, and also journalists and political enthusiasts seeking a deeper understanding of contemporary southern electoral politics.
General Mills. The Rockport Company. Hearst Magazines. Wendy's. Saatchi & Saatchi Advertising. These are just a few of the many companies that have depended on Iconoculture, a Minneapolis-based trend consultancy, to tell them what to plan for in the future. Now readers can get the same inside advice from The Future Ain't What It Use To Be. You'll find out: why Beehives are the communities of our future; how Technomorphing will intensify our love/hate relationship with technology; where Soul Searching will take us in the next millennium; and which Zentrepreneurs will redefine business as we know it. Best of all, Iconoculture offers practical suggestions for turning the decades ahead to your favor with their Iconogasms. More than two hundred of these pithy tips show you how to leverage trends to transform your job, your life, your world.
Based on an actual wildcat strike that occured in 1979, There Ain’t No Justice, Just Us tells the story of a middle-aged college professor, and former seventies radical, who finds himself caught in the web of a mid-life crisis and a decaying marriage. In his search for a more authentic identity, he winds up leading a wildcat strike in a gritty South Chicago factory. Along the way he encounters a variety of leftists and African-American and Mexican industrial workers who lead genuine, if impoverished, lives. The wildcat strike becomes the psychological gauntlet through which the characters must pass to achieve personal integration. The professor’s quest for internal wholeness leads to a love affair with a radical feminist attorney and activist. In the end, the professor must choose between authenticity and love, or continuing his sedate, middle-class life. Ancillary characters, including Cecelia Sanchez, a Mexican-American college student, find themselves drawing psychological strength from the unfolding battle and engaging in their own liberation struggles—in her case, trying to find the inner spirit to move out on her own, away from her patriarchal family.
New York Times bestselling author Rainbow Rowell's epic fantasy, the Simon Snow trilogy, concludes with Any Way the Wind Blows. In Carry On, Simon Snow and his friends realized that everything they thought they understood about the world might be wrong. And in Wayward Son, they wondered whether everything they understood about themselves might be wrong. Now, Simon and Baz and Penelope and Agatha must decide how to move forward. For Simon, that means choosing whether he still wants to be part of the World of Mages — and if he doesn't, what does that mean for his relationship with Baz? Meanwhile Baz is bouncing between two family crises and not finding any time to talk to anyone about his newfound vampire knowledge. Penelope would love to help, but she's smuggled an American Normal into London, and now she isn't sure what to do with him. And Agatha? Well, Agatha Wellbelove has had enough. Any Way the Wind Blows takes the gang back to England, back to Watford, and back to their families for their longest and most emotionally wrenching adventure yet. This book is a finale. It tells secrets and answers questions and lays ghosts to rest. The Simon Snow Trilogy was conceived as a book about Chosen One stories; Any Way the Wind Blows is an ending about endings—about catharsis and closure, and how we choose to move on from the traumas and triumphs that try to define us.
Wikipedia went dark on January 18, 2012. So did thousands of other websites, including search giant Google, all to protest a controversial copyright bill called the Stop Online Piracy Act (SOPA). The protest even helped to ignite mass demonstrations on the streets of over 250 cities in all 27 countries of the European Union to stop a similar attempt to regulate the Internet under the Anti-Counterfeiting Trade Agreement (ACTA). This book provides a gripping, behind-the-scenes look at how people organized the largest Internet protest in history, plus the largest single-day demonstration in the streets of 27 countries of the European Union. This grassroots movement involving millions of people won an unexpected, but historic first victory in the fight for a "free and open Internet."
"Nottage is one of our finest playwrights, a smart, empathetic, and daring storyteller who tells a story an audience won't expect."—Time Out New York "Lynn Nottage's work explores depths of humanness, the overlapping complexities of race, gender, culture and history—and the startling simplicity of desire—with a clear tenderness, with humor, with compassion."—Paula Vogel, Pulitzer Prize–winning playwright In her first new play since the critically acclaimed Ruined, Lynn Nottage examines the legacy of African Americans in Hollywood in a dramatic stylistic departure from her previous work. Fluidly incorporating film and video elements into her writing for the first time, Nottage's comedy tells the story of Vera Stark, an African American maid and budding actress who has a tangled relationship with her boss, a white Hollywood star desperately grasping to hold onto her career. Stirring audiences out of complacency by tackling racial stereotyping in the entertainment industry, Nottage highlights the paradox of black actors in 1930s Hollywood while jumping back and forward in time and location in this uniquely theatrical narrative. By the Way, Meet Vera Stark premiered in New York in 2011 and will receive productions at Los Angeles's Geffen Playhouse in fall 2012 and Chicago's Goodman Theatre and The Lyric Stage Company of Boston in spring 2013. Lynn Nottage's plays include the Pulitzer Prize–winning Ruined; Intimate ApparelFabulation, or the Re-Education of Undine; Crumbs from the Table of Joy; Las Meninas; Mud, River, Stone; Por'Knockers; and POOF!
Absurdity, social realism, and the indepth examination of the human condition are but a few of the themes that comprise the contents of the seventythree short stories breathing menacingly between the covers of this book. Humor attacks surrealism on a landscape sun-saturated with saintly thought and intense clarity creations first simple act of pure effervescence getting drowned.
We are now in a whitewater world of ever greater turbulence that demands a new mind-set, skill-set and tool-set which can be summed up in one word - leadership. Effective leadership is becoming more important by the day for any individual or organization that hopes to compete in today’s hypercompetitive environment. The key strategic competitive advantage now and into the future will be the development of leaders at all levels in the organization. The starting point of building of a high-performance organization is building high-performance people, which is precisely the purpose of this book. How much untapped energy, talent, creativity and commitment remain dormant within the human asset in your organization? What would it mean to unleash just 10% of the latent human potential? Using a fascinating blend of cutting-edge neuro-science research and ancient wisdom this comprehensive book offers proven strategies and solutions that are highly practical and applicable to everyone in organization.
The Future Ain’t What It Used to Be details how the 2016 presidential election developed in the eleven states that make up the South. Preeminent scholars of Southern politics analyze this momentous election, including the issues that drove southern voters, the nomination process in early 2016, and where the region may be headed politically in the Trump era. In addition, each state chapter includes analysis on notable congressional races and important patterns within the states. This new edited volume will be an important tool for scholars, and also journalists and political enthusiasts seeking a deeper understanding of contemporary southern electoral politics.