Download Free The Funk Queen Book in PDF and EPUB Free Download. You can read online The Funk Queen and write the review.

Rabaka explores funk as a distinct multiform of music, aesthetics, politics, social vision, and cultural rebellion that has been remixed and continues to influence contemporary Black popular music and Black popular culture, especially rap music and the Hip Hop Movement. The Funk Movement was a sub-movement within the larger Black Power Movement and its artistic arm, the Black Arts Movement. Moreover, the Funk Movement was also a sub-movement within the Black Women’s Liberation Movement between the late 1960s and late 1970s, where women’s funk, especially Chaka Khan and Betty Davis’s funk, was understood to be a form of “Black musical feminism” that was as integral to the movement as the Black political feminism of Angela Davis or the Combahee River Collective and the Black literary feminism of Toni Morrison or Alice Walker. This book also demonstrates that more than any other post-war Black popular music genre, the funk music of the 1960s and 1970s laid the foundation for the mercurial rise of rap music and the Hip Hop Movement in the 1980s and 1990s. This book is primarily aimed at scholars and students working in popular music studies, popular culture studies, American studies, African American studies, cultural studies, ethnic studies, critical race studies, women’s studies, gender studies, and sexuality studies.
the autobiography of Dawn Silva former singer with Sly and the Family Stone, Parliament-Funkadelic, The Brides of Funkenstein, Gap Band, and a solo artist as well.In a world that strives for success, why would a management company deliberately sabotage its female recording artists? Especially after they were winning back-to-back music awards, with chart- topping records and had a trademark sound that sold millions.Long before the 2018 #Me Too Movement, there was the story of a rebellious American female recording artist who escaped and survived an era of subjugated institutions, misogyny, physical and mental abuse, beating the odds and recapturing a worldwide underground cult following.This true story is no longer Funk's Best Kept Secret. It is a story of survival and persistence, a tale of a courageous woman who stood against the male-dominated music industry and never backed down; no matter how often she was knocked down, and each time, she would rise stronger and better than before.
African American women have played a pivotal part in rock and roll—from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
Filled with fascinating photographs and juicy behind-the-scenes details, Queen All the Songs illuminates the unique recording history of a mega-bestselling and hugely influential rock band—album-by-album and track-by-track. A lovingly thorough dissection of every album and every song ever released by the beloved rock group, Queen All the Songs follows Freddie, Brian, Roger, and John from their self-titled debut album in 1973 through the untimely passing of Freddie, all the way up to their latest releases and the Oscar-winning film, Bohemian Rhapsody. The writing and recording process of each track is discussed and analyzed by author Benoît Clerc, and page-after-page features captivating and sometimes rarely seen images of the band. ​Queen All the Songs delves deep into the history and origins of the band and their music. This one-of-a-kind book draws upon decades of research and is a must-have for any true fan of classic rock.
“If I could only read one writer from now until the end of my life, it would be Dorothea Benton Frank." —Elin Hilderbrand, the New York Times bestselling author Immerse yourself in the enchanting world of New York Times bestselling author Dorothea Benton Frank’s Carolina Lowcountry in this evocative tale that returns at long last to her beloved Sullivans Island. Beekeeper Holly McNee Jensen quietly lives in a world of her own on Sullivans Island, tending her hives and working at the local island library. Holly calls her mother The Queen Bee because she’s a demanding hulk of a woman. Her mother, a devoted hypochondriac, might be unaware that she’s quite ill but that doesn’t stop her from tormenting Holly. To escape the drama, Holly’s sister Leslie married and moved away, wanting little to do with island life. Holly’s escape is to submerge herself in the lives of the two young boys next door and their widowed father, Archie. Her world is upended when the more flamboyant Leslie returns and both sisters, polar opposites, fixate on what’s happening in their neighbor’s home. Is Archie really in love with that awful ice queen of a woman? If Archie marries her, what will become of his little boys? Restless Leslie is desperate for validation after her imploded marriage, squandering her favors on any and all takers. Their mother ups her game in an uproarious and theatrical downward spiral. Scandalized Holly is talking to her honey bees a mile a minute, as though they’ll give her a solution to all the chaos. Maybe they will. Queen Bee is a classic Lowcountry Tale—warm, wise and hilarious, it roars with humanity and a dropperful of whodunit added for good measure by an unseen hand. In her twentieth novel, Dorothea Benton Frank brings us back to her beloved island with an unforgettable story where the Lowcountry magic of the natural world collides with the beat of the human heart.
Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history.
Draws on interviews with producers, managers and ex-girlfriends and boyfriends to provide a history of the band, including how lead singer Freddie Mercury's untimely death from AIDs challenged the band to reinvent itself.
Traces the funk music legend's rise from a 1950s barbershop quartet to an influential multigenre artist, discussing his pivotal artistic and business achievements with "Parliament-Funkadelic.".
Whether you think you know everything about Queen already or if you’re new to the band and want to learn more, Queen FAQ will walk you through every aspect of one of the music industry’s strangest, longest, and most successful bands of all time. Queen is the quintessential stadium-filling live act with an impeccable musical pedigree and a penchant for extreme partying; Queen was, and still is, a complete one-off. Discover the journey from long-haired rockers obsessed with mythology to creators of slick chart-toppers, and their unexpected second life after the death of Freddie Mercury in 1991, taking them right up to date with sell-out world tours and an Oscar-winning movie to their name. The story of Queen has been told so many times, but never quite like this: taking an exhaustive approach to every aspect of every band member, this unique book will answer all the questions you’ve ever wanted to ask about Britain’s biggest band. Did Freddie Mercury really sneak Princess Diana into a gay bar? What is Brian May’s guitar made of? Why did Roger Taylor get so many royalties for “Bohemian Rhapsody”? And what ever happened to John Deacon? Queen is the band who conquered the US singles charts with “Another One Bites the Dust” and stole the show at Live Aid, but they’re also the band that turned their songs into a hit musical and have somehow doubled the length of their career after the death of their lead singer. Frankly, there’s no other band like them: this book reveals why.