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"These twenty papers, presented at an international conference in Athens, deal with various aspects of the so-called villas in Neopalatial Crete and their possible predecessors or equivalents in the preceding, Protopalatial period. They are followed by transcripts of the discussions of the symposium. Among the problems treated are: the origin of the "villa system", the definition of the "villa", the architectural analysis of buildings and building complexes, the magico-religious background of the "Villa", the role of religious painting, the origin of the Cretan andreion, and a study of ceramic exchange between towns and outlying settlements in Neopalatial eastern Crete. Special discussions concern the functional analysis of the architecture, administration and bureaucracy, with special reference to seals, sealings and Linear A tablets and political geography." --
"These twenty papers, presented at an international conference in Athens, deal with various aspects of the so-called villas in Neopalatial Crete and their possible predecessors or equivalents in the preceding, Protopalatial period. They are followed by transcripts of the discussions of the symposium. Among the problems treated are: the origin of the "villa system", the definition of the "villa", the architectural analysis of buildings and building complexes, the magico-religious background of the "Villa", the role of religious painting, the origin of the Cretan andreion, and a study of ceramic exchange between towns and outlying settlements in Neopalatial eastern Crete. Special discussions concern the functional analysis of the architecture, administration and bureaucracy, with special reference to seals, sealings and Linear A tablets and political geography." --
Forty-seven papers on the functions of the palace, the most characteristic phenomenon of the Minoan Bronze Age civilization in Crete, read at an international conference in Athens; the papers are followed by transcripts of the discussions of the symposium.
What is the social role of images and architecture in a pre-modern society? How were they used to create adequate environments for specific profane and ritual activities? In which ways did they interact with each other? These and other crucial issues on the social significance of imagery and built structures in Neopalatial Crete were the subject of a workshop which took place on November 16th, 2009 at the University of Heidelberg. The papers presented in the workshop are collected in the present volume. They provide different approaches to this complex topic and are aimed at a better understanding of the formation, role, and perception of images and architecture in a very dynamic social landscape. The Cretan Neopalatial period saw a rapid increase in the number of palaces and 'villas', characterized by elaborate designs and idiosyncratic architectural patterns which were themselves in turn generated by a pressing desire for a distinctive social and performative environment.
A comprehensive, scholarly, engaging look at the meanings behind key architectural designs of ancient Minoan culture. Ever since Sir Arthur Evans first excavated at the site of the Palace at Knossos in the early twentieth century, scholars and visitors have been drawn to the architecture of Bronze Age Crete. Much of the attraction comes from the geographical and historical uniqueness of the island. Equidistant from Europe, the Middle East, and Africa, Minoan Crete is on the shifting conceptual border between East and West, and chronologically suspended between history and prehistory. In this culturally dynamic context, architecture provided more than physical shelter; it embodied meaning. Architecture was a medium through which Minoans constructed their notions of social, ethnic, and historical identity: the buildings tell us about how the Minoans saw themselves, and how they wanted to be seen by others. Architecture of Minoan Crete is the first comprehensive study of the entire range of Minoan architecture—including houses, palaces, tombs, and cities—from 7000 BC to 1100 BC. John C. McEnroe synthesizes the vast literature on Minoan Crete, with particular emphasis on the important discoveries of the past twenty years, to provide an up-to-date account of Minoan architecture. His accessible writing style, skillful architectural drawings of houses and palaces, site maps, and color photographs make this book inviting for general readers and visitors to Crete, as well as scholars.
The art and iconography of the Minoan civilisation of Bronze Age Crete is rightly described as having a refreshing vitality with a fortunate combination of stylisation and spontaneity in which the artist is able to transform conventional imagery into a personal expression. The dynamism, torsion and naturalism evident in Minoan art stands in stark contrast to the hieratic rigidity of other ancient civilisations, and nowhere is this more apparent than in the iconography of the Minoan Epiphany, a set of mainly glyptic (rings, seals, and seal impression) images which appear to depict religious celebrants experiencing direct and seemingly ecstatic encounters with deities. This collection of essays explores this central aspect of Minoan religion, taking a strongly archaeological focus to allow the artefacts to speak for themselves, and moving from traditional ‘representational’ interpretations into ‘embodied’ perspectives in which the ecstatic capabilities of the human body throw new light on Aegean Bronze Age ritual practices. Such ideas challenge rather passive assumptions modern Western observers hold about the nature of religious feelings and experiences, in particular the depictions of altered states of consciousness in ancient art, and the visionary potential of dance gestures. Speculative asides on the potential for a Minoan origin for Classical Greek humanism, and hints in the imagery on ancient Cretan conceptions of the cosmos, are set against sound archaeological theories to explain this lively and dynamic corpus of images. Beautifully illustrated with images and sketches of the relevant artefacts, this wide-ranging volume will stimulate audiences with archaeological, prehistorical and spiritual interests, as well as historians of religion and art. ‘The Minoan Epiphany’ also represents an influential antecendent to the Visionary Humanist philosophy which forms the majority of Bruce’s current independent research interests.
A comprehensive account of the Palaces, control networks and spatial dynamics of Neopalatial Crete, the floruit of the Minoan civilization.