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In 1997, a BAFTA award-winning British film about six out of work Sheffield steelworkers with nothing to lose took the world by storm. And now they’re back, live on stage, only for them, it really has to be The Full Monty. Simon Beaufoy, the Oscar-winning writer of the film, has now gone back to Sheffield where it all started to rediscover the men, the women, the heartache and the hilarity of a city on the dole. The Full Monty was the winner of the UK Theatre Best Touring Production award 2013.
Gaz and Dave are redundant steelworkers in Sheffield. What can they do to turn their lives around? When a visit by a male-strip group draws a frenzied response from local women, it gives them an idea!This humorous tale also has a serious side in its depiction of the effects of unemployment. The Full Monty is a hit movie starring Robert Carlyle.
Tells the story of six unemployed, out-of-shape steel-mill workers from Buffalo, NY, who pick up some extra cash by putting on their own male strip show.
***ALMOST CERTAINLY NOMINATED FOR SOMETHING SOMEWHERE*** The complete scripts from the four Monty Python series, first shown on BBC television between 1969 and 1974, have been collected in two companion volumes. Characters' names, often not spoken, are given as in the original scripts, along with the names of the actual performer added on their first appearance in each sketch. This first volume contains twenty-three classic episodes, featuring some of the most entertaining writing to have gone into television anywhere. The minister of silly walks, the dead parrot, banter in a cheese shop - here is every silly, satirical skit, every snide insult, every saucy aside.
"With a postscript by Joshua Bell."--Cover.
Commissioned to paint a vast canvas celebrating the triumphant Battle of Lepanto, the free-spirited Galactia creates instead a breathtaking scene of war-torn carnage. In her fierce determination to stay true to herself, she alienates the authorities and faces incarceration. Her younger lover Carpeta is approached to take over and seizes the assignment for himself. Howard Barker's Scenes from an Execution makes sixteenth-century Venice the setting for a fearless exploration of sexual politics and the timeless tension between personal ambition and moral responsibility, between the patron's demands and the artist's autonomy. Art is opinion, and opinion is the source of all authority. This edition includes a new essay by Howard Barker, entitled The Sunless Garden of the Unconsolled: Some Destinations Beyond Catastrophe
The Full Monty is a brilliant and original comedy about six men driven to face their fears of inadequacy and loss in hard times. Broke, out of work and on the verge of losing their wives and children, they come up with a desperate, brilliant plan: Make like Chippendale dancers and strip for cash! The Full Monty is the story of a last-ditch attempt by a group of working-class men to redeem themselves as reliable in the eyes of their community. In scenes as hysterical as they are tender, they discover that "the full monty" requires more than dexterity, a fit body and the right moves; and that the confidence they need can only come from stripping bare the deeper issues that trouble their individual lives. The result is a humane, triumphant comedy that has won the hearts of millions around the world. In her novel based on the critically acclaimed box-office hit, Wendy Holden revisits our favorite moments -- both hilarious and heartwarming -- from The Full Monty. " A delightful comedy about out-of-work, out-of-shape men who deide to become strippers." -- New York Times "A comic delight! An engrossing study of the male ego stripped bare." -- USA Today "The world's first full-frontal fairy tale!" -- Entertainment Weekly
The autobiography of “a left-arm spinner of immense class and limitless charm . . . an unlikely hero of the English game,” cricket superstar Monty Panesar (The Guardian). Having spent five years learning his trade in County Cricket, Monty Panesar established himself with England in 2006, quickly becoming a national hero, with his trademark black turban, wide eyes and eager fielding. Monty was a different type of spinner to those which had gone before, here was someone who was not afraid to ‘give it some air’ and attack batsmen. For a time, he was considered the savior of English spin bowling. His commitment and enthusiasm for the sport made him stand out. His performances encouraged others to hone their skills to the extent that others emerged and took his place. The England team saw glimpses of him after that, most notably when Graeme Swann and Monty combined in Mumbai in November 2012, dubbed the “dust devils” as they returned joint figures of 19 for 323, in one of the greatest England spin double acts in history, only the fourth occasion that England spinners had combined to take 19 wickets or more wickets in a Test and the first time for 54 years. As Monty’s career declined however, so did his health. He struggled with a tiresome shoulder injury before struggling with mental health issues. In The Full Monty, “there are certainly some dark corners opened up and explored, but Panesar’s is a fascinating story . . . the book is difficult to put down.” (Cricket Web).
A comprehensive study examining the history, content, and context of the legendary comedy series Monty Python’s Flying Circus. One of the most innovative comedic programs to air on television, Monty Python’s Flying Circus was a mix of the carnivalesque and the critical. The show has become famous for eschewing many of the conventions of situation comedy, the fully formed and coherent script, narrative closure, predictable characters, and the decorum associated with presentation. Its curious transatlantic popularity defied the assumption that comedy is regional and exclusive, and the show’s cult status still lives on in the United States and United Kingdom through reruns, videos, DVDs, and continual reappearances by the show’s now iconic stars. Most written accounts of Monty Python’s Flying Circus focus solely on members of the Pythons, histories of the sketches, or the development of other Monty Python projects, leaving a dearth of scholarly and contextual analysis on the television show itself. Marcia Landy’s book is one of the rare studies available examining the Flying Circus within the context of its time, analyzing the show’s influence on 1960s and 1970s British television as well as British cultural influence on the show’s legendary material. Landy explores not only why the series’ complex form of comedy was important but also why it was so well received, citing the Pythons’ amalgam of comedic material: the unruly treatment of sexuality, the mockery of religion and class, and the critique of the medium of television. The Flying Circus parodied both the lowbrow and the highbrow, throwing many previously untouchable topics into the ring, and here Landy deconstructs the impact of the show’s risks and reception. As informative as it is engaging and entertaining, this book will appeal to film and media scholars, popular culture enthusiasts, and Monty Python fans alike.