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The indispensable anthology of poetry from the Fugitive group, this collection chronicles the impact of literary modernism on these Southern poets as their region took a “backward glance” before coming to terms with the modern world. Southern Classics Series.
Intergalactic Travels: poems from a fugitive alien is a poetry memoir that takes up the intersections of Indigeneity, Blackness, queerness and migration as it relates to U.S. federal immigration law. The book pushes the boundaries of an "undocumented immigrant narrative"via the poet's refusal to belong to United Statian society and the refusal of a structured poetics.In fact, the chaotic geographies of the manuscript (collages + photographs + emails + negative space) formulate theories of fugitivity that position the transAtlantic slave trade and Indigenous dispossession as root causes of undocumented immigration. In this refusal of national belonging and form, the book asks for a critical kinship that the law can never account for, and thus, Pelaez Lopez negotiates legal status for new imaginaries of care. As a whole, the manuscript asks: "what does it mean that a descendant of enslaved Africans becomes an illegal alien in the same continent that subjugated their ancestors to chattel slavery?" Furthermore, "can an Indigenous subject of this continent be considered 'illegal' in the continent of their ancestors?"
The 1920s literary magazine The Fugitive transformed Vanderbilt University into the home of New Criticism, spearheaded by a group of young poets. In Fugitive Days, author and professor Gerald Duff recalls meeting the poets, now older and accomplished, including Robert Penn Warren, John Crowe Ransom, Allen Tate, and Andrew Lytle. In these chance encounters, Duff finds the humanity in each—some approachable, some remote, some lost in the wilds of age or overshadowed by their own legends. Duff takes away with him new understanding of what writers-as-fugitives gain and sacrifice in pursuit of their craft.
Rebuke of History: The Southern Agrarians and American Conservative Thought
In their growing involvement with one another, each becomes a pawn in the other's game. As we weave among these characters, learning about their lives and motivations, and uncovering the conflicts and contradictions between their stories, we realize that the storyteller is not the only one with secrets to conceal that all three are fugitives of one kind or another. All the Sorrentino touches that have thrilled admirers are here: sparkling dialogue, satirical wit, attention to the details of everyday life, dizzyingly inventive prose but it is the deeply imagined interior lives of its all too human main characters that set this novel apart. Moving, funny, tense, and mysterious, The Fugitives is a love story, a ghost story, and a crime thriller.
Khaled Mattawa’s poetry contains “the complexity of a transnational identity” (MacArthur Fellowship citation) Fugitive Atlas is a sweeping, impassioned account of refugee crises, military occupations, and ecological degradation, an acute and probing journey through a world in upheaval. Khaled Mattawa’s chorus of speakers finds moments of profound solace in searching for those lost—in elegy and prayer—even when the power of poetry and faith seems incapable of providing salvation. With extraordinary formal virtuosity and global scope, these poems turn not to lament for those regions charted as theaters of exploitation and environmental malpractice but to a poignant amplification of the lives, dreams, and families that exist within them. In this exquisite collection, Mattawa asks how we are expected to endure our times, how we inherit the journeys of our ancestors, and how we let loose those we love into an unpredictable world.
An impassioned, thoughtful, and fearless essay on the effects of racism on the American identity by one of our country’s most humane literary voices. Acclaimed as “one of the most humane, honest, liberating works of our time” (The Village Voice), The Hidden Wound is a book-length essay about racism and the damage it has done to the identity of our country. Through Berry’s personal experience, he explains how remaining passive in the face of the struggle of racism further corrodes America’s great potential. In a quiet and observant manner, Berry opens up about how his attempt to discuss racism is rooted in the hope that someday the historical wound will begin to heal. Pulitzer prize-winning author Larry McMurtry calls this “a profound, passionate, crucial piece of writing . . . Few readers, and I think, no writers will be able to read it without a small pulse of triumph at the temples: the strange, almost communal sense of triumph one feels when someone has written truly well . . . The statement it makes is intricate and beautiful, sad but strong.” “Mr. Berry is a sophisticated, philosophical poet in the line descending from Emerson and Thoreau." ―The Baltimore Sun "[Berry’s poems] shine with the gentle wisdom of a craftsman who has thought deeply about the paradoxical strangeness and wonder of life." ―The Christian Science Monitor "Wendell Berry is one of those rare individuals who speaks to us always of responsibility, of the individual cultivation of an active and aware participation in the arts of life." ―The Bloomsbury Review “[Berry’s] poems, novels and essays . . . are probably the most sustained contemporary articulation of America’s agrarian, Jeffersonian ideal.” ―Publishers Weekly
Combining both a historical and a critical approach toward the works of major British, American, French, German and Russian poets, this work surveys a century of high poetic achievement