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A tribute to a major photographic genre's success in capturing in permanent form the most ephemeral of the arts. Over 200 reproduced duotone plates reveal dance in all its aspects - from many countries and periods, from classical ballet to rock and roll - photographed wherever dancers waltz, tango, tap-dance, pirouette, stomp, jive or kick up their heels for joy. The great dancers are here - Nijinsky, Fred Astaire, Pavlova, Fonteyn and Isadora Duncan among other immortals; but so too are the anonymous, captured in a Parisian nightclub or at the Roxy, New York, an Amsterdam street cafe or simply dancing alone by the seashore. The wide range of photographers include Gordon Anthony, Barbara Morgan, Beaton, Degas, Genthe, Steichen, Horst, Man Ray and Helmut Newton. Introductions to each chapter and detailed notes on the photographs provide essential background about the dancers and photographers.
In this wide-ranging and probing book Erin Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture. The minor gesture, although it may pass almost unperceived, transforms the field of relations. More than a chance variation, less than a volition, it requires rethinking common assumptions about human agency and political action. To embrace the minor gesture's power to fashion relations, its capacity to open new modes of experience and manners of expression, is to challenge the ways in which the neurotypical image of the human devalues alternative ways of being moved by and moving through the world—in particular what Manning terms "autistic perception." Drawing on Deleuze and Guattari's schizoanalysis and Whitehead's speculative pragmatism, Manning's far-reaching analyses range from fashion to depression to the writings of autistics, in each case affirming the neurodiversity of the minor and the alternative politics it gestures toward.
An authoritative new edition of Marcel Proust's The Captive and The Fugitive, published together as the fifth volume of his epic masterwork, In Search of Lost Time Marcel Proust's monumental seven-part novel In Search of Lost Time is considered by many to be the greatest novel of the twentieth century. The Captive and The Fugitive, the fifth and sixth volumes of Proust's masterpiece, contain some of literature's most beautiful meditations on art, music, desire, jealousy, love and loss, grieving and forgetting. In this work, Proust continues his vast satirical fresco of high society in France just prior to the outbreak of World War I. These volumes and the following volume were published posthumously, as Proust died when he was approximately one-third of the way through correcting the proofs for The Captive.The Fugitive was also the last volume translated by Charles Kenneth Scott Moncrieff, who did not live to finish his enormous task. This edition of the two, published together as the fifth volume, is edited and annotated by noted Proust scholar William C. Carter, who endeavors to bring the classic C. K. Scott Moncrieff translation closer to the spirit and style of the original.
Have you ever wondered what the world looks like to your dog? Or what it smells and sounds like? Do dogs have crushes or love affairs? Do they dream, and what about? This book is the result of 30 years of living with dogs, wolves and dingoes. The author visits their minds and provides an insight into a species different from our own, but in many respects surprisingly the same.
Form as function in Asian American literature.
A history of our time.