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Excerpt from The Fruits of Folly And he understands his race. No one has given a better summary of one side of our national character than did Mr. Baldwin when he said: We grumble, and we have always grumbled, but we never worry. There are nations which do not grumble but worry the Englishman has a mental reserve owing to that gift given to him at his birth by St. George, so that by the absence of worry he keeps his nervous system sound and sane, with the result that in times of emergency the nervous system stands, when the nervous system of other peoples breaks. The Englishman is made for a time of crisis and for a time of emergency. He is serene in difficulties, but may seem to be indifferent when times are easy. He may not look ahead, he may not heed warnings, he may not prepare but when he once starts he is persistent to the death. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
“Hearteningly strange . . . Collins exhumes little-known figures [and] recounts their perversely inspiring battles against the more logical ways of the world.” —The Onion Here are thirteen unforgettable portraits of forgotten people: men and women who might have claimed their share of renown but who, whether from ill timing, skullduggery, monomania, the tinge of madness, or plain bad luck—or perhaps some combination of them all—leapt straight from life into thankless obscurity. Collins brings them back to glorious life. John Banvard was an artist whose colossal panoramic canvasses (one behemoth depiction of the entire eastern shore of the Mississippi River was simply known as “The Three Mile Painting”) made him the richest and most famous artist of his day . . . before he decided to go head to head with P. T. Barnum. René Blondot was a distinguished French physicist whose celebrated discovery of a new form of radiation, called the N-Ray, went terribly awry. At the tender age of seventeen, William Henry Ireland signed “William Shakespeare” to a book and launched a short but meteoric career as a forger of undiscovered works by the Bard—until he pushed his luck too far. Collins’ love for what he calls the “forgotten ephemera of genius” give his portraits of these figures and the other ten men and women in Banvard’s Folly sympathetic depth and poignant relevance. Their effect is not to make us sneer or revel in schadenfreude; here are no cautionary tales. Rather, here are brief introductions—acts of excavation and reclamation—to people whom history may have forgotten, but whom now we cannot.
Mr. Faulkner’s masterpiece is recognized as the most important challenge to agricultural orthodoxy that has been advanced in this century. Its new philosophy of the soil, based on proven principles and completely opposed to age-old concepts, has had a strong impact upon theories of cultivation around the world. It was on July 5, 1943, when Plowman’s Folly was first issued, that the author startled a lethargic public, long bemused by the apparently insoluble problem of soil depletion, by saying, simply, “The fact is that no one has ever advanced a scientific reason for plowing.” With the key sentence, he opened a new era.For generations, our reasoning about the management of the soil has rested upon the use of the moldboard plow. Mr. Faulkner proved rather conclusively that soil impoverishment, erosion, decreasing crop yields, and many of the adverse effects following droughts or periods of excessive rainfall could be traced directly to the practice of plowing natural fertilizers deep into the soil. Through his own test-plot and field-scale experiments, in which he prepared the soil with a disk harrow, in emulation of nature’s way on the forest floor and in the natural meadow, by incorporating green manures into its surface, he transformed ordinary, even inferior, soils into extremely productive, high-yield croplands.Time magazine called this concept “one of the most revolutionary ideas in agriculture history.” The volume is being made available again not only because farmers, ranchers, gardeners, and agriculturists demanded it, but also because it details the kind of “revolution” which will aid those searching for the fruits of the earth in the emerging nations.
As the ruinous Dust Bowl settled in the early 1940s, agronomist Edward Faulkner dropped what Nature magazine termed "an agricultural bombshell" when he blamed the then universally used moldboard plow for disastrous pillage of the soil. Faulkner's assault on the orthodoxy of his day will stimulate today's farmers to seek out fresh solutions to the problems that plague modern American agriculture. Plowman's Folly is bound together here with its companion volume A Second Look.
Horror Classics: 560+ Titles in One Edition is an ambitious anthology that transcends the contours of fear, exploring the depths of the human psyche through a mosaic of horror narratives. This collection celebrates the eclectic dimensions of horror literature, spanning Gothic tales, supernatural stories, and psychological thrillers. By weaving together a tapestry of styles ranging from the eerie subtleties of Henry James to the cosmic horrors of H.P. Lovecraft, this anthology underscores the diversity and richness of the genre. Significant works within the collection demonstrate the evolution of horror, charting a course from the foundational terror of Mary Shelley's influence to the nuanced dread of Algernon Blackwood. The anthology represents a comprehensive survey of horror's literary landscape, capturing the zeitgeist of multiple eras and offering a window into the myriad ways that fear manifests in literature. The authors and editors, hailing from diverse backgrounds and epochs, bring with them their unique historical, cultural, and literary perspectives. Collectively, they represent the multifaceted nature of horror writing, aligning with various movements from Romanticism to Modernism, and touching upon themes of imperialism, gender, and existentialism. Their stories offer a rich commentary on the societal fears and anxieties of their times, providing insight into the human condition. This collaborative effort illuminates the shared human experience of fear, binding the collection into a cohesive exploration of horror's thematic richness and depth. Horror Classics: 560+ Titles in One Edition is a seminal compilation that promises to enchant, educate, and provoke thought, appealing to both aficionados and newcomers of the horror genre. This anthology not only serves as a comprehensive guide through the eerie landscapes of terror and the macabre but also as a testament to the enduring power of storytelling in confronting the unknown. Readers are invited to delve into this extensive collection, to unravel the complex tapestry of horror literature, and to engage in a dialogue with some of the most influential voices in the genre. It is a must-read for those seeking to grasp the full spectrum of horrors literary heritage and its evolution across centuries.
The Horror Beyond Life's Edge: 560+ Macabre Classics, Supernatural Mysteries & Dark Tales is a literary journey that transcends the commonplace, delving into the realms of the macabre, the supernatural, and the darkly mysterious. This anthology boasts a collection that spans a broad spectrum of literary styles, from gothic horror and eerie ghost stories to unsettling tales of the uncanny and supernatural investigations. The diversity and significance of the works included cannot be overstated, featuring standout pieces from the Victorian era to the early twentieth century, encapsulating the evolution of horror and mystery in literature. The anthology serves as a conduit to explore the depths of human fears, anxieties, and the unknown through a compendium of narratives that challenge the boundaries of imagination and reality. The contributing authors and editors of this collection represent a pantheon of literary giants, each bringing their unique voice and perspective to the overarching theme. From the psychological terror of Edgar Allan Poe to the cosmic horror of H.P. Lovecraft; from the gothic romance of the Brontë sisters to the social critiques of Charles Dickens and the pioneering science fiction of H.G. Wells; these authors collectively contribute to the rich tapestry of horror and supernatural literature. The anthology aligns with various historical, cultural, and literary movements, enriching the readers understanding by offering a myriad of lenses through which to view the complexities of fear, the supernatural, and the human condition. The Horror Beyond Life's Edge: 560+ Macabre Classics, Supernatural Mysteries & Dark Tales is an indispensable volume for readers seeking to immerse themselves in the breadth and depth of gothic, horror, and supernatural literature. This anthology offers a unique opportunity to explore a multiplicity of perspectives, themes, and narratives within a single tome. It is a call to readers to delve into the abyss of the macabre, to confront the shadows lurking at the edges of life, and to explore the diversity of human expression found in the confrontation with the unknown. For scholars, enthusiasts, and casual readers alike, this collection stands as a monumental testament to the enduring power and appeal of the horror and mystery genre.
Good Press presents to you this unique collection, designed and formatted to the highest digital standards and adjusted for readability on all devices. Content: Bram Stoker: Dracula The Squaw... John William Polidori: The Vampyre James Malcolm Rymer & Thomas Peckett Prest: Sweeney Todd, the Demon Barber of Fleet Street Washington Irving: The Legend of Sleepy Hollow Rip Van Winkle Edgar Allan Poe: The Cask of Amontillado The Masque of the Red Death The Premature Burial Mary Shelley: Frankenstein The Mortal Immortal The Evil Eye Gaston Leroux: The Phantom of the Opera Marjorie Bowen: Black Magic Oscar Wilde: The Picture of Dorian Gray Henry James: The Turn of the Screw The Ghostly Rental... H. P. Lovecraft: The Dunwich Horror The Shunned House... Charles Dickens: The Mystery of Edwin Drood The Haunted House... Wilkie Collins: The Haunted Hotel The Woman in White Richard Marsh: The Beetle Arthur Conan Doyle: The Hound of the Baskervilles The Silver Hatchet... Joseph Sheridan Le Fanu: Carmilla... Arthur Machen: The Great God Pan... William Hope Hodgson: The Ghost Pirates The Night Land E. F. Benson: The Room in the Tower The Terror by Night... Nathaniel Hawthorne: The Birth Mark The House of the Seven Gables... Thomas Hardy: What the Shepherd Saw The Grave by the Handpost Jane Austen: Northanger Abbey Charlotte Brontë: Jane Eyre Emily Brontë: Wuthering Heights Guy de Maupassant: The Horla Horace Walpole: The Castle of Otranto William Thomas Beckford: Vathek Matthew Gregory Lewis: The Monk Ann Radcliffe: The Mysteries of Udolpho The Italian Théophile Gautier: Clarimonde The Mummy's Foot M. R. James: Ghost Stories of an Antiquary A Thin Ghost and Others Ambrose Bierce: Can Such Things Be? Present at a Hanging and Other Ghost Stories M. P. Shiel: Shapes in the Fire Rudyard Kipling: My Own True Ghost Story The City of Dreadful Night The Mark of the Beast... Stanley G. Weinbaum: The Dark Other Émile Erckmann & Alexandre Chatrian: The Man-Wolf... Amelia B. Edwards: The Phantom Coach... Pedro De Alarçon: The Nail Walter Hubbell: The Great Amherst Mystery Some Real American Ghosts Some Chinese Ghosts...
Nathaniel Pike, a headstrong billionaire, is purchasing a piece of federal land in New Hampshire’s White Mountains and turning it into a huge, inaccessible parking lot. Orbiting Pike and his aspirations is a cast of perfectly flawed eccentrics: Marlene, who is shy and vulnerable but also a budding exhibitionist; Stuart, Pike’s assistant, who is Marlene’s husband and a failed writer; and Heath, who films Marlene’s public nudity and turns her into an Internet star. In this grand tale of the folly of the modern world, Mike Heppner skewers the extravagance of wealth, and the class that grows up around that wealth, even as he casts a humane look at the people involved.
German Classics of the Nineteenth and Twentieth Centuries is a collection of carefully selected masterpieces of German literature in last two centuries. The most representative German writers of each period are brought together and represented by their best and finest works from the great epoch of Classicism and Romanticism to early modern literature of twentieth century: Vol. I & II: Johann Wolfgang von Goethe Vol. III: Friedrich von Schiller Vol. IV: Jean Paul; Wilhelm von Humboldt; August Wilhelm Schlegel; Friedrich Schlegel; Novalis; Friedrich Hölderlin; Ludwig Tieck; Heinrich von Kleist Vol. V: Friedrich Schleiermacher; Johann Gottlieb Fichte; Friedrich Wilhem Joseph von Schelling; Ludgwig Achim von Arnim and Clemens Brentano; Jacob and Wilhelm Grimm; Ernst Moritz Arndt; Theodor Kürner; Maximilian Gottfried von Schenkendorf; Ludwig Uhland; Joseph von Eichendorff; Adalbert von Chamisso; Ernst Theodor Amadeus Hoffmann; Friedrich Baron de la Motte-Fouqué; Wilhelm Hauff; Friedrich Rükert; August von Platen-Hallermund Vol. VI: Heinrich Heine; Franz Grillparzer; Ludwig van Beethoven Vol. VII: Georg Wilhelm Friedrich Hegel; Bettina von Arnim; Karl Lebrecht Immermann; Karl Ferdinand Gutzkow; Anastasius Grün, Nikolaus Lenau; Eduard Mörike; Annette Elizabeth von Droste-Hülshoff; Ferdinand Freiligrath; Moritz Graf von Strachwitz; Georg Herwegh; Emanual Geigel Vol. VIII: Berthold Auerbach; Jeremias Gotthelf; Fritz Reuter; Adalbert Stifter; Wilhelm Heinrich Riehl Vol. IX: Friedrich Hebbel; Otto Ludwig Vol. X: Prince Otto von Bismarck; Count Helmuth von Moltke; Ferdinand Lassalle Vol. XI: Friedrich Spielhagen; Theodor Storm; Wilhelm Raabe Vol. XII: Gustav Freytag; Theodor Fontane Vol. XII: Helene Böhlau; Clara Viebig; Eduard von Keyserling; Thomas Mann; Ludwig Thoma; Rudolf Hans Bartsch; Emil Strauss; Hermann Hesse; Ernst Zahn; Jakob Schaffner Vol. XIV: Jakob Wassermann; Bernhard Kellermann; Max Halbe; Hugo von Hofmannsthal; Arthur Schnitzler; Frank Wedekind; Ernst Hardt
This meticulously edited religious collection is formatted for your eReader with a functional and detailed table of contents: Scripture: Bible First Clement Second Clement Didache Epistle of Barnabas Shepherd of Hermas The Infancy Gospel of Thomas Apocalypse of Peter History: History of the Christian Church (Philip Schaff) Creeds of Christendom (Philip Schaff) Philosophy of Religion: The Confessions of St. Augustine (St. Augustine) On the Incarnation (Athanasius of Alexandria) On the Soul and the Resurrection (Gregory of Nyssa) On the Holy Spirit (Basil the Great) Pastoral Care (Pope Gregory I) An Exact Exposition of the Orthodox Faith (John of Damascus) Summa Theologica (Saint Thomas Aquinas) The Imitation of Christ (Thomas à Kempis) A Treatise on Christian Liberty (Martin Luther) The Interior Castle (St. Teresa of Ávila) The Practice of the Presence of God (Brother Lawrence) The Age of Reason (Thomas Paine) The Natural History of Religion (David Hume) Dialogues Concerning Natural Religion (David Hume) The Religious Affections (Jonathan Edwards) The Essence of Christianity (Ludwig Feuerbach) Beyond Good and Evil (Nietzsche) All of Grace (Charles Spurgeon) Humility: The Journey Toward Holiness (Andrew Murray) Orthodoxy (Chesterton) The Everlasting Man (Chesterton) The Sovereignty of God (Arthur Pink) The Kingdom of God Is Within You (Tolstoy) Religious Fiction: Divine Comedy (Dante) Paradise Lost (John Milton) The Pilgrim's Progress (John Bunyan) Zadig (Voltaire) Ben-Hur: A Tale of the Christ (Lew Wallace) Quo Vadis (Henryk Sienkiewicz) In His Steps (Charles M. Sheldon) The Story of the Other Wise Man (Henry Van Dyke) The Ball and the Cross (Chesterton) The Enchanted Barn (Grace Livingston Hill) The Grand Inquisitor (Dostoevsky Wilhelm Meister's Apprenticeship (Goethe) Thus Spoke Zarathustra (Nietzsche) Spirituality: The Conduct of Life (Ralph Waldo Emerson) Lessons in Truth (H. Emilie Cady) As a Man Thinketh (James Allen) Thoughts are Things (Prentice Mulford) The Game of Life and How to Play It (Florence Scovel Shinn)