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The Freudian Calling traces the evolution of an early psychoanalytic science of culture by examining how the work of cultural interpretation became essential to the Freudian movement in Vienna in the years before World War I. Louis Rose explores Freud's writings on art, society, and history in light of the discussions and projects of his Viennese circle. Drawing on the history of psychoanalytic cultural science in Vienna, The Freudian Calling reexamines the development of Freud's own thought, from his biography of Leonardo da Vinci and the study of Michelangelo's Moses to the writing of Totem and Taboo and, finally, Civilization and Its Discontents.
This early work by Sigmund Freud was originally published in 1912 and we are now republishing it with a brand new introductory biography. 'On the Universal Tendency to Debasement in the Sphere of Love' is an essay on the causes of psychological impotence. Sigismund Schlomo Freud was born on 6th May 1856, in the Moravian town of Príbor, now part of the Czech Republic. He studied a variety of subjects, including philosophy, physiology, and zoology, graduating with an MD in 1881. Freud made a huge and lasting contribution to the field of psychology with many of his methods still being used in modern psychoanalysis. He inspired much discussion on the wealth of theories he produced and the reactions to his works began a century of great psychological investigation.
What if Freud had left a final paper declaring that morality arises not from the guilt caused by Oedipal desires but, instead, from fear of the unchallengeable authority demonstrated in megalomania? CUNY history professor Rosenfield makes this the premise of his novel debut--and produces a wonderful, chewy, intellectual delight.
Compares and contrasts the beliefs of two famous thinkers, Sigmund Freud and C.S. Lewis, on topics ranging from the existence of God and morality to pain and suffering.
Reveals Saidâe(tm)s abiding interest in Freudâe(tm)s work and its important influence on his own.
Analyzes Samuel Beckett's novels, Mallarme's poetry, Pier Paolo Pasolini's film Salo, Assyrian palace reliefs, and writings by Henry James in terms of Freudian theories.
In The Freudian Reading, Lis Moller examines the premises, procedures, and objectives of psychoanalytic reading in order to question the kind of knowledge such readings produce. But above all she questions the role of Freud as master explicator.
The identity and role of writing has evolved in the age of digital media. But how did writing itself make digital media possible in the first place? Lydia H. Liu offers here the first rigorous study of the political history of digital writing and its fateful entanglement with the Freudian unconscious. Liu’s innovative analysis brings the work of theorists and writers back into conversation with one another to document significant meetings of minds and disciplines. She shows how the earlier avant-garde literary experiments with alphabetical writing and the word-association games of psychoanalysis contributed to the mathematical making of digital media. Such intellectual convergence, she argues, completed the transformation of alphabetical writing into the postphonetic, ideographic system of digital media, which not only altered the threshold of sense and nonsense in communication processes but also compelled a new understanding of human-machine interplay at the level of the unconscious. Ranging across information theory, cybernetics, modernism, literary theory, neurotic machines, and psychoanalysis, The Freudian Robot rewrites the history of digital media and the literary theory of the twentieth century.
A fundamental reassessment of the Freud legend that aims to shake the very foundations of Freud studies.