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Lou Andreas-Salome (1861-1937) was a writer and disciple of Freud who became a practicing analyst. For over two decades she and Freud kept up an intensive correspondence. Freud found in her a perceptive appreciater and amplifier of his ideas, and Frau Andreas found him a sympathetic critic of her own. Their exchanges on theoretical topics and clinical experiences, their admiring friendship, and the glimpses of their personalities make this collection invaluable for readers interested in the history of psychoanalysis. The book includes an introduction and notes by Ernst Pfeiffer, Lou Andreas-Salome's literary executor.
This English translation of Friedrich Nietzsche in seinen Werken offers a rare, intimate view of the philosopher by Lou Salomé, a free-thinking, Russian-born intellectual to whom Nietzsche proposed marriage at only their second meeting. Published in 1894 as its subject languished in madness, Salomé's book rode the crest of a surge of interest in Nietzsche's iconoclastic philosophy. She discusses his writings and such biographical events as his break with Wagner, attempting to ferret out the man in the midst of his works. Salomé's provocative conclusion -- that Nietzsche's madness was the inevitable result of his philosophical views -- generated considerable controversy. Nietzsche's sister, Elisabeth Förster-Nietzsche, dismissed the book as a work of fantasy. Yet the philosopher's longtime acquaintance Erwin Rohde wrote, "Nothing better or more deeply experienced or perceived has ever been written about Nietzsche." Siegfried Mandel's extensive introduction examines the circumstances that brought Lou Salomé and Nietzsche together and the ideological conflicts that drove them apart.
The first English translation of a presciently modern portrayal of emerging feminist sensibilities in a nineteenth-century family, by one of Germany's leading pre-First World War writers.
In its detailed, interpretive reconsideration of Adler's involvement with Freud and psychoanalysis, In Freud's Shadow constitutes a seminal contribution to our historical understanding of the early psychoanalytic movement. Making extensive use of the Minutes of the Vienna Psycho-Analytic Society, Freud's correspondence, and the diaries of Lou Andreas-Salome, Stepansky reconstructs the ambience and reanalyzes the substance of the ongoing debates about Adler's work within the psychoanalytic discussion group. One valuable by-product of his undertaking, then, is a compelling portrait of the early Vienna Psycho-Analytic Society from the standpoint of the sociology of small groups and, more especially, of Freud's status as the "group leader" of the Society. Thoroughly researched, meticulously documented, and brilliantly written, In Freud's Shadow: Adler in Context represents a watershed in the literature on Adler, Frued, and the history of psychoanalysis. It will be of major interest not only to psychoanalysts, psychiatrists, and psychologists, but to social scientists, historians, and lay readers interested in the politics of scientific controversy, the sociology of small groups, and the relationship of psychology to contemporary systems of belief.
Originally published as: Die erotik. Frankfurt am Main: Literarische anstalt R'utten & Loening, 1910.
Translated for the first time, this unique record of experiences and ideas was set down during the period 1912-13, by Lou Andreas-Salomé, novelist, poet, essayist, and "emancipated woman." It is a warm, perceptive account of her relationships with Freud and his pupils at a particularly dramatic time in the development of psychoanalysis. -- Provided by publisher.
A major figure among pre-World War I psychoanalysts, Victor Tausk was perhaps Sigmund Freud's most brilliant pupil—"the most prominently outstanding" in the opinion of Lou Andreas-Salome. Tausk craved recognition for the originality of his work, and a fierce rivalry developed between pupil and mentor. Tausk. who felt a deep and neurotic dependence on Freud, was totally consumed in the struggle. Freud's final rejection of his follower, and the particularly unfortunate manner in which it was carried out, was followed by Tausk's bizarre suicide—and by an official silence that has all but obliterated his name from the annals of psychoanalysis.
Comprehensive view of Andreas-Salomé's fictional works, focusing on her depictions of women and questions of narrative and identity. The writer and intellectual Lou Andreas-Salomé (1861-1937) fascinates scholars of German literature because of her associations with Nietzsche, Rilke, and Freud and because she was active in the cultural and intellectual vanguardof late 19th- and early 20th-century Germany and Austria. Recent editions of her fictional works have garnered wider attention from scholars of literature and theory, particularly those interested in women's studies, identity politics, and narrative theory. This study analyzes how Andreas-Salomé depicted women in her fictional works just as feminism was emerging, revealing a complex engagement with questions of narrative and identity. More than mere thematic explorations of women's changing roles in society, her works investigate the concept of identity and its relationship to gender, sexuality, and narrative representation. She is as concerned with a cultural crisis of femininityand masculinity as with the identity crises of her individual women characters. This book offers the best account of Andreas-Salomé's literary works, de-emphasizing biographical and psychoanalytical perspectives but taking into account the sociopolitical, historical, and cultural contexts in which they were written. It also adds to contemporary theoretical discourses on gender, feminism, and identity. Muriel Cormican is Professor of German at the University of West Georgia, Carrollton, Georgia.
"Immensely readable...a significant piece of scholarship."—Fred Volkmer, New York Sun He would become one of the most important poets of the twentieth century; she a muse of Europe's fin-de-siècle thinkers and artists. In this collection of letters, a finalist for the PEN USA translation award, the poet Rainer Maria Rilke and Lou Andreas-Salomé, a writer and intellectual fourteen years his senior, pen a relationship that spans thirty years and shifting boundaries: as lovers, as mentor and protégé, and as deep personal and literary allies.