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Early Psychoanalytic Religious Writings presents, in one edited volume, many of the foundational writings in the psychoanalytic study of religion. These translated works by Abraham, Fromm, Pfister, and others, complement Freud’s seminal contributions and provide a unique window into the origins of psychoanalytic thinking.
A biography of Sigmund Freud which includes descriptions of his theories and methods.
Sigmund Freud’s relationship with Otto Rank was the most constant, close, and significant of his professional life. Freud considered Rank to be the most brilliant of his disciples. The two collaborated on psychoanalytic writing, practice, and politics; Rank was the managing director of Freud’s publishing house; and after several years helping Freud update his masterpiece, The Interpretation of Dreams, Rank contributed two chapters. His was the only other name ever to be listed on the title page. This complete collection of the known correspondence between the two brings to life their twenty-year collaboration and their painful break. The 250 letters compiled by E. James Lieberman and Robert Kramer humanize and dramatize psychoanalytic thinking, practice, and organization from 1906 through 1925. The letters concern not just the work and trenchant contemporaneous observations of Freud and Rank but also their friendships, supporters, rivals, families, travels, and other personal and professional matters. Most interestingly, the letters trace Rank’s growing independence, the father-son schism over Rank’s “anti-Oedipal” heresy, his surprising reconciliation with Freud, and the moment when they parted ways permanently. A candid picture of how the pioneers of modern psychotherapy behaved with their patients, colleagues, and families—and each other—the correspondence between Freud and Rank demonstrates how psychoanalysis developed in relation to early twentieth-century science, art, philosophy, and politics. A rich primary source on psychiatry, history, and culture, The Letters of Sigmund Freud and Otto Rank is a cogent and powerful narrative of early psychoanalysis and its two most important personalities.
David Ernst Oppenheim, a classics scholar and professor of Greek and Latin at a Vienna school, had begun pursuing an interest in the interrelatedness of mythology, folklore and psychoanalytic concepts, and attended lectures given by Freud in 1906. In 1909, he sent to Freud a paper he had written about mythology in which he revealed a knowledge of psychoanalysis. He was subsequently invited to join Freud’s Vienna Psychoanalytic Association in 1910, where he gave talks on the fire as a sexual symbol and on suicides at school age. The manuscript for Dreams in Folklore, to which Oppenheim contributed the folklore and Freud the commentary, was written in 1911. It remained in the possession of his family, before finally being published in 1958. Along with the English translation of a letter from Freud to Oppenheim, and the manuscript itself, Dreams in Folklore also includes the complete original paper in German, “Träume im Folklore.”
""There is no category of supposed human beings that comes closer to the orangutan than does a Polish Jew," said a Bavarian writer, reflecting the eighteenth-century view that Jews were profoundly flawed. The Jewish body, popular opinion held, was malformed - from feet to nose - and predisposed to a host of illnesses ranging from the plague to hysteria. The Jewish soul had a peculiar stench. The Jewish libido had a tendency toward incest. The Jewish gaze was pathological, and precluded the possibility of unbiased observation. By the close of the nineteenth century, these ideas had found their way into European medical journals, and the medical establishment was convinced that Jews were both diseased and perverted. It was an interesting time to be a Jewish physician." "In The Case of Sigmund Freud, Sander Gilman traces the "medicalization" of Jewishness in the science and medicine of turn-of-the-century Vienna, and the ways in which Jewish physicians responded to the effort to incorporate this racist biological literature into medical practice. Focusing on the new science of psychoanalysis, Gilman looks at the strategic devices Sigmund Freud employed to detach himself from the stigma of being Jewish and shows how Freud's work in psychoanalysis evolved in response to the biological discourse of the time." "In order to circumvent the prevailing debates about race, Gilman argues, Freud carefully formulated the particular biological charges against the Jew into a universal definition of a human being. As a consequence, his early psychoanalytic theories transcended the controversies about biological determinism, and yet remained framed by them."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Ernst L. Freud (1892–1970) was a son of Sigmund Freud and the father of painter Lucian Freud and the late Sir Clement Freud, politician and broadcaster. After his studies in Munich and Vienna, where he and his friend Richard Neutra attended Adolf Loos’s private Bauschule, Freud practiced in Berlin and, after 1933, in London. Even though his work focused on domestic architecture and interiors, Freud was possibly the first architect to design psychoanalytical consulting rooms—including the customary couches—a subject dealt with here for the first time. By interweaving an account of Freud’s professional and personal life in Vienna, Berlin, and London with a critical discussion of selected examples of his domestic architecture, interior designs, and psychoanalytic consulting rooms, the author offers a rich tapestry of Ernst L. Freud’s world. His clients constituted a “Who’s Who” of the Jewish and non-Jewish bourgeoisie in 1920s Berlin and later in London, among them the S. Fischer publisher family, Melanie Klein, Ernest Jones, the Spenders, and Julian Huxley. While moving within a social class known for its cultural and avant-garde activities, Freud refrained from spatial, formal, or technological experiments. Instead, he focused on creating modern homes for his bourgeois clients.
In 1958, the US director John Huston asked Jean-Paul Sartre to write a scenario for a film about Sigmund Freud. Huston wanted Sartre to concentrate on the conflict-ridden period of Freud’s life when he abandoned hypnosis and invented psychoanalysis. The Freud Scenario, discovered in Sartre’s papers after his death, is the result—a deft portrait of a man engaged in a personal and intellectual struggle that would prove a turning point in twentieth-century thought. Sartre did not regard this script as a diversion from his larger intellectual project. Freud’s preoccupations with female hysteria and the father relationship touched on major themes in his own work, and Loser Wins, The Family Idiot and Words, some of Sartre’s most celebrated publications, are all in some way derived from his work for Huston. Written for a Hollywood audience, The Freud Scenario demonstrates that, in addition to a towering intellect, Sartre enjoyed a genuine popular touch. Already widely acclaimed in France, The Freud Scenario stands as a valuable testament to two of the most influential minds in modern history.
Sigmund Freud (1856-1939) developed the theory and practice of psychoanalysis, one of the twentieth century's most influential schools of psychology. He also made profound insights into the psychology and understanding of human beings. In this brilliant and long-awaited introduction, Jonathan Lear--one of the most respected writers on Freud--shows how Freud also made fundamental contributions to philosophy and why he ranks alongside Plato, Aristotle, Marx and Darwin as a great theorist of human nature. Freud is one of the most important introductions and contributions to understanding this great thinker to have been published for many years, and will be essential reading for anyone in the humanities, social sciences and beyond with an interest in Freud or philosophy.
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.