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As a world war rages through Europe in 1915, Ottoman authorities commence the systematic slaughter of 1.5 million Armenians—the first genocide of modern history. A teenage boy named Kaspar Hovannisian is among the surviving generation of Armenians who escape the ruins of their ancestral homeland and build communities around the world. Kaspar follows the American dream to the San Joaquin Valley of California, where he cultivates a small farm and begins investing in real estate. But memories of Armenia burn strong—a legacy of love, anguish, and faith in a national rebirth. Kaspar's son Richard leaves the family farm, ready to defend the history of a lost nation against the forces of time and denial. He helps pioneer the field of Armenian studies in the United States and becomes a worldwide authority on genocide. Richard's son Raffi is also haunted—and inspired—by the past. In 1989 he leaves his law firm in Los Angeles to stage the original act of repatriation to Soviet Armenia, where he goes on to play a historic role in the creation of a new and independent republic. Now, in a moving book that is part investigative memoir and part history of the Armenian people, Raffi's son, Garin Hovannisian, tells his family's story—a tale of tragedy, memory, and redemption that illuminates the long shadows that history casts on the lives of men.
A vivid, searching journey into California's capture of water and soil—the epic story of a people's defiance of nature and the wonders, and ruin, it has wrought Mark Arax is from a family of Central Valley farmers, a writer with deep ties to the land who has watched the battles over water intensify even as California lurches from drought to flood and back again. In The Dreamt Land, he travels the state to explore the one-of-a-kind distribution system, built in the 1940s, '50s and '60s, that is straining to keep up with California's relentless growth. The Dreamt Land weaves reportage, history and memoir to confront the "Golden State" myth in riveting fashion. No other chronicler of the West has so deeply delved into the empires of agriculture that drink so much of the water. The nation's biggest farmers—the nut king, grape king and citrus queen—tell their story here for the first time. Arax, the native son, is persistent and tough as he treks from desert to delta, mountain to valley. What he finds is hard earned, awe-inspiring, tragic and revelatory. In the end, his compassion for the land becomes an elegy to the dream that created California and now threatens to undo it.
A collection of poems by Gregory Djanikian.
A TurkÕs discovery that Armenians once thrived in his hometown leads to a groundbreaking investigation into the local dynamics of genocide. †mit Kurt, born and raised in Gaziantep, Turkey, was astonished to learn that his hometown once had a large and active Armenian community. The Armenian presence in Aintab, the cityÕs name during the Ottoman period, had not only been destroyedÑit had been replaced. To every appearance, Gaziantep was a typical Turkish city. Kurt digs into the details of the Armenian dispossession that produced the homogeneously Turkish city in which he grew up. In particular, he examines the population that gained from ethnic cleansing. Records of land confiscation and population transfer demonstrate just how much new wealth became available when the prosperous ArmeniansÑwho were active in manufacturing, agricultural production, and tradeÑwere ejected. Although the official rationale for the removal of the Armenians was that the group posed a threat of rebellion, Kurt shows that the prospect of material gain was a key motivator of support for the Armenian genocide among the local Muslim gentry and the Turkish public. Those who benefited mostÑprovincial elites, wealthy landowners, state officials, and merchants who accumulated Armenian capitalÑin turn financed the nationalist movement that brought the modern Turkish republic into being. The economic elite of Aintab was thus reconstituted along both ethnic and political lines. The Armenians of Aintab draws on primary sources from Armenian, Ottoman, Turkish, British, and French archives, as well as memoirs, personal papers, oral accounts, and newly discovered property-liquidation records. Together they provide an invaluable account of genocide at ground level.
A biography of the Armenian painter that “adds immeasurable to the interest of [his] art . . . Carefully researched, well written, [and] enlightening” (The New York Review of Books). In this first full-scale biography, Nouritza Matossian charts the mysterious and tragic life of Arshile Gorky, one of the most influential painters of the twentieth century. Born Manoug Adoian in Armenia, he survived the Turkish genocide of 1915 before coming to America, where he posed as a cousin of the famous Russian author Maxim Gorky. One of the first abstract expressionists, Gorky became a major figure of the New York School, which included de Kooning, Rothko, Pollock, and others. But after a devastating series of illnesses, injuries, and personal setbacks, he committed suicide at the age of forty-six. In Black Angel, arts journalist Matossian analyzes Gorky’s personal letters, as well as other new source material. She writes with authority, insight, and compassion about the powerful influence Gorky’s life and Armenian heritage had upon his painting.