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This relates Clarke to the Irish Literary Revival and the cultural contexts of his time while tracing that "fine generosity, lavish colour and concrete imagery." Contents: Portrait; Introduction; (i) Austin Clarke (1896-1974), (ii) Contexts, (iii) Catholicism, (iv) The Irish Literary Revival, (v) The Gaelic League, (vi) The Worlds of Austin Clarke, (vii) A New Generation; Part I. Remembering Our Innocence; 1 Short Poems 1916-1925, 2 Epic Narratives 1916-1925, 3 Pilgrimage (1929), 4 Night and Morning (1938), 5 Three Prose Romances, 6 Plays, 7 Conclusion; Part II. Nothing Left to Sing?; 8 Poems and Satires 1955-1962: (i) Short Peoms, (ii) Long Autobiographical Poems; 9 Flight to Africa (1963), 10 Mnemosyne Lay In Dust (1966), 11 Last Poems 1967-1974, 12 Conclusion; Notes; Bibliography; Index^R
Sweeney Astray is Seamus Heaney's version of the medieval Irish work Buile Suibhne - the first complete translation since 1913. Its hero, Mad Sweeney, undergoes a series of purgatorial adventures after he is cursed by a saint and turned into a bird at the Battle of Moira. The poetry spoken by the mad king, exiled to the trees and the slopes, is among the richest and most immediately appealing in the whole canon of Gaelic literature. Sweeney Astray not only restores to us a work of historical and literary importance but offers the genius of one of our greatest living poets to reinforce its claims on the reader of contemporary literature.
“Mesmerizing, magical, deeply moving.” —Elif Shafak Expanding on the popular podcast of the same name from On Being Studios, Poetry Unbound offers immersive reflections on fifty powerful poems. In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama’s appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem’s artistry and explores how its meaning can reach into our own lives. Focusing mainly on poets writing today, Ó Tuama engages with a diverse array of voices that includes Ada Limón, Ilya Kaminsky, Margaret Atwood, Ocean Vuong, Layli Long Soldier, and Reginald Dwayne Betts. Natasha Trethewey meditates on miscegenation and Mississippi; Raymond Antrobus makes poetry out of the questions shot at him by an immigration officer; Martín Espada mourns his father; Marie Howe remembers and blesses her mother’s body; Aimee Nezhukumatathil offers comfort to her child-self. Through these wide-ranging poems, Ó Tuama guides us on an inspiring journey to reckon with self-acceptance, history, independence, parenthood, identity, joy, and resilience. For anyone who has wanted to try their hand at a conversation with poetry but doesn’t know where to start, Poetry Unbound presents a window through which to celebrate the art of being alive.
Encyclopedic in scope and heroically audacious, The Novel: An Alternative History is the first attempt in over a century to tell the complete story of our most popular literary form. Contrary to conventional wisdom, the novel did not originate in 18th-century England, nor even with Don Quixote, but is coeval with civilization itself. After a pugnacious introduction, in which Moore defends innovative, demanding novelists against their conservative critics, the book relaxes into a world tour of the pre-modern novel, beginning in ancient Egypt and ending in 16th-century China, with many exotic ports-of-call: Greek romances; Roman satires; medieval Sanskrit novels narrated by parrots; Byzantine erotic thrillers; 5000-page Arabian adventure novels; Icelandic sagas; delicate Persian novels in verse; Japanese war stories; even Mayan graphic novels. Throughout, Moore celebrates the innovators in fiction, tracing a continuum between these pre-modern experimentalists and their postmodern progeny. Irreverent, iconoclastic, informative, entertaining-The Novel: An Alternative History is a landmark in literary criticism that will encourage readers to rethink the novel.
Certain moments in history, especially periods of cultural turmoil and political change, appear to be conducive to the writing of Menippean satire. Unauthorized Versions is the first integral study of Menippean satires written in Ireland in the three decades following the declaration of the Irish Free State in 1922. The book discusses works by Darrell Figgis, Eimar O'Duffy, Austin Clarke, Flann O'Brien, and Mervyn Wall in the context of political and social developments, particularly relating to economic policy, the role of the Church, and censorship. Mikhail Bakhtin defines Menippean satire as an unresolved dialogue between actual and/or implied voices designed to test a truth or philosophical idea. The Irish satirists of the first half of the twentieth century use medieval Ireland as a setting for addressing contemporary concerns, or borrow characters from medieval Irish texts that they place in a modern context. Each satire thus creates a series of dialogues: between the past and present; between characters who represent opposing values and ideologies; and between the older texts and their modern reworkings. Unauthorized Versions reveals the double bind at the core of every Menippean satire. Each writer discussed in the book expresses an awareness of the paradox of an author writing in the vacuum created by official censorship, seeking to engage his audience in the dethroning of the very authorities by whom he is deprived of his audience. By revealing his own ambiguous position, the satirist knowingly subverts his own authority along with that of his opponents. This study will appeal to students and scholars interested in Irish literature, genre studies, the reception of the Middle Ages, and the relationship between literature and history. Jos Lanters, associate professor of classics at the University of Oklahoma, will begin her position as associate professor of English at the University of Wisconsin-Milwaukee in Fall 2000. She is author of Missed Understandings: A Study of Stage Adaptations of the Works of James Joyce and coeditor of Troubled Histories, Troubled Fictions: Twentieth-Century Anglo-Irish Prose. "Irish satire in the twentieth century has awaited a critic as intelligent and well-informed as Jose Lanters, whose Unauthorized Versions nicely complements Vivian Mercier's pioneering efforts. For several of the works she discusses, Lanters here provides the only substantial criticism they have received to date. Her approach combines sensitivity to form and expression with a constant attentiveness to historical context, while her study is anchored in a lucid and suggestive use of Bakhtin. Every library with an interest in Irish writing will want this book."--R. Brandon Kershner Alumni Professor of English, University of Florida "Lanters' well-argued volume will be a valuable resource for the study of modern Irish prose at the upper-division undergraduate level and above."--Choice Works discussed in Unauthorized Versions Darrell Figgis The Return of the Hero Eimar O'Duffy King Goshawk and the Birds The Spacious Adventures of the Man in the Street Asses in Clover Austin Clarke The Bright Temptation The Singing-Men at Cashel The Sun Dances at Easter Flann O'Brien At Swim-Two-Birds The Third Policeman Mervyn Wall The Unfortunate Fursey The Return of Fursey
This work analyses the prose and drama of the Irish writer Tom Mac Intyre and the concept of paleo-postmodernism. It examines how Mac Intyre balances traditional themes with experimentation, which in the Irish literary canon is unusual. This book argues that Mac Intyre’s position in the Irish literary canon is an idiosyncratic one in that he combines two contrary aspects of Irish literature: between what Beckett terms as the Yeatsian ‘antiquarians’ who valorize the ‘Victorian Gael’ and the ‘others’ whose aesthetic involves a European-influenced ‘breakdown of the object’ which is associated with Beckett. Mac Intyre’s experimentation involves a breakdown of the object in order to uncover an unconscious Irish mythological and linguistic space in language. His approach to language experimentation is Yeatsian and this is what the author terms as paleo-postmodern. Thus the project considers how Mac Intyre incorporates Yeatsian revivalism with postmodern deconstruction in his drama and short stories.