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The French Writers' War, 1940–1953, is a remarkably thorough account of French writers and literary institutions from the beginning of the German Occupation through France's passage of amnesty laws in the early 1950s. To understand how the Occupation affected French literary production as a whole, Gisèle Sapiro uses Pierre Bourdieu's notion of the "literary field." Sapiro surveyed the career trajectories and literary and political positions of 185 writers. She found that writers' stances in relation to the Vichy regime are best explained in terms of institutional and structural factors, rather than ideology. Examining four major French literary institutions, from the conservative French Academy to the Comité national des écrivains, a group formed in 1941 to resist the Occupation, she chronicles the institutions' histories before turning to the ways that they influenced writers' political positions. Sapiro shows how significant institutions and individuals within France's literary field exacerbated their loss of independence or found ways of resisting during the war and Occupation, as well as how they were perceived after Liberation.
Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.
Why did writers' private homes become so linked to their work that contemporaries began preserving them as museums? Photojournalism and the Origins of the French Writer House Museum addresses this and other questions by providing an overview of the social forces that brought writers' homes to the forefront of the French imagination at the end of the nineteenth century and the beginning of the twentieth. This study analyzes representations of the apartments and houses of Corneille, Hugo, Balzac, Dumas, Sand, Zola, Loti, Montesquiou, Mallarm?and Proust, among others, arguing that the writer's home became a contested space and an important part of the French patrimony at this time. This is the first book to emphasize the house museum as an essentially modern construct, and to trace the history of ideas leading to its institutionalization in twentieth-century France. The interdisciplinary study also brings new attention to the importance of photojournalism for fin-de-si?e France - and brings to light fascinating and forgotten examples of 'at home' photography by Dornac and Henri Mairet. Elizabeth Emery provides a fresh and compelling perspective on conjunctions between visual, literary, and material cultures.
THE FRENCH DISPATCH brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city. It stars Bill Murray, Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, and Owen Wilson.
Episode 2: Invasive Species After learning that a clone of Christ is being held by ReGen Corp at the Malsum Island Research Facility, the Pope sends in an elite Black Ops team to find the Son of God and Escape From Jesus Island. This special Phantom Variant edition of Episode 2 is available ONLY at your local Phantom Retailer.
The Electric Black is a horror series set in an antique shop that travels through time and space delivering cursed objects to unsuspecting customers. written and Illustrated by Joseph Schmalke and Rich Woodall published quarterly by Black Caravan a Scout Comics Imprint. The Electric Black is a cursed antique shop, appearing in any time or space, soliciting customers it hungers to corrupt or devour. The mysterious Julius Black is the store's demonic proprietor and narrator. He, along with his psychopathic employees, regularly manipulates patrons for their own devious purposes. Inside the eerie emporium, all of the forbidden objects have secrets to unlock. The poor souls that enter never leave without something. It's dark light will shine on macabre mysteries, grisly murders, and other frightful occurrences. Dare you step within its sinister halls?
‘A biography as sensuously satisfying as a fine French meal. Colette surely would have approved it as much for its aesthetic appeal as for its rare insight and scholarship.’ Robyn Davidson Colette’s France is the remarkable life story of an extraordinary woman, who was known simply as ‘Colette’. This lavishly illustrated biography of the French writer, who was as famous for her novels as for her often controversial life, follows her journey through the landscapes of France where she lived and loved – from a childhood in Burgundy and coming of age in the Belle Époque Paris, to Provence and St Tropez. Jane Gilmour recounts the varied lives of a sensual, artistic, rebellious woman who lived life on her own terms, from prodigious writer and journalist, risqué performer, lover and seducer, businesswoman, baroness, mother, and finally, grand old lady of letters. Dr Jane Gilmour is an Australian with a personal passion and extensive knowledge of Colette and her life. Jane lived in France for many years where she studied the writer at the Sorbonne and completed her thesis on the writer there. Jane has continued her passion for her subject frequently returning to France to write this book and to visit the regions where Colette lived, loved and worked.