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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from The French Revolution and the English Poets: A Study in Historical Criticism This little book is a revision of a study made at Harvard University and presented there as a dis sertation for the doctor's degree. The work was completed in April, - before the appearance of Professor Dowden's book on the same sub jcet, - and it is now published, by the advice of friends, as a slight contribution to the strictly scientific or historical criticism of the English Roman-tic Movement. The field, perhaps, has been already well ploughed; but the reploughing, with the historical method, has yielded some more or less important discoveries and has placed some old ideas in stronger lights. The repetition of certain matters of common knowledge has been necessary, at times, in order to preserve a logical and continuous argument. I am glad to record here many obligations to preceding studies, es pecially to the writings of Morley and Taine; to these aids I have added the results of my own oh servation and reflection. With a new collation of materials, new interpretations of certain facts, and the maintenance of a historical point of View, the book, I trust, has an individuality of its own, and. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.