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At his death in 1990, Walker Percy left a considerable legacy of uncollected nonfiction. Assembled in Signposts in a Strange Land, these essays on language, literature, philosophy, religion, psychiatry, morality, and life and letters in the South display the imaginative versatility of an author considered by many to be one the greatest modern American writers.
They Called Us River Rats: The Last Batture Settlement of New Orleans is the previously untold story of perhaps the oldest outsider settlement in America, an invisible community on the annually flooded shores of the Mississippi River. This community exists in the place between the normal high and low water line of the Mississippi River, a zone known in Louisiana as the batture. For the better part of two centuries, batture dwellers such as Macon Fry have raised shantyboats on stilts, built water-adapted homes, foraged, fished, and survived using the skills a river teaches. Until now the stories of this way of life have existed only in the memories of those who have lived here. Beginning in 2000, Fry set about recording the stories of all the old batture dwellers he could find: maritime workers, willow furniture makers, fishermen, artists, and river shrimpers. Along the way, Fry uncovered fascinating tales of fortune tellers, faith healers, and wild bird trappers who defiantly lived on the river. They Called Us River Rats also explores the troubled relationship between people inside the levees, the often-reviled batture folks, and the river itself. It traces the struggle between batture folks and city authorities, the commercial interests that claimed the river, and Louisiana’s most powerful politicians. These conflicts have ended in legal battles, displacement, incarceration, and even lynching. Today Fry is among the senior generation of “River Rats” living in a vestigial colony of twelve “camps” on New Orleans’s river batture, a fragment of a settlement that once stretched nearly six miles and numbered hundreds of homes. It is the last riparian settlement on the Lower Mississippi and a contrarian, independent life outside urban zoning, planning, and flood protection. This book is for everyone who ever felt the pull of the Mississippi River or saw its towering levees and wondered who could live on the other side.
In a place where drugs, domestic violence, Incarceration, H.I.V-Aids, and murders are found and encountered on a daily basis, America tends to omit the struggles of the ghetto.This is a book that will reveal the definition of the hood through three sentiments.Antoine is young, ambitious, stubborn, and fearless. Being the stepson of a pastor, at thirteen Antoine gets fully introduced to the street life. 70 percent of Antoine's outlook tells him to "get it how you live", while the other 30 percent says "never lose your integrity". In a world that's full of gunshots, sirens, and rap music, Antoine gets caught up - But regardless of the crime, a son's love for his mother will always be justified.Monique represents the female sentiments of the ghetto. Being from the projects, Monique and her home girls are only the typical clubbing click. Even though Monique would rather stay at home and cater to her man Lester, if Lester is never at the house himself, what else is there for her to do? While one of Monique's home girls lives the life of promiscuity, Monique only wants her man - But if Lester skeletons come out the closet, should she still want him?What's a hood without its glitter? Jersey Phat will represent the silver and gold glitter of South Side Baton Rouge. Jersey Phat theory is simple; get money, stay out of jail, and shine hard! While Jersey Phat is no doubt a trendsetter, he encounters the rich and famous, and will go down in history as another ghetto legend.
Every year between 1998 to 2020 except one, Louisiana had the highest per capita rate of incarceration in the nation and thus the world. This is the first detailed account of Louisiana's unprecedented turn to mass incarceration from 1970 to 2020. Through extensive research, Lydia Pelot-Hobbs illuminates how policy makers enlarged Louisiana's carceral infrastructures with new prisons and jail expansions alongside the bulking up of police and prosecutorial power. At the same time, these infrastructures were the products of multiscalar crises: the swings of global oil capitalism, liberal federal court and policy interventions, the rise of neoliberal governance and law-and-order austerity, and racist and patriarchal moral panics surrounding "crime." However, these crises have also created fertile space for anticarceral social movements. From incarcerated people filing conditions of confinement lawsuits and Angola activists challenging life without parole to grassroots organizers struggling to shrink the New Orleans jail following Hurricane Katrina and LGBTQ youth of color organizing against police sexual violence, grassroots movements stretch us toward new geographies of freedom in the lineage of abolition democracy. Understanding Louisiana's carceral crisis extends our understanding of the interplay between the crises of mass criminalization and racial capitalism while highlighting the conditions of possibility for dismantling carceral power in all its forms.
B-drinking is a strategy whereby dancers, waitresses, and otherwise legally employed women illegally solicit drinks from tourists for pay. Unique to the ethnographic literature on strip clubs, Bourbon Street, B-Drinking, and the Sexual Economy of Tourism focuses on the role of alcohol sales in the sexual economy of Bourbon Street, New Orleans. Relying on historical material, Demovic reveals that the intimate encounters B-girls have provided have been a part of the tourism service economy since the beginning of the twentieth century. The evolution of “B-girldom” as an imagined identity created through changing representations of the practice over the decades have both reflected and constructed the experiences of women working in New Orleans’ nightclubs. The B-drinker is an iconic character found in fictional and nonfictional accounts of the city. B-girls inhabit an ambiguous structural position in the performance of heritage tourism in New Orleans. Participant observation and interviews reveal that by the 1990s women who worked as B-drinkers were significant stakeholders in French Quarter tourism, able to use their informal networks to seize power over working conditions in the tourism economy of Bourbon Street. Demovic focuses on how these marginalized but critical workers have responded to stigma by creating tight knit groups which continue to support one another decades after leaving their work on Bourbon Street. This book adds the New Orleans example to a broader understanding of how sex work evolves in ways that reflect regional history and culture. Widening the ethnographic lens, Demovic looks past strip tease itself and to the economic activities of such workers when they are off the stage.
From the South Bronx projects to the boardroom—at only nineteen years old, Cin Fabré ran with the wolves of Wall Street. Growing up, Cin Fabré didn’t know anything about the stock market. But she learned how to hustle from her immigrant parents, saving money so that one day she could escape her abusive father and poverty in the Bronx. Through a tip from a friend, Cin pushed her way into brokerage firm VTR Capital—an offshoot of Stratton Oakmont, the company where the Wolf of Wall Street, Jordan Belfort, had reigned. She was shocked to find an army of young workers, mostly Black and Brown, with no real prospects for promotion sitting at phones doing the drudge work of finding investment leads for white male brokers. But she felt the pull of profit and knew she would do whatever she had to do to be successful. Pulling back the curtain on the inequities she and so many others faced, Wolf Hustle reveals how Cin worked grueling hours, ascending from cold caller to stockbroker, becoming the only Black woman to do so at her firm. She also discloses the excesses she took part in on 1990s Wall Street—the strip clubs, the Hamptons parties, the Gucci shopping sprees—while reveling in the thrill of making money. From landing clients worth hundreds of millions to gaining, losing, then gaining back fortunes in seconds, Cin examines her years spent trading frantically and hustling successfully, grappling with what it takes to build a rich life, and, ultimately, beating Wall Street at its own game.
The Golden Crown: A Story of Black New Orleans. Henderson Brooks, the youngest of three New Orleans brothers, is a riverfront foreman with a wife and three children. He is also chief of the Downtown Warriors, a Mardi Gras Indian tribe that parades every Mardi Gras Day. His tribe is in competition with at least thirty tribes about the city for splendor and innovation in costume design. His father and grandfather were Downtown Warrior chiefs before him, and his grandfather founded the tribe in
Describes the storytelling elements of a broadcast news story. It shows students and professionals of radio and TV journalism how to apply structure to stories. Use cases of news reports and evaluation checklists are presented.
When Samantha Manning, her two sisters, and her parents move from West Virginia to Pensacola, Florida, they feel like they have landed in paradise. As she begins to settle into her life, she quickly discovers that life in Florida is so much more exciting and confusing than her old life. And then the worst thing ever happens, her father has a stroke and dies the week after her thirteenth birthday. Her hopes and dreams begin to vanish as she makes one bad decision after another. She must find a way to pick up the pieces of her life as her very existence crumbles beneath her. Will she be able to emerge from the ashes and find a better life? Sam realizes that the exciting future that she once longed for is far from reality, because she made decisions that have brought heartache and pain to her family and friends. After years of catastrophes, including unwanted pregnancies and untimely death, she finds hope with the one person she initially hesitated to trust, Ty. But, is it too late to start over and get back the life that she so desperately wants?