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Describes developments in French popular culture between 1914 and 1945, and argues that the harsh times led to the emergence of images glorifying the common Frenchman in songs, film, and popular literature
Ideas of masculinity and femininity become sharply defined in war-reliant societies, resulting in a presumed enmity between men and women. This so-called "battle of the sexes" is intensified by the use of misogyny to encourage men and boys to conform to the demands of masculinity. These are among Tom Digby's fascinating insights shared in Love and War, which describes the making and manipulation of gender in militaristic societies and the sweeping consequences for men and women in their personal, romantic, sexual, and professional lives. Drawing on cross-cultural comparisons and examples from popular media, including sports culture, the rise of "gonzo" and "bangbus" pornography, and "internet trolls," Digby describes how the hatred of women and the suppression of empathy are used to define masculinity, thereby undermining relations between women and men—sometimes even to the extent of violence. Employing diverse philosophical methodologies, he identifies the cultural elements that contribute to heterosexual antagonism, such as an enduring faith in male force to solve problems, the glorification of violent men who suppress caring emotions, the devaluation of men's physical and emotional lives, an imaginary gender binary, male privilege premised on the subordination of women, and the use of misogyny to encourage masculine behavior. Digby tracks the "collateral damage" of this disabling misogyny in the lives of both men and women, but ends on a hopeful note. He ultimately finds the link between war and gender to be dissolving in many societies: war is becoming slowly de-gendered, and gender is becoming slowly de-militarized.
#1 INTERNATIONAL BESTSELLER • A mesmerising story of love and war spanning three generations and the unimaginable gulf between the First World War and the 1990s In this "overpowering and beautiful novel" (The New Yorker), the young Englishman Stephen Wraysford passes through a tempestuous love affair with Isabelle Azaire in France and enters the dark, surreal world beneath the trenches of No Man's Land. Sebastian Faulks creates a world of fiction that is as tragic as A Farewell to Arms and as sensuous as The English Patient, crafted from the ruins of war and the indestructibility of love.
The remarkable untold story of France’s courageous, clever vinters who protected and rescued the country’s most treasured commodity from German plunder during World War II. "To be a Frenchman means to fight for your country and its wine." –Claude Terrail, owner, Restaurant La Tour d’Argent In 1940, France fell to the Nazis and almost immediately the German army began a campaign of pillaging one of the assets the French hold most dear: their wine. Like others in the French Resistance, winemakers mobilized to oppose their occupiers, but the tale of their extraordinary efforts has remained largely unknown–until now. This is the thrilling and harrowing story of the French wine producers who undertook ingenious, daring measures to save their cherished crops and bottles as the Germans closed in on them. Wine and War illuminates a compelling, little-known chapter of history, and stands as a tribute to extraordinary individuals who waged a battle that, in a very real way, saved the spirit of France.
A lesbian love story set during the Nazi occupation in Holland.
A vivid blend of history and travel and a sweeping story of collaboration and resistance, fear and heroism, pacifism and sacrifice all set against the backdrop of the Pyrenees. 'A beguiling mix of travel, memoir, history and good old-fashioned storytelling - a slice of hidden France' Kate Mosse 'Combining memoir, fact and storytelling, Bailey does an impressive job' INDEPENDENT 'A moving account of of the region during World War Two' TIME OUT Over the fifteen years Rosemary has been living in the region, the more she realised she didn't know about the war; about the French during the Occupation, the real role of the Resistance, the level of collaboration, the concentration camps in the Pyrenees and the treatment of Jews and other refugees. It is still very much a veiled history and most of the archives remain firmly closed. LOVE AND WAR IN THE PYRENEES is a portrait of human tragedy, heroism and cruelty that will create a picture of the period from a contemporary angle, the history linked to sights that can still be visited, and brought to life by letters, interviews and encounters with people today, including the historians currently trying to investigate what really happened.
A New York Times Bestseller! The thrilling romance of young Alexander Hamilton and Eliza Schuyler continues in the sizzling sequel to the New York Times bestselling Alex & Eliza: A Love Story 1781. Albany, New York. As the war for American independence rages on, Alexander Hamilton and Elizabeth Schuyler begin their new life as a married couple. Still, Alex is as determined as ever to prove his mettle and secure his legacy . . . even if that means leaving his beloved Eliza behind to join the front lines at the Battle of Yorktown. But when the war unexpectedly arrives on Eliza's doorstep, she must fight for a better future--for their fledgling country and for her marriage. Yet even after the Revolution comes to its historic close, Alex and Eliza's happily-ever-after is threatened. Eliza struggles to build a home in the hustle and bustle of New York City just as Alex's burgeoning law practice brings him up against his greatest rival--the ambitious young lawyer Aaron Burr. And with Alex's star on the rise, Eliza can't help but feel neglected by a husband who seems to have time for everyone but her. Torn apart by new trials and temptations, can Alex and Eliza's epic love survive life in the big city? The battles are just beginning in the sumptuous sequel to Melissa de la Cruz's New York Times bestselling Alex & Eliza: A Love Story.
Before I reached the stairwell, I saw something out of the corner of my eye. A strange and beautiful man had dropped to his knees in front of me, unencumbered, unembarrassed. I stopped short. He was slender, almost Asiatic looking, wearing baggy combat trousers and a T-shirt. He was flirting, and then he was laughing at my reaction. There was not much for me to do but also smile... Janine and Bruno first fell in love as young reporters in the besieged city of Sarajevo. Years later - after endless phone calls, much of what the French call malentendu, secret trysts in foreign cities, numerous break-ups, three miscarriages, countless stories of rebel armies and a dozen wars that had passed between them - they arrive in Paris one rainy January to begin a new life together. The remnants of their separate lives, now left behind, are tentatively unpacked into their shared apartment on the Right Bank: Bruno's heavy blanket from Ethiopia, a set of long feathered arrows from Brazil, an ash tray stolen from a hotel in Algeria, and Janine's flak-jacket and canvas boots, still full of sand from the Western Desert in Iraq. But having met in another lifetime - in another world - ordinary, civilian life doesn't come easily. War has become part of them: it had brought them together, and, though both are damaged by it, neither can quite leave it behind. And the difficult journey that follows, through their mix of joy and terror at becoming parents, Bruno's battle with post-traumatic stress and addiction, and Janine's determination to make France her home, leads to an understanding of the truth that people who deeply love each other cannot always live together. A searing, profoundly moving love letter, beautifully written, Ghosts by Daylight is a powerfully raw portrait of marriage and motherhood in the aftermath of war.
A language barrier is no match for love. Lauren Collins discovered this firsthand when, in her early thirties, she moved to London and fell for a Frenchman named Olivier—a surprising turn of events for someone who didn’t have a passport until she was in college. But what does it mean to love someone in a second language? Collins wonders, as her relationship with Olivier continues to grow entirely in English. Are there things she doesn’t understand about Olivier, having never spoken to him in his native tongue? Does “I love you” even mean the same thing as “je t’aime”? When the couple, newly married, relocates to Francophone Geneva, Collins—fearful of one day becoming "a Borat of a mother" who doesn’t understand her own kids—decides to answer her questions for herself by learning French. When in French is a laugh-out-loud funny and surprising memoir about the lengths we go to for love, as well as an exploration across culture and history into how we learn languages—and what they say about who we are. Collins grapples with the complexities of the French language, enduring excruciating role-playing games with her classmates at a Swiss language school and accidently telling her mother-in-law that she’s given birth to a coffee machine. In learning French, Collins must wrestle with the very nature of French identity and society—which, it turns out, is a far cry from life back home in North Carolina. Plumbing the mysterious depths of humanity’s many forms of language, Collins describes with great style and wicked humor the frustrations, embarrassments, surprises, and, finally, joys of learning—and living in—French.
An "alternate history novel that explores the question of what might have come of Belgium's ... colonization of the Congo if the native populations had learned about steam technology a bit earlier"--Amazon.com.