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Published in the early 20th century, this book offers a detailed look at the state of Mississippi at a time when many Americans were migrating westward. The book covers a wide range of topics, including the state's history, geography, economy, and agricultural practices. It's a fascinating read for anyone interested in the history of the American South. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This book shows the interplay between the major groups traveling the roads and waterways of the Upper Mississippi Valley during the crucial decades of 1830 - 1860. It's a lively, extensively-illustrated account which will help Americans everywhere better understand their diverse heritage.
Political Culture and Secession in Mississippi examines gender and antebellum politics, and argues that the demands of masculinity and honor with in state's antiparty political culture made secession possible. The non-institutional context of all political rhetoric caused Mississippi voters to condemn the Republicans' anti-Southern program as a personal insult, and linked men's understanding of masculinity with electoral politics, the actual mechanism for secession.
Sounds American provides new perspectives on the relationship between nationalism and cultural production by examining how Americans grappled with musical diversity in the early national and antebellum eras. During this period a resounding call to create a distinctively American music culture emerged as a way to bind together the varied, changing, and uncertain components of the new nation. This played out with particular intensity in the lower Mississippi River valley, and New Orleans especially. Ann Ostendorf argues that this region, often considered an exception to the nation—with its distance from the center of power, its non-British colonial past, and its varied population—actually shared characteristics of many other places eventually incorporated into the country, thus making it a useful case study for the creation of American culture. Ostendorf conjures the territory’s phenomenally diverse “music ways” including grand operas and balls, performances by church choirs and militia bands, and itinerant violin instructors. Music was often associated with “foreigners,” in particular Germans, French, Irish, and Africans. For these outsiders, music helped preserve collective identity. But for critics concerned with developing a national culture, this multitude of influences presented a dilemma that led to an obsessive categorization of music with racial, ethnic, or national markers. Ultimately, the shared experience of categorizing difference and consuming this music became a unifying national phenomenon. Experiencing the unknown became a shared part of the American experience.