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The wife of South Carolina secessionist governor Francis W. Pickens and known as the “Queen of the Confederacy,” Lucy Holcombe Pickens (1832–1899) was during her lifetime one of the most famous women in the South. Rumor was that in her youth she published a novel under a pseudonym. Recently discovered as The Free Flag of Cuba; or, The Martyrdom of Lopez: A Tale of the Liberating Expedition of 1851, her 1854 book is a romanticized account of the 1851 filibustering expedition to Cuba by Narciso López. With this new edition, Orville Vernon Burton and Georganne B. Burton resurrect Holcombe’s lost work and prove it to be a window on many pressing nineteenth-century issues. A not-so-subtle plea for U.S. support for Cuban independence from Spain, Holcombe’s novel vindicates López and his men—who were officially regarded as mercenaries—and declares them to be martyred heroes. The tale clearly reflects the values southern aristocratic women expected in men, even if preserving those values meant death and defeat—a harbinger of ardent support for the Confederacy by women like Lucy. With an illuminating introduction detailing the life of Lucy Petway Holcombe Pickens and the historical context of her novel, this new edition of The Free Flag of Cuba is a welcome glimpse into the mind and value system of the southern belle who would become a southern icon.
In the mid-nineteenth century, some of Cuba's most influential writers settled in U.S. cities and published a variety of newspapers, pamphlets, and books. Collaborating with military movements known as filibusters, this generation of exiled writers created a body of literature demanding Cuban independence from Spain and alliance with or annexation to the United States. Drawing from rare materials archived in the United States and Havana, Rodrigo Lazo offers new readings of works by writers such as Cirilo Villaverde, Juan Clemente Zenea, Pedro Santacilia, and Miguel T. Tolon. Lazo argues that to understand these writers and their publications, we must move beyond nation-based models of literary study and consider their connections to both Cuba and the United States. Anchored by the publication of Spanish- and English-language newspapers in the United States, the transnational culture of writers Lazo calls los filibusteros went hand in hand with a long-standing economic flow between the countries and was spurred on by the writers' belief in the American promise of freedom and the hemispheric ambitions of the expansionist U.S. government. Analyzing how U.S. politicians, journalists, and novelists debated the future of Cuba, Lazo argues that the war of words carried out in Cuban-U.S. print culture played a significant role in developing nineteenth-century conceptions of territory, colonialism, and citizenship.
Today’s Goat, the celebrated West Point cadet finishing at the bottom of his class, carries on a long and storied tradition. George Custer’s contemporaries at the Academy believed that the same spirit of adventure that led him to “blow post” at night to carouse at local taverns also motivated his dramatic cavalry attacks in the Civil War and afterwards. And the same willingness to stoically accept punishment for his hijinks at the Academy also sent George Pickett marching into the teeth of the Union guns at Gettysburg. The story James S. Robbins tells goes from the beginnings of West Point through the carnage of the Civil War to the grassy bluffs over the Little Big Horn. The Goats he profiles tell us much about the soul of the American solider, his daring, imagination and desire to prove himself against high odds.
Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)
Expansion was the fever of the early nineteenth century, and women burned with it as surely as men, although in a different way. Subscribing to the “cult of true womanhood,” which valued domesticity, piety, and similar “feminine” virtues, women championed expansion for the cause of civilization, even while largely avoiding the masculine world of politics. Adrienne Caughfield mines the diaries and letters of some ninety Texas women to uncover the ideas and enthusiasms they brought to the Western frontier. Although there were a few notable exceptions, most of them drew on their domestic skills and values to establish not only “civilization,” but their own security. Caughfield sheds light on women’s activism (the flip side of domesticity), attitudes toward race and “civilization,” the tie between a vision of a unified continent and a cultivated wilderness, and republican values. She offers a new understanding of not only gender roles in the West but also the impulse for expansionism itself. In Texas, Caughfield demonstrates, “women never stopped arriving with more fuel for the flames [of expansionism] as their families tried to find a place to settle down, some place with a little more room, where national destiny and personal dreams merged into a glorious whole.” In doing so, Texas women expanded not only American borders, but their own as well.
Identifying the antebellum era in the United States as a transitional setting, Imagining Southern Spaces ́investigates spatialization processes about the South during a time when intensifying debates over the abolition of slavery led to a heightened period of (re)spatialization in the region. Taking the question of abolition as a major factor that shaped how different actors responded to these processes, this book studies spatial imaginations in a selection of abolitionist and proslavery literature of the era. Through this diversity of imaginations, the book points to a multitude of Souths in various economic, political, and cultural entanglements in the American Hemisphere and the Circumatlantic. Thus, it challenges monolithic and provincial representations of the South as a provincial region distinct from the rest of the country.
Offering a compelling intervention in studies of antebellum writing, Katharine A. Burnett’s Cavaliers and Economists: Global Capitalism and the Development of Southern Literature, 1820–1860 examines how popular modes of literary production in the South emerged in tandem with the region’s economic modernization. In a series of deeply historicized readings, Burnett positions southern literary form and genre as existing in dialogue with the plantation economy’s evolving position in the transatlantic market before the Civil War. The antebellum southern economy comprised part of a global network of international commerce driven by a version of laissez-faire liberal capitalism that championed unrestricted trade and individual freedom to pursue profit. Yet the economy of the U.S. South consisted of large-scale plantations that used slave labor to cultivate staple crops, including cotton. Each individual plantation functioned as a racially and socially repressive community, a space that seemingly stood apart from the international economic networks that fueled southern capitalism. For writers from the South, fiction became a way to imagine the region as socially and culturally progressive, while still retaining hallmarks of “traditional” southern culture—namely plantation slavery—in the context of a rapidly changing global economy. Burnett excavates an elaborate network of transatlantic literary exchange, operating concurrently with the region’s economic expansion, in which southern writers adopted popular British genres, such as the historical romance and the seduction novel, as models for their own representations of the U.S. South. Each chapter focuses on a different genre, pairing largely under-studied southern texts with well-known British works. Ranging from the humorous sketch to the imperial adventure tale and the social problem novel, Cavaliers and Economists reveals how southern writers like Augusta Jane Evans, Johnson Jones Hooper, Maria McIntosh, William Gilmore Simms, and George Tucker reworked familiar literary forms to reinvent the South through fiction. By considering the intersection of economic history and literary genre, Cavaliers and Economists provides an expansive study of the means by which authors created southern literature in relation to global free market capitalism, showing that, in the process, they renegotiated and rejustified the institution of slavery.
This is a story of a remarkable woman - Lucy Holcombe Pickens - the wife of Francis Wilkinson Pickens, governor of South Carolina on the eve of the Civil War.
This fascinating study sheds new light on antebellum America's notorious "filibusters--the freebooters and adventurers who organized or participated in armed invasions of nations with whom the United States was formally at peace. Offering the first full-scale analysis of the filibustering movement, Robert May relates the often-tragic stories of illegal expeditions into Cuba, Mexico, Ecuador, Nicaragua, and other Latin American countries and details surprising numbers of aborted plots, as well. May investigates why thousands of men joined filibustering expeditions, how they were financed, and why the U.S. government had little success in curtailing them. Surveying antebellum popular media, he shows how the filibustering phenomenon infiltrated the American psyche in newspapers, theater, music, advertising, and literature. Condemned abroad as pirates, frequently in language strikingly similar to modern American denunciations of foreign terrorists, the filibusters were often celebrated at home as heroes who epitomized the spirit of Manifest Destiny. May concludes by exploring the national consequences of filibustering, arguing that the practice inflicted lasting damage on U.S. relations with foreign countries and contributed to the North-South division over slavery that culminated in the Civil War.